She & Him - Volume Two

M. Ward, She & Him | Format: Audio CD

Product Details

• Audio CD (March 23, 2010)
• Original Release Date: March 23, 2010
• Number of Discs: 1
• Label: Merge Records
• ASIN: B0036BDQ4W
• Also Available in: Audio CD  |  MP3 Music
• Average Customer Review: 4.2 out of 5 stars  See all reviews (82 customer reviews)
• Amazon Best Sellers Rank: #1,640 in Music (See Top 100 in Music)

Editorial Reviews

What began as a fascinating, no-strings-attached collaboration on 2008's Volume One has evolved into a bona fide, touring band, and She & Him are here to stay. Zooey Deschanel and Matt Ward are a comfortable and complementary musical pair; hearing them again on Volume Two feels like getting together with two old friends. This time, the harmonies have grown more angelically layered, the string arrangements more dramatic, the songwriting even sharper and more confident. All songs (except 4 and 7) written by Zooey Deschanel. Produced by M. Ward.

Most Helpful Customer Reviews

132 of 137 people found the following review helpful

4.0 out of 5 stars She & Him - Volume Two 7/10 March 23, 2010

By Rudolph Klapper VINE™ VOICE

Format:Audio CD

Volume Two is about as appropriate a title as one could hope for from Zooey Deschanel and M. Ward's second collaborative effort. It's simple, it's straightforward, and it's without a doubt true: where 2008's Volume One was the first example of She & Him's sun-kissed brand of `60s girl-group pop and singer-songwriter folk pastiche, Volume Two is, uh, the second. Volume One consisted of thirteen tracks, three of those covers; Volume Two consists of thirteen songs as well, but ups the ante with only two covers. M. Ward makes only the occasional vocal contribution, preparing to work the production behind the scenes and let his vintage guitar do the talking, as he did on Volume One. Hell, even the album art is eerily similar, with that same slightly creepy faceless girl and a different color scheme. And Zooey is, well, still Zooey, never falling prey to the conceit of oversinging and using that lovely, country-inflected alto to melt Ben Gibbard's heart. In short, it's the same She & Him those who enjoyed Volume One fell in love with, and it's the same She & Him that bored many to tears.

Is this a bad thing? Every listener will have a different opinion, but what it really comes down to is how you like your pop music, and whether you were really expecting any stretches in musical boundaries for Ward and Deschanel. To begin with, She & Him were never a revolutionary idea, merely two friends recalling the sounds of their youth and recreating them with the kind of steady hand and fine point that love and care brings along. They accomplished that effortlessly on their debut, and the results are more or less the same here. "In The Sun" is the same kind of guaranteed hit single (if one lived in the `60s) that "Why Do You Let Me Stay Here?" was, although it lacks the blistering guitar solo that made the latter so much fun. Songs like "Don't Look Back," the gentle "Lingering Still," and the swelling, bubbly tones of opener "Thieves" all call to mind the kind of Brill Building via Nashville blend that She & Him performed with so much flair on Volume One, and really nothing more. The fact at the heart of everything on Volume Two is that everything here could just as easily have been on Volume One.

But what made Volume One such a great record was its time capsule-esque quality, how it captured the sound of a bygone era and made it in the here and now without a hitch, and Volume Two, for all its (some would say necessary) similarity to its predecessor, repeats that feat remarkably well. While listening to the repetitive titular refrain of "Over It Over Again" near the end of the record, I was frustrated, disappointed with the seeming sameness of the record. It's a classic case of overlooking the forest for the trees. Volume Two is a beautifully crafted record, as more listens prove - so long as you accept that this is what She & Him are and have been, and that this is what She & Him will likely always be. NRBQ cover "Ridin' In My Car" is a delightful beach cruiser of a song, with a rare Ward appearance the icing on the cake. "Me and You" takes the duo's understated country appreciation to a serene, gorgeous place, all wobbly pedal steel and Deschanel's woodsy, `70s folk singer vibe. And "Home" might be She & Him's best song yet, a graceful swoon of a song floating in breezy strings and airy drums, the kind of cool, carefree California rock `n roll that Deschanel epitomizes.

