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Shift (The Shifters, Book 5) [Mass Market Paperback]

Rachel Vincent (Author)
3.9 out of 5 stars  See all reviews (64 customer reviews)

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Book Description

March 1, 2010
Being the first female werecat enforcer isn't easy. Scars accumulate, but I'm stronger in so many ways.

As for my personal life? It's complicated. Choices worth making always are. Ever since my brother's death and my father's impeachment, it's all I can do to prevent more blood from spilling. Now our Pride is under attack by a flight of vicious thunderbirds. And making peace with our new enemies may be the only way to get the best of our old foe.

With the body count rising and treachery everywhere, my instincts tell me to look before I leap. But sometimes a leap of faith is the only real option….


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Editorial Reviews

Excerpt. © Reprinted by permission. All rights reserved.

"You should leave. Now." My father's growl of warning resonated in some dark, primal part of me, and suddenly I craved torn flesh and fresh blood glistening in moonlight. Wave after wave of bloodlust crashed over me and I swayed beneath the onslaught, struggling to control it. We would have justice for Ethan. But this was not the time. Not the place.

Though my father's office practically sizzled with the rage that flowed through me and my fellow enforcers, Paul Blackwell, acting head of the Territorial Council, seemed completely unaffected. I watched him from my place near the closed office door, both arms—my right still in a cast—crossed over my chest.

Blackwell planted his old-fashioned wooden cane firmly on the Oriental rug and leaned on it with both hands. "Now, Greg, calm down…I'm only asking you to consider the greater good, which is exactly what you claim you'll honor, if you're reinstated as council chairman."

Unfortunately, that seemed less likely with each passing day. In the week since we'd buried my brother, Nick Davidson had announced his support of Calvin Malone as council chair, which meant that my father now needed the last remaining vote—from Jerold Pierce, my fellow enforcer Parker's dad—just to tie everything up.

And a tie wasn't good enough. We needed a clear victory.

My father sat in his wing chair at the end of the rug, and his refusal to rise was—on the surface—an uncharacteristic show of disrespect toward a fellow Alpha. But I knew him well enough to understand the truth: if he stood, he might lose his temper. "You're asking me to let my son's murder go unavenged." His voice was as low and dangerous as I'd ever heard it, and I swear I felt the rumble deep in my bones. It echoed the ache in my heart.

"I'm asking you not to start a war." Blackwell stood calm and steady, which must have taken substantial self-control, considering my father's comparative youth and bulk. And his obvious rage. Even in his late fifties, Greg Sanders, Alpha of the south-central Pride and my father, was a formidable force.

My dad growled again. "Calvin Malone started this, and you damn well know it."

Blackwell sighed and glanced around the room, and as his tired gaze skirted the three other Alphas grouped near the bar and the scattering of enforcers along the walls, I got the distinct impression that he would much rather have been alone with my father.

The other Alphas and two enforcers apiece had arrived early that morning for one last strategy meeting before the south-central Pride and our allies launched the first full-scale werecat offensive the U.S. had seen in more than six decades. It was Saturday. We planned to attack in three days—just after sundown on Tuesday night. Anticipation hummed in the air around us, buzzing like electricity in my ears, pulsing like passion in my veins.

We could already feel the blows, every last one of us. We could taste the blood, and hear the screams that would soon pierce the still, cold February night. We were living on the promise of violence in answer to violence, and several of the toms around me teetered on the thin edge of bloodlust, riding adrenaline like the crest of a lethal wave.

Surely Blackwell had known his mission was a failure the moment he walked into the house.

Our allies were expected, but Paul Blackwell's arrival had been a total surprise. Just after lunch, he'd pulled into the driveway in a rental car driven by his grandson, a cane in the old man's hand, determination in his step. But that wouldn't be enough, and neither would the authority of the Territorial Council, which he wore like a badge of honor. Or more like a badge of shame, considering that nearly half of the council's members were present, and not one looked happy to see him.

