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2 of 2 people found the following review helpful:
5.0 out of 5 stars
A dark masterpiece, June 24, 2002
This review is from: Sheepshagger: A Novel (Hardcover)
There will be inevitable comparisons with Cormac McCarthy, which are well-taken, as the language is certainly evocative of some of McCarthy's earlier works, such as "Child of God" "Outer Dark" and, especially, "Blood Meridian." But Griffiths has his own voice and it is a distinctive one. This is a haunting story , set in modern Wales, concerning a feral young man named Ianto who in his rage against, among other things, yuppies who have usurped his ancestral home, wreaks bloody revenge upon various outsiders. The langauge is incredibly rich in describing nature and his surroundings, certainly over-the-top in its lyrical lushness. The sense of class rage is never far from the surface, as the Welsh underclass is set against rich interlopers, and one can symphatize with their antipathy towards the new arrivals. (There's a fair amount of graphically described violence in the book, and it is certainly not for the squeamish.) I read this in the UK edition a while ago, and it is the second of three Griffiths novels to come out there. I suspect all three will be soon available here, if they are not already (the others are "Grits" and "Kelly + Victor".) "Sheepshagger" is certainly one of the most impressive modern novels I have read in years, and I'm surprized it was not considered for any major awards. I had the same excitement reading this that I had when I first picked up "Blood Meridian" 15 years ago or so, and I think most readers will also feel the same way.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Blue Eyed Sheep?, December 13, 2002
By A Customer
This review is from: Sheepshagger: A Novel (Hardcover)
A blurb on the jacket of Sheepshagger makes a comparison between Mr. Griffiths and Cormac McCarthy. It then continues, to state Griffiths is "his own man." Maybe. Griffiths is obviously heavily influenced by McCarthy, not necessarily a bad thing, but with the crawling out of the woodwork plethora of McCarthy imitators being published, is he just another sheep in the flock? Like some wide eyed proselyte Griffiths lifts ideas and passages from several McCarthy novels in Sheepshagger; The Shrike from Blood Meridian. Judge Holden's proclamations on man and nature is turned into (or, in to, as Griffiths habitually disdains compound words in the rather of making up his own sometimes hyphenated ones, sometimes not- another McCarthy trait, the latter) one of Ianto's stoner friends declamation on good versus evil. Lester Ballard's necrophilia, from McCarthy's Child Of God, is evident. The omnipresent work of weathering as in "wind blown stone" used repetitiously by the author. There is more. That said, Sheepshagger is one powerful novel. While others try to imitate, or duplicate, Griffiths expands. As a McCarthy purist, I found this novel an exteroceptor that stimulated the same primeval substrata of brain that McCarthy's works do. Once the author puts aside his archaic thesaurus he is capable in a single sentence, or two, of accomplishing the description of feeling and place and objects that other writers ascribe to and do not accomplish with entire novels. One can also read, in Sheepshagger, a wholly profound passage and find nary one misplaced word. The scenes overcoming their own velocity, their very decrepitation scrawled as if on paper described as if "wind worn" into a stone of the authors own making. The violence unapologetic, real for you to delineate. I could find fault with this novel, anyone could, but the sheer intelligence of the writing does not allow that. Sheepshagger is a singular work of, at times, almost astounding brilliance. You will find reflections of Trainspotting and A Clockwork Orange, besides McCarthy's novels, held within. Go at your own risk. If you are a survivor of sexual abuse, please take extra caution. Cormac McCarthy was awarded a `MacArthur Genius Award' for his writing. His being. Mr. Griffiths isn't close to that yet. But, I will be most certainly waiting for his next novel with the hopes that he, like McCarthy, will not fear repetition.
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2 of 3 people found the following review helpful:
4.0 out of 5 stars
Invader vs. native: truly gripping & sensitive tale, December 24, 2002
This review is from: Sheepshagger: A Novel (Hardcover)
While not a fan of Cormac McCarthy, this Welsh work I enjoyed immensely. Alternating vignettes of natural and inner beauty with harsh violence and chemically-induced ecstasy, Griffith allows Ianto and his mates to emerge here to gain both the sympathy and aversion of the reader. Never straining for sensationalism at the expense of character development, the author sets the figures in a landscape embodying the ancient clash of Welsh native against English invaders while avoiding heavy-handed allegory. Griffith's accounts of raves, drunken binges, and sheer frustration provide an engrossing narrative. I wondered, when reading, if the characters had previous encounters in other Griffiths novels or stories; there's a lived-in quality they share that I found appealing--as if I was eavesdropping on them rather than viewing them as fictional figures. I don't give five stars easily. I suppose only waiting for more astounding heights for Griffiths to climb prevents five stars for a writer at the start of his career. I anticipate his other books will gain greater distribution soon; if there's a trilogy, then it deserves serious attention. Similar to Irvine Walsh, the dialect may slightly put off those wanting a quick dash through its pages; rewarding by its density and wit, this novel kept me eager to return to its pages. Similar to George Saunders' stories, a genuine compassion underlies the sensational surface. Similar to Magnus Mills' novels and Michel Faber's Under the Skin, Griffiths mixes stark settings with nearly symbolic tension overwhelming its visitors.
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