Amazon.com Review
Robert Hass, Adrienne Rich, John Hollander, and many other excellent poets came to national prominence early in their careers through the Yale Series of Younger Poets. The 1996 winner, chosen by James Dickey, was Talvikki Ansel. Dickey writes that Ansel's poems evoke "the heat, the closeness, the mystery, and the terrible fear of the undisclosed." The writing is beautiful, and often plays with the space between expectation and reality, as in "In Fragments, In Streams." Ansel writes: "Haley's Comet crossed the jungle sky / that April, six mornings in a row / I woke to hike out to a clearing / and never saw it." The constant expectation of "days fading / in and out of showers," the shock of biting into an apple seed ("almond taste / cyanide, the bitter hint, liqueur taste"), and other revelations of the natural world fill these pages.
From Library Journal
Whether she is describing a pear ("The tear-shaped, papery core,/ precise seeds"), noting how her hairs falls in her eyes as she dissects a bird ("Inside out/ the wing's white bone/ juts up"), explaining how her mother cut off the top of an egg "with one swift crunch," or observing "The bright painted crosses/ on the steepest banks" in the Amazon River Basin, Ansel has a great sense of physicality, exact, strenuous, and totally unsentimental. The poems in her first book, the winning volume in the Yale Younger Poets series for 1996, are detailed and densely descriptive, but they don't feel lush; they're much too matter-of-fact. The poems move purposefully from bird hunting in the Amazon to a panicked deer hunt in the northern woods to a "shining archipelago" in a cobalt-blue sea but remain rooted in the world. Ansel's cool, clinical tone may startle?we're far from Wordsworth's daffodils here?but the poems contains riches that can be plundered again and again. For most poetry collections.?Barbara Hoffert, "Library Journal"
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