Blackwell shuffled one foot on the carpet and closed his eyes, as if gathering his thoughts, then his heavy gaze landed on my father again. "Greg, no one is happy about what happened to Ethan, least of all me. Calvin has been formally reprimanded, and the enforcers involved—" the surviving ones, presumably "—have been suspended from duty indefinitely, pending an investigation."

"Who's leading this investigation?" My uncle Rick asked from across the room, a half-full glass of brandy held near his chest. "And who will be allowed as witnesses? Do you honestly think the council is capable of justice, or even impartiality, in its current state?"

Blackwell twisted awkwardly toward my uncle—my mother's older brother. "Frankly, I think the current state of the council is nothing short of a disaster. But abandoning the very order that defines us is no way to repair the cracks that have developed in our foundation." Then he turned to face my dad again. "Fortunately, I believe you dealt with the actual guilty party yourself."

In fact, my father had torn out Ethan's murderer's throat before my brother had even breathed his last. The offending tom was disposed of in the industrial incinerator behind our barn, his ashes dumped unceremoniously on the ground several feet from the furnace, then stomped into the dirt by everyone who tread over them.

But that small act of revenge did little to ease the blazing wrath consuming all of us.

"Calvin Malone is ultimately responsible for Ethan's death, and he will pay that price." My father's words came out cold, as if he didn't feel a word he'd said. But on my right, Marc's hands clenched into fists at his sides, and Jace went stiff on my left. From the couch, Michael was nodding grimly. We were ready. Vengeance was overdue.

"The council has taken official action on this matter," Blackwell continued. "I know you're not satisfied by that action, and that's understandable, but if you strike at Malone after he's accepted censure, you'll be throwing the first punch."

"Are we children, playing this blame game?" My father finally rose from his chair, and Blackwell had to look up to meet his fury. "Are you so focused on who's at fault that you can't see the larger picture? Calvin Malone is out of control, and if the council can't rein him in, we will."

On the other side of the room, Uncle Rick, Umberto Di Carlo, and Ed Taylor nodded in solidarity. They'd thrown their support behind my father and pledged their manpower to fight alongside us.

"The larger picture is exactly what I'm looking at." Blackwell held his ground as my father stalked toward him. "You're talking about civil war. How does that benefit the greater good?" He glanced down at his cane, but when he looked up, resolve straightened the old man's thin, hunched spine. "My eyes may be old and weak, but I see this clearly, Greg. The U.S. Prides cannot afford to go to war."

My father met his gaze steadily. "Neither can they afford to be led by Calvin Malone." He stepped around the older Alpha and took the glass his brother-in-law held out to him, sipping from it as Blackwell turned slowly, leaning on his cane while he scanned the room.

The council chair's gaze fell finally on my mother, who sat stiff and straight in a leather wing chair in one corner, half-hidden by the shadows. Long before I was born, she'd sat on the council, but I couldn't remember her ever taking active part in council business during my lifetime. Yet no one had objected when she'd filed into the room behind our unexpected guest, after showing him into the office.

"Karen…" Blackwell said, and the irony of his appeal to her irritated me like a backward stroke of my fur. The old man's record on gender equality was solidly con, yet he had the nerve to address my mother in her own home. "Would you really send your sons to die at war, if it could possibly be avoided?"

My mother's eyes flashed in anger, and my breath caught in my throat. She stood slowly, and every face in the room turned toward her. "In case you haven't noticed, Paul, I don't have to send my children to war to watch them die. Less than two weeks ago, Ethan was murdered on our own land, the result of an action you sanctioned." She stepped forward, arms crossed over her chest, and suddenly the resemblance between me and my mother was downright scary. "Yet you stand here, in my own house, asking me to speak against justice for his death? Asking my support for a council leader who stands for everything I hate? You're a bigger fool than Malone."

Blackwell stared, obviously at a loss for words, and the tingle of delight racing up my spine could barely be contained.