There won't be that same flashbulb that went on after hearing Volume One, that shock that this was a modern working actress and her pal and not some long-lost Beach Boy groupies. For better and for worse, She & Him can't go back to the beginning, but they can do a fine job of recreating it. This is lighthearted, carefree pop music, but it's also surprisingly enchanting and, well, so damn catchy. There's nothing clumsy about this, no famous actress hooking up with a talented songwriter to write meaningless songs - just a guy and a girl inviting you to share in their mutual loves a second time. And for all its delicate curves, for all the "ooh-ahs" and multilayered harmonies, for all the guitars on strings and bouncy piano and crisp drums, that's just exactly what it is: a love for good, old-fashioned pop music, pure and simple.

26 of 28 people found the following review helpful

4.0 out of 5 stars Him & Her, He & I, Us & Them March 23, 2010

By William Merrill TOP 500 REVIEWERVINE™ VOICE

Format:Audio CD

Rating-wise, I'm with customer Klapper on this one - 3 & 1/2 stars for Zoey & Matt's 2nd release(or "7/10," as he put it). It's a seamless continuation of what the duo did on Volume One, the same style (a throwback to the 50s and 60s), with a child-like simplicity to the melodies, but all very sweet and cheery. M Ward has designed lush backdrops for Ms Deschanel's wistful singing, full of strings, pedal steel, pillowy backing vocals, etc. As for Zoey's singing, she's got a soft touch reminiscent of Nancy Sinatra or Astrud Gilberto. (Again, we're back in the mid 20th Century.) As a songwriter, she has described her creative impulses as being present for many years, the songs just pouring out of her. She writes pretty songs that are light and breezy, but they're also relatively low-impact, forgettable tunes - about two or three tiers below the hit-making songwriting examples she emulates (King & Goffin, Mann & Weil, etc.). In other words, I might find myself vaguely humming bits of one or two of these songs, but I won't know WHAT I'm humming. Overall, Volume One AND Volume Two are both very pleasant listening, but more as background music than as engrossing or involving songs.

20 of 22 people found the following review helpful

4.0 out of 5 stars Volume Two: Imperfect but Indelible March 23, 2010

By The Headphone Transmissions

Format:Audio CD

Volume Two stars our same beloved team, actress Zooey Deschanel and acoustic guitar virtuoso M. Ward.-- Only this time, they're accompanied by a newfound sense of critical anticipation and expectation. Volume One, the duo's debut release, was the 2008 indie favorite, and only two years later, the they're back in the game with thirteen new tracks.

The album definitely has a familiar vibe; somewhere between Beach Boys and Beatles territory, leaving room only for Deschanel's charming vocal prowess and M. Ward's endlessly creative musical understanding. First single "In the Sun" is a respectable starting point for a new listener-- Simple and catchy in tune, and quirky and cute in lyric. The two also tackle a few classic covers (NRBQ's "Ridin' in My Car" and Skeeter Davis's "Gonna Get Along Without You Now"), and these are wonderful renditions that a new set of ears would find appealing.

Other original, Deschanel-penned tunes stand out as well; the sunny, schoolgirl-esque "Lingering Still," the heartbreakingly intimate "Thieves," and the melodically and lyrically clever "Brand New Shoes." In comparison to Volume One material, these songs aren't revolutionary, but they are still very strong tunes that benefit from repeat listens.

A very small few of the tracks, however, have a few itches left unscratched. Pieces like "Over It Over Again" and "Home" are decent tunes, but lack either a boost in lyrical creativity or melodic progression, respectively. "Don't Look Back" also takes a few listens to crack-- The piano arrangement is an obvious recreation of the legendary "In My Life" (Lennon/McCartney) composition, and the chorus melody is borderline repetitive. These small misses, though, do little to weigh the album down as a whole.

Overall, M. Ward's production is much more polished this time around (for better, or for worse), and the collaboration seems more natural and confident. Deschanel's vocal "folk" side is noticeably less forced than in previous recordings, while the direction of the music is still very vintage and colorful.

Well done, my She and Him. After three consecutive listens, I am eager for another. I smell a hint of summer bliss just around the corner...