“Bayard bases his conclusion that Holmes got it wrong on a close reading of the novel and a sharply reasoned appraisal of the characters’ actions and Holmes’s own interpretations of them. This is a fascinating approach to literature…Bayard rewards [readers] with a new appreciation of the story, its hero, and its creator.”—Booklist “Close reading and iconoclastic analysis of classic detective fiction…[An] audacious revisionist view of one of the best-known mysteries of all time…Bayard picks apart the apparently airtight case Holmes assembled in The Hound of the Baskervilles and offers an alternative solution.”—Publishers Weekly “Cultural gadfly Pierre Bayard returns to the genre of ‘detective criticism,’ which he invented fifteen years ago… The result is a new, startling way to think about one of Sherlock Holmes’s most famous cases.”—Very Short List
Reading this book made me scramble back to my old copy of Sherlock Holmes mysteries. One particularly disturbing aspect of this stunning new analysis suggests Sir Arthur Conan Doyle had a vendetta not only against his creation...but also Sherlock Holmes fanatics. It warns the reader of an unorthodox way of understanding the complex interaction between fiction and reality. The cruel irony of realizing we as readers can be tricked into believing one conclusion when the real one is in plain view should be lost on no one. This book may end up becoming a classic in literary criticism.
If you are interested in semiotics, freudian analysis, and sherlock holmes (and I am sure most of you are) then this book is a brilliant find. In its frugal, non-franco-typical 188 pages, the author covers a very broad range of topics from contemporary lit-crit to cognitive psychology, while demonstrating a delightful command off Holmes and Holmes critical impedimentia.
There are two central ideas. First, Bayard explores the relationship between literary characters and reality, which leads to a quick detour through our collective subconscious. Second, there is a meditation on positivism and pseudoscience, with a shout-out to freudian contributions to the scientific method. These two ideas are dialectically synthesized into the conclusion that Holmes' methods are fundamentally flawed and lead to a flawed outcome in the Hound of the Baskervilles, which quite simply Sherlock fouls up to a fair-the-well.
Bayard, with a better understanding of the cognitive processes of real and fictional characters (Conan Doyle and Holmes, specifically) is able to utilize Holmes' techniques of close observation and deduction to discover the true culprit in the tale, which I won't spoil by revealing. His "solution" is analytically compelling and represents a coup de main for the new criticism ideas of close textual reading and multiple interpretations of texts. In fact, he makes those highly academic ideas quite fun while letting that poor doggy off the hook.
A glowing beast stocks what is supposed to be the last of the rich and influential Baskerville family. At least two men seem to have been killed on the cold and desolate English moor by the bloody hound. All hopes for the future of the young Baskerville rest on the cunning of the world's most famous detective, Sherlock Holmes. But did he get his conclusion all wrong? Did the real murderer go free?
According to French literature professor, Pierre Bayard, not only did Holmes make numerous mistakes, Arthur Conan Doyle (Sherlock's creator) hated the character so much that by the time he wrote The Hound of the Baskervilles he couldn't see who the real murderer was either.
Bayard follows the story from the outcry that arose around the world when Conan Doyle killed Holmes in The Final Problem. The intensity of the opposition to Holmes' death proved to be more than Conan Doyle could handle. He grudgingly continued writing the stories despite his desire to move to other stories.
Bayard's supposition, that evidence in the Baskerville case was overlooked and that Holmes repeatedly saw what he wanted to rather than what existed on the page, is intriguing and makes for an interesting and short read. The book opened up an entire world of literary theory that argues that characters in books can be as real as live human beings because of the impact they have on the everyday life.
Humm... I'll have to think about that. The consequences are alarming, but then, so is reality.
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