And my mother wasn't done. "Furthermore, if Calvin Malone takes over the council, the status quo will sink to an all-new low. What makes you think I want you, or him, or any other man to tell my daughter when and whom she should marry, and how many children she should bear? Yes, I want to see Faythe married—" my mother glanced at me briefly "—but that's because I see in her—sometimes deep down in her—the same fierce, protective streak I feel for my own children. And because I want to see her happy. That's a mother's right. But it is not your right. And you won't convince a single soul here that you bear the least bit of concern for her happiness."

"Karen…" Blackwell started, but my mom shook her head firmly.

I squirmed, in both embarrassment and pride, but my attention never wavered from my mother's porcelain mask of fury and indignation. "Listen closely—I won't say this again." She took another step forward, her index finger pointed at the council's senior member, and those spine-chills shot up my arms. "Do not mistake my even temper and my contribution to the next generation of our species as either docility or weakness. It is that very maternal instinct you're appealing to that fuels my need for vengeance on my son's behalf, and I assure you that need is every bit as great, as driving, as my husband's.

"Now," she contin...


Product Details

  • Mass Market Paperback: 400 pages
  • Publisher: Mira; Original edition (March 1, 2010)
  • Language: English
  • ISBN-10: 0778327604
  • ISBN-13: 978-0778327608
  • Product Dimensions: 6.8 x 4.1 x 0.9 inches
  • Shipping Weight: 7 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (64 customer reviews)
  • Amazon Best Sellers Rank: #100,595 in Books (See Top 100 in Books)

More About the Author

Rachel Vincent is the author of the Shifters series, about a werecat named Faythe Sanders, who is learning to define her own role in her family and fighting to claim a place in her Pride.

Rachel's young adult series, Soul Screamers, debuted on August 1, 2009. My SOUL TO TAKE is the first in the series, about a teenage bean sidhe (banshee) trying to balance a normal high school experience with the terrifying, hidden world she's just discovered. Soul Screamers Book 5, IF I DIE, will be available on October 1, 2011.

BLOOD BOUND (Unbound, book 1), the first in Rachel's new adult paranormal series, will debut September 1, 2011.

A new resident of San Antonio, Rachel Vincent has a BA in English and an overactive imagination, and she consistently finds the latter to be more practical. She shares her workspace with two black cats (Kaci and Nyx) and her # 1 fan. Rachel is older than she looks-seriously-and younger than she feels, but remains convinced that for every day she spends writing, one more day will be added to her lifespan.



 

Customer Reviews

64 Reviews
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4 star:
 (22)
3 star:
 (7)
2 star:
 (7)
1 star:
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Average Customer Review
3.9 out of 5 stars (64 customer reviews)
 
 
 
 
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54 of 64 people found the following review helpful:
2.0 out of 5 stars Seriously?, March 16, 2010
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Well, I finished Shift last night, and even after sleeping on it and debating this review, I'm left with this thought: Thank hell there's only one book left in the series.

I've been with the series since the beginning and have felt all the way through that the books are entertaining, but the main character is a chore. In this book, I actively detested her. And unfortunately there wasn't any overall series arc development to distract myself from the tedium of Faythe in Shift. In fact, this entire book felt more like a dark, depressing detour from the great highway of the series as a whole. It certainly did nothing towards furthering the plot of upcoming war between prides. It possibly provided a sort of ally...maybe...but the sort of ally that'd eviscerate you sooner than help you. I just don't get it. And I'm sorry, but for some reason it really started to grate on my nerves that Faythe is the main character of this series, because frankly, it makes EVERYONE else around her seem ineffective at best, and completely idiotic at worst - including her father, the alpha. If Faythe is the best that the pride can do to actually get things done, they've got bigger problems than Malone.

And is it just me, or does the same sort of thing happen in every book? Faythe gets kidnapped. Her value as a tabby is shoved down our throats. Her all-important (but by this point, overwritten) struggle to maintain her value as an enforcer is called into question. She's assaulted and bedraggled. She overcomes some sort of stupidity of her own making. She pushes away/denies/betrays Marc. She looks back and pats herself on the back for her "growth." Lather. Rinse. Repeat.

