She Was Country When Country Wasn't Cool: A Tribute to Barbara Mandrell

Various Artists (Artist) | Format: Audio CD

Product Details

• Audio CD (October 17, 2006)
• Original Release Date: 2006
• Number of Discs: 1
• Label: Bna Entertainment
• ASIN: B000ICLTKU
• In-Print Editions: MP3 Download
• Average Customer Review: 4.2 out of 5 stars  See all reviews (17 customer reviews)
• Amazon Best Sellers Rank: #157,667 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

5.0 out of 5 stars LONG overdue, October 18, 2006

By 

Randy A. Bouse - See all my reviews
(REAL NAME)   

This review is from: She Was Country When Country Wasn't Cool: A Tribute to Barbara Mandrell (Audio CD)

This project has been long overdue for this multi-talented, versatile entertainer. The mere fact that every artist contributing to this CD is either a current giant or a legend in the Country Music industry speaks volumes about Barbara's influence in the genre.

Reba McEntire is a long-time friend and fan of Barbara's and performs her "signature" #1 hit from 1981, "I Was Country When Country Wasn't Cool". She does a fine job on it giving it her own "Reba touch". However, I feel that Kenny Chesney is slightly misplaced in the part that George Jones originally performed in Barbara's version. I think the track would've been better suited having a modern-day legend like George Strait fill the part near the end. Don't get me wrong, I'm a Chesney fan - I just feel that he was not the right artist to place on this classic hit.

"Sleeping Single In A Double Bed", probably Barbara's second best-known hit, is performed by her protege, Terri Clark. During her 10+ year career in the "big leagues" of Country Music, Terri has touted Barbara as one of her main musical influences. She performs the song with her own band and does the song quite well. I was just expecting a little more substance from her since she is a self-proclaimed long time fan of Barbara's.

One of the best covers on the CD is LeAnn Rimes' version of Barbara's cross-over hit from 1979, "If Loving You Is Wrong, I Don't Want To Be Right". LeAnn gives it just the right sensual reading it needs to get the point of the song across to the listener without overdoing it. Reportedly, Barbara hand-picked LeAnn to record this specific track for the album, and I think she couldn't have made a better choice.

Brad Paisley performs a straight-ahead country interpretation of "In Times Like These", as does Dierks Bentley on "Fast Lanes and Country Roads" and up-and-comer Blaine Larsen on "I Wish That I Could Fall In Love Today". All three get an A+ for updating these songs with their own individual styles without losing sight of Barbara's style lying underneath, while Gretchen Wilson's version of Barbara's first major hit, 1973's "The Midnight Oil", doesn't stray too far from the original in execution, but seems to lack Barbara's warm, yet emotional delivery.

Lorrie Morgan delivers a raw, acoustic reading of the Top 20 hit from 1976, "That's What Friends Are For" and knocks it right out of the park! She conveys a lot of the emotion and sadness that Barbara portrayed in her recording 30 years ago. On the other hand, Randy Owen's take on the 1980 #1 hit, "Years" is not quite what I expected. I like Randy's voice normally, and I'm a HUGE Alabama fan. I just feel this song would have been better delivered by a female vocalist like Martina McBride, Trisha Yearwood or Lee Ann Womack. Not that his version is not good - just my opinion.

Being a big Sara Evans fan, I may be a little biased on this opinion, but I think her "modernized" version of the 1980 Top 5 "Crackers" is well-done! Barbara herself has said that at the time in 1980, she thought the song was great, but feels listening to it now sounds a little "cutesy and SESAME STREETish". She slowed the tempo down a bit and "fattened" the bass up more from the original. I think Sara could have a BIG Country hit if it were to be released as a single since sadly much of today's generation is unfamiliar with Barbara's body of work and, even MORE sadly, who she even is!

CeCe Winans' cover of Barbara's Grammy-winning gospel track "He Set My Life To Music" is the PERFECT closer to this project! It sums up Barbara and her career in one song, and Winans' version of this great song sent chills through me the first time I heard it, and at least deserves another Grammy nomination for Best Gospel Performance (if not to win!)

Overall, this project is very well-produced and as I said above, long overdue.

Now if we can just get the rest of Barbara's work re-released onto CD from her years with MCA from 1975 to 1986. Even a Box Set would be great! Let's give this beloved legend the respect she deserves and expose her talent to future generations of country music lovers and artists.

12 of 14 people found the following review helpful:

4.0 out of 5 stars Great tribute to a missed artist, October 17, 2006

By 

Allen Chapman (STAFFORD SPRINGS, CT USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: She Was Country When Country Wasn't Cool: A Tribute to Barbara Mandrell (Audio CD)

Since Barbara Mandrell retired in 1997, she has been badly missed by her fans. Having been a fan since 1981, I for one have missed hearing anything new from her. It was great to hear that this new tribute album was coming out. For most part the artists on the album do a great job. The only two songs that I feel are not so hot are Terri Clark's "Sleeping Single In A Double Bed" which sounds very lifeless, a surprise considering Clark is a huge Mandrell fan. The other less than stellar selection is Sara Evan's "Crackers" which again, sounds very lifeless. Reba McEntire & Kenny Chesney do a great job on "Country When Country Wasn't Cool" as does Lorrie Morgan on "That's What Friends Are For". I also liked Brad Paisley's price increase of the nickle candybar on "In Times Like These". Randy Owen of Alabama does a good job on "Years" but Mandrell's version remains the definitive version.
Overall this is a great disc, a great reminder of the work Barbara Mandrell did. Too bad she didn't contribute a song herself, but she does write her thoughts to each performance in the booklet. Perhaps we will finally get a long overdue boxed set out of this if this sells well enough.

9 of 11 people found the following review helpful:

5.0 out of 5 stars Incredible, well-deserved tribute!!!, October 17, 2006

By 

MusicJ "Music nut" (Detroit, MI USA) - See all my reviews

This review is from: She Was Country When Country Wasn't Cool: A Tribute to Barbara Mandrell (Audio CD)

I'm a lifelong Barbara Mandrell fan and was elated when I heard of this tribute. That so many veteran and contemporary artists wanted to be involved says a lot about her influence and the timelessness of much of her music. Almost every song is done with a new twist, which I prefer over a carbon-copy style performance. Kenny Chesney's & Reba McEntire's version of I Was Country is the only track lacking excitement and soul. All of the uptempo songs sound completely fresh and could be country hits again. Sara Evans' version of Crackers is superior to the original cutesy version and both Brad Paisley and Dierks Bentley knock In Times Like These and Fast Lanes and Country Roads, respectively, out of the park! The ballads are well done also, especially Willie Nelson and Shelby Lynne on the sparse arrangement of This Time I Almost Made It and LeAnn Rimes' soulful take on If Loving You Is Wrong. LeAnn's song choices and style make me think of her as a modern day Barbara Mandrell, at least musically. Gretchen Wilson, one of the very few original sounding female stars today, did a great version of The Midnight Oil. She was the perfect person for that song. I do think Randy Owens' cover of Years and Lorrie Morgan's cover of That's What Friends Are For could have been a little more sparse and were lacking the fragile, heartfelt emotion of the stunning originals. But CeCe Winan's version of He Set My Life to Music makes up for any shortcomings. It's simply stunning and deeply moving.

This tribute is amazing but it sure does make me long to hear the soulful Barbara Mandrell sing once again.