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She Bop II: The Definitive History of Women in Rock, Pop and Soul (Bayou Press Series) Paperback – April 1, 2004

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Product Details

  • Series: Bayou Press Series
  • Paperback: 548 pages
  • Publisher: Continuum (April 1, 2004)
  • Language: English
  • ISBN-10: 0826472087
  • ISBN-13: 978-0826472083
  • Product Dimensions: 5.5 x 1.1 x 8.5 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,435,750 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful By Peter Uys HALL OF FAME on August 11, 2007
Format: Paperback
She Bop II is an encyclopedic work on the history of women in blues, country, folk, pop, rock, soul and world music. This 2nd edition updates the story until 2001 with major new interviews and an additional chapter on millennial trends like Girlpower, Alanis Morissette and Lilith Fair, soul singers like Erykah Badu and Lauren Hill, plus pop singers like Mariah Carey and Britney Spears.

In the Prologue the author tells of her own introduction to the music world in a girl group in Southampton, England in 1979. They were called The Catholic Girls. Following this, in the Introduction O'Brien details some key changes for women in music since the publication of the first edition of She Bop in 1995.

Based on more than 250 interviews conducted between 1984 and 2001 plus many secondary sources, She Bop is not a simple chronological history but rather an exploration of themes, trends and genres. It looks at how women have negotiated their place in the music industry, the importance of role models and even the internecine rivalry.

It examines the issues that have challenged women from the blues through 1940s swing to MTV at various stages in the development of pop, for example how they deal with stardom, how they negotiate everything from contracts to image, the genres in which women predominate and women on the business side: managers, executives, publicists, journalists, producers and A&R people. In addition, the author discusses women as consumers of music.

The chapters are as follows:
Riffin' The Scotch: From Blues To The Jazz Age
Stupid Cupid: Dream Babes In 1950s Pop
The Real Thing: Motown, Spector And 1960s Svengalis
Can The Can: Whatever Happened To The Rock Chick?
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