Faythe is one of the most self-centered, narcissistic, selfish, petulant, immature characters I've ever had the misfortune of seeing star in a series. Her misplaced sense of entitlement is beyond the pale. I tolerated her through the first few books because I thought the surrounding story was good enough and I expected her to grow into a stronger, better person. After Shift, I've given up hope of that. Her behavior concerning the Jace-Faythe-Marc debacle was utterly contemptible. Period. The fact that that triangle exists at all and that the author beat us over the head with it to the exclusion of arc progression was inexcusable. The utter prostitution of Marc's character development in the series to date to ALLOW for it is reprehensible. And if the ONLY reason Vincent killed off Ethan, one of my favorite characters of the series, was to give Jace and Faythe a reason to screw, it's disgusting. If I wanted to read an urban fantasy series ripe with inexplicable emotional vomit spewing across the pages, I'd go back to reading LKH's Anita Blake series.

All that being said, I give Shift two stars. The second one was for the creation and originality of the thunderbird race. Rachel Vincent can tell a story - obviously, I don't always agree with the manner in which she does so, but I will not deny that her narrative is compelling and her imagination is impressive. I wish a bit more thought had been given to the series arc and the gradual progression of her characters, so each book didn't have the same rough formula, but I have read each book and intend to read the last, so that's something, I guess. Shift, though, was disappointing, and I felt it a severe step back in character development and a detour in series arc.
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31 of 40 people found the following review helpful:
1.0 out of 5 stars A shift from "reality"., March 3, 2010
By 
Tizroc (Eugene, OR) - See all my reviews
This review is from: Shift (The Shifters, Book 5) (Mass Market Paperback)
I had to step in and write a review for this travesty. All the bunny happy everything is soooo good without any reason was just too much. Let me preface this with saying that the first three in this series were rated all 4 or 5s. The fourth instance getting a low (for me) three star rating because it was very, very (I cannot get enough veries in this) redundant. This book was so bad that I will admit to a much deserved anger streak... I mean I buy the audiobook versions and they cost a lot.

Every book starts with Faythe screwing up her life and ending with her barely making amends only to say the tag line in each book "If I take this road... I can never be the same/look back" or something similar. Yet each book has her once again doing the same thing, the same way. It is nauseating that the character development only exists in each book and falls like tatters to the ground between books.

**Character spoilers below**
Jace's development doesn't come as a surprise.. and is very congruent with his personality. He is opportunistic and slightly slimy.. This is the only male character who acts consistently through the book.

Marc is an aggressively alpha kind of alpha. He is very possessive, yet we are supposed to believe that he would willingly wait for his turn with Faythe (who is valued over anything else) and wouldn't rip out Jace's throat RIGHT after saying he will have to kill Jace for being a potential rival for the alpha male position (which he values less). This Genre seems to have been peppered with prose written by women who have a Mary Sue complex and have never been within 100 feet of a possessive male. The character shark jump makes the pathetic love triangle unreadable and downright nauseating.

Faythe is not a flawed character who is slowly learning to be a better potential alpha. She is a skank who is so unbelievably selfish that she seems to be incapable of even being true to herself. Marc sacrifices himself for her, and the pride... so when he is in trouble she skanks around, then She ends every book saying how much she has learned and saying how she can never go back to what she was like because she has crossed some milestone in growing up. That is until the beginning of the next book. It is like the author has a story generator and just puts in a few choices and it spits out a story.
Read: Faythe cannot deal with her life the way it is so she screws up by ___________. Then comes face to face with her worst fear of being kidnapped (or someone tries to kidnap someone) by a bunch of ____________. The _____________ are out for blood because the members of the South Central Pride are smack in the middle of _______________. Faythe makes all this much worse by ____________, but realizes her mistake (which inevitably was the same mistake she vowed she could never go back to because she crossed some invisible line). She then tries to make amends on her own only to get kidnapped and threatened with rape and violence. She then gets a hail Mary pass in the form of _____________, which allows her to over come her current situation where everyone is astonished by her awesomeness. She then realizes that she has crossed a barrier or some other threshold and can never.. ever go back to being the way/person she was (until the next installment generator is run). All the while perpetrating horrors on Marc. She deserves neither of these two men (even Jace), and Marc doesn't deserve to have to be with her. This story writing isn't anguish to make the story more interesting... if that was the case it would be a new anguish or realistic character response to the character's problems. Marc standing in line for his turn with Faythe reads as unrealistic for the entirety of the whole series and everything in this book until he says this. Of course Jace said he would share also (which even Faythe says she doesn't believe). The whole story reads like a scary story genre over board party with horrible Mary Sue wet dream fulfillment from the author. I have rarely been so disappointed in an author as I am in this one. The rabid narcissistic self fulfillment in this romp reads as real to the character development as the Enquirer is to real news.

