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16 of 17 people found the following review helpful:
5.0 out of 5 stars
Headliner, January 4, 2002
Rarely does a movie adhere to a book's story as well as Shipping News does to Annie Proulx' sparkling literary masterpiece, a novel about time, place, traditions and love. The big lump of a main character, Quoyle, a sad, pathetic man (Kevin Spacey) is defined by a metaphor deftly recreated in this film: He cannot swim. As the movie opens, we find that he cannot do much of anything else either. The inksetter for a Poughkeepsie newspaper drives into a gas station in the pouring rain and witnesses a lovers' quarrel between the driver and passenger in the first car. He doesn't get gas. A split-second courtship instigated by Petal (Cate Blanchett) saddles Quoyle with a disastrous marriage--and his child, Bunny--and ends more disastrously than it began. But Quoyle, lump that he is, unwinds after Petal leaves the picture and his parents die. Quoyle's Aunt Agnes arrives, ostensibly to pay her respects, but with a caper in mind. Our befuddled man Quoyle leaves with her for his family's dilapidated homestead on Newfoundland's Quoyle point. The house, tied down with steel stays, appears like the ruin of Quoyle's life, and as the story unfolds it becomes clear that the sense of ruin plaguing him may be familial. But Quoyle surprises viewers and himself as he reclaims his life. Hired to cover car accidents, he earns the respect of the paper's cranky fisherman owner, Jack Buggit, who shocks the staff when he assigns Quoyle a weekly column on the shipping news. Quoyle has no experience, but he his new friends teach him to think in headlines, providing welcome comic relief. Like parents everywhere, Quoyle finds a friend in another parent, Wavey (Julianne Moore). The friendship takes several interesting turns. Quoyle is haunted by flashbacks of his own life, and to events that occurred before he was born. The film's triumph, like that of Proulx' book, is in Quoyle's steadfast determination to overcome these seemingly insurmountable odds. The film's Newfoundland (like that in the book) appears dead. But as Quoyle lays the past to rest, both he and the town come to life. Lasse Hallström aptly directed this film, whose score provides delight on a par with Quoyle's Shipping News headlines. Alyssa A. Lappen
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