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Most Helpful Customer Reviews
12 of 13 people found the following review helpful:
5.0 out of 5 stars
An incredible tale of survivor,
By
This review is from: Shipwrecks (Paperback)
SHIPWRECKS by Akira YoshimuraWritten by one of Japan's most honored novelists, Akira Yoshimura, SHIPWRECKS is a tale that takes place in a poverty stricken Japanese fishing village during Medieval times and centers on the difficult life that the villagers endure to keep alive. Translated from the Japanese by Mark Ealey, it is a tale of suffering and hard work, told from the viewpoint of a young boy as he grows from child into man. Young Isaku is 9-year-old boy at the start of this story. But for him, childhood is short-lived, and even as a young boy of five, he was expected to pull his weight and help support his family. The village where he lives is isolated from the rest of the island, and to make ends meet, they resort to fishing and trading, depending on the season. The other option is selling oneself into servitude or bondage, in exchange for goods. Isaku's father has sold himself, and at the start of this novel he is already living in another village working for his master. In the meantime, Isaku is the man of the house, and it is up to him to catch their food and to keep his mother and siblings from starvation. Rice is hard to come by, and most of their meals are vegetables or grains traded for salt with the neighboring village. He barely knows how to fish, so it is not often that they have anything substantial to eat. Isaku eventually learns about the "ofune-sama", which is Japanese for "ship god" or "ship master", and it is this ofune-sama that helps the village thrive. Every few years, a ship or two will ground itself upon the rocks that border their shores and the villagers will pillage and kill any survivors on that ship to take what they can to feed their families. The villagers see no harm in this. It is what they have done for many generations and it is how they live. They know no other way, and Isaku follows his family in obeying their customs. One year, a ship arrives that they think is "ofune-sama", but brings bad fortune to the people of this tiny village. What happens to them is beyond description. Is it karma that brings this ill luck to them? Yoshimura's tale of life in this impoverished town does not point fingers, but serves as a parable. I found this book one of the most unique stories I have read in my entire life. Not only did it describe a way of life that was totally foreign to me, but also it was done so to the minutest detail. The first half of the book was dedicated in describing this lifestyle, so by the second half the reader has become quite familiar with the routines that are performed month by month that Isaku and his family had to endure to keep alive. It is a trip into another world and another time, with a possible lesson to be learned at the end. I recommend this book for those who are serious readers, and are willing to read "outside the box".
11 of 13 people found the following review helpful:
4.0 out of 5 stars
A Chilling Irony Strikes the Heart of a Japanese Village,
By
This review is from: Shipwrecks (Paperback)
Languid, beautifully ascetic prose tells the story of a young boy's coming of age in an extremely poor fishing village on the medieval Japanese coastline. Isaku [9] is primed to take over as head of the household after his father sells himself into indentured servitude in a neighboring village. This wonderfully crafted snapshot of an ancient lifestyle tells of his slowly developing fishing techniques, his interaction with his mother and siblings, and his later attempts at wooing a village girl. Surviving always on the brink of starvation, the village has for centuries employed a technique of luring and beaching passing ships to supplement their staples. Once the ships have had their bottoms ripped by the rocks, the villagers kill the remaining crew and dismantle and disseminate the ship skeleton and its cargo [rice, wine, sugar, etc.]. One good size `haul' of this type would last a family many years. Like the reader, Isaku is gradually introduced to the various methodologies employed in the creation of the salt fires which lure the ships during stormy nights. The novel spans the three years of the fathers servitude and presents the unvarying, but vitally important changes of the season which bring their own seafood type and technique for capture. This translation's writing matches the sparseness of the village, presenting itself with the stark beauty of a crashing Japanese reef. One certainly gets lost in the wonderful descriptions of this far-away time and place. Conflict arrives at the hind end of this novel in a whirlwind conclusion, the abrupt finality mirroring anguish and despondency in the reader as well as Isaku. A very intriguing and recommended read.
7 of 8 people found the following review helpful:
5.0 out of 5 stars
When is a Crime Not a Crime?,
By A Customer
This review is from: Shipwrecks (Paperback)
Shipwrecks is a tale of a town's destruction told through one resident's eyes. The witness in Yoshimura's novel is Isaku, who, at the beginning of the book is only a nine year old boy. His small fishing village is balancing precariously between a meager life and death by starvation. Family by family, the inhabitants stave off total collapse only through selling their individual kin into slavery in the town across the mountains.After Isaku's father has been removed from the home in just such an arrangement, the boy continues to live with his mother and younger brother and sister, Isokichi and Kane. The story is, in some ways, the tale of Isaku's loss of innocence as he attempts to fulfill the duties of head of the household--fishing for saury and sardines and octopus and squid, and, most importantly, tending the salt cauldrons. For Isaku, this represents a confirmation of his own maturation, for the salt cauldrons are of prime importance to the town and its people. A naïve boy, Isaku comes to learn that, in addition to boiling the salt out of sea water to sell, the fires on shore serve another, more sinister, purpose--that of luring unsuspecting trading ships onto the reef. The village calls it O-fune-sama and sees it--the destruction of those ships and the subsequent murder of their sailors, as a gift from the gods, no different from any other harvest, such as rice and pottery, cloth and utensils. Far from being a crime, what the villagers are now engaged in nourishes the small town and keeps it from dying. Even as Isaku learns about the inherent risks--specifically those of luring clan ships to ruin instead of trading ships--O-fune-sama is never questioned: it is a necessity and a customary part of the yearly cycle; there is no moral question to be answered...other than the town's quiet acknowledgment that no one beyond the village must know. In this small book, time unfolds at a leisurly, but disquieting, pace. There is a quiet passing of the seasons in which normalcy seems to prevail: couples wed, children are born, elderly persons die. As Isaku's father is not due to return for years, a routine finally settles in and it is time to fish for saury, then squid, then octopus. And, when the trade ships are running again, it is time for O-fune-sama. One year, however, the inevitable happens and there is retribution for the town's crimes. Shipwrecks is a horrifying and tragic book that unfolds slowly and deliberately. Because the village situation is grim and its needs are clear, Isaku's grasp of the situation is understandable; the reader can definitely sympathize...and empathize. And this is what makes the inevitable punishment so personally tragic and sad, yet so very morally justified.
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