The war development is very stagnant within the confines of the majority of the book. This is the first time we see the South Central pride and their group consolidating some power base and seeing them use even the slightest bit of wisdom to create external relationships to benefit them, but only as an after thought. To be honest the horrible, horrible and contrived relationship stunt made me want to put the series down... but by some misguided love for the earlier books in the series I tried to soldier on. This is quickly becoming the new Anita Blake ever de-evolving story line.. at this point at least the author only plans on humiliating good taste for one more book. Her single story power for writing is great (one hit wonders).. but her multi book story arc and originality lack everything to be desired. Here is to hoping she pulls out something good and original for her final episode and that she kills the series with as little fuss as possible. Faythe deserves to be unceremoniously put out of our misery.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Gearing up for the end, May 18, 2010
By 
Michele Lee (Louisville, KY) - See all my reviews
This review is from: Shift (The Shifters, Book 5) (Mass Market Paperback)
I bought this book.

Since this is the fifth book in the series readers really should be familiar with Faythe, Marc, Jace and the shifter world before picking this volume up. If you start here you should be able to pick things up, but the true levity of the situation is more complicated than this one book can explain. In fact, when compared to the rest of the series Shift is clearly a focusing book, eliminating some plot lines and focusing as the series comes to an end.

Faythe Sanders is a werecat, the prized female of her family, but abhorred by much of the rest of werecat society, which holds females to be used and manipulated for power (and to pop out babies to get more of the rare "tabbies".) But in her family Faythe is an enforcer, bodyguard and extension of the alpha (her father)'s rule, and an unheard of position for the valuable females of the species. But living in a society that has fallen to such extremes such as women being kidnapped and bred over and over like in puppy mills, children being snatched to be raise to be broodmares instead of real people and women's voices being overridden by any male in the area, has made Faythe unwilling to let herself of her cousins and extended family to continue being treated unequally. Her father has risked much to train her to be his own replacement, rather than forcing her to marry off. And for his own choices he's now facing a full on werecat civil war against the clans that want things to remain as they are (with the power where it is as well).

However, Shift tones down the gender play and focuses on the family and pride dynamics. This book almost side steps from the direct plot arc to the werecat civil war and instead pits Faythe's pride against a rookery of thunderbirds, avian shifters not seen in decades, who suddenly descend on the pride's ranch out for blood.

Shift is partly side quest, part calm before the storm, which is saying something since most of the book is spent with the werecats fighting the onslaught of werebirds. But the focus is on untangling the depth of the situations Faythe finds herself in and in her learning how to work autonomously, making her own decisions. In essence, Faythe by this book is no longer working on defending her own right to be a valuable member of her pride rather than a valued possession of it, she's learning the complications of being an alpha, no doubt preparing her to face the man out for her father's blood.

Readers might find this the weakest book in the series, since most of the tension comes from an entirely new adversary and most of the drama comes from Faythe being torn between two men. It is still a fast, enjoyable read, pushing the series to a (hopefully) powerful conclusion. The growing up is hugely evident in this book, as is the focusing and accumulation feel to the overall plot line. Readers should savor every word and be ready for the final scene, Alpha, the sixth and last book due out this October (2010).
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