Amazon.com Review
In an alternative world where gods are as self-evident as thunderstorms and as destructive as tornadoes, a Baboon Warrior surfaces to save India from marauding behemoths; yet a driven Hindu named Rakesh mysteriously wants him dead. In
Shiva 3000, Jan Lars Jensen has cooked up an exotic curry of wonders drawing on Hindu mythology and Buddhist meditative practices. From the sensual antics of Kama Sutrans to Zen-like archery, we sail along in an adventure that is a cross between the
Ramayana and
Jurassic Park. Belief in gods is beyond doubt, and yet something in the pantheon is amiss. The giant Jagannath turns out to be constructed from planks and pulleys, and a splinter group of Buddhists secretly dissects human bodies in their mountain fortress. Jensen keeps us guessing how it all ties together until the ending reveals
Shiva 3000 as an allegory of our own times that is as devastating as it is absorbing.
--Brian Bruya
From Publishers Weekly
Projecting exotic, multifaceted India into the far future, Jensen whirls readers off on a colorfully surreal series of peculiar adventures. Young Rakesh, a jilted bridegroom, and his new acquaintance, disgraced Royal Engineer Vasant Alamvala, seek vengeance. Rakesh intends to slay the legendary Baboon Warrior who stole his arranged-marriage bride, and Varent means to obliterate his palace rival Prince Hapi, a devotee of intricate Kama Sutran amatory entanglements, in order to regain his position at court. The two join forces when Brahmins summon the monstrous Jagganath, the earthquake god made visible, to crush the city of Sholapur. After discovering that the Jagganath is a dung-fueled wooden construct, Rakesh and Varent crawl inside it, learn to operate it and smash their way through India, meeting strangers and swapping yarns until each realizes an enlightened goal quite different from his original obsession. By treating India's ancient pantheonAKali the Destroyer, Shiva, Vishnu, Hanuman the money godAas beings created by the human need to worship, Jensen explores some faces of religious intolerance. He also uses India's broad spectrum of religious observance, from the self-denial of ascetics to the intricately implemented sexuality of the Kama Sutrans, to suggest the infinite possibilities of human faith. Individual passages of this ambitious tapestry of spicy sensory overload are briefly fascinating, such as those concerning the erotic temple sculptures at Khajuraho, but as a whole, the book leaves only a nebulous impression of the futility of human life. (July)
Copyright 1999 Reed Business Information, Inc.