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The Shock of the Real: Romanticism and Visual Culture, 1760-1860
 
 
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The Shock of the Real: Romanticism and Visual Culture, 1760-1860 [Hardcover]

Gillen D'Arcy Wood (Author)

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Book Description

0312226543 978-0312226541 January 13, 2001
Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media -- from prints and illustrated books to theatrical spectacles and panoramas -- rejected high Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. "Simulations of nature," Coleridge declared, are "loathsome" and "disgusting." The Shock of the Real offers a tour of Romantic visual culture, from the West End stage to the tourist-filled Scottish Highlands, from the panoramas of Leicester Square to the photography studios of Second Empire Paris. But in presenting the relation between word and image in the late Georgian age as a form of culture war, the author also proposes an alternative account of Romantic aesthetic ideology -- as a reaction not against the rationalism of the Enlightenment but against the visual media age being born.

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Editorial Reviews

Review

"As well-written and thoughtful as it is broad in scope, the book should be required reading..."--Bradford Mudge, The Wordsworth Circle

"Wood...is that rare scholar equally at home with art historical and literary artifacts: he provides informed and sophisticated examinations of the encounters between the 'high-canonical' Romantics writers and the 'low-canonical' forms of visual entertainment that surrounded them....Wood's argument that anxiety about visual realism predated the invention of photography is well documented and convincing. His imaginative reconstruction of the popular, visual context for literary Romanticism is sure to be valuable to scholars in many fields." --Victorians Institute Journal

About the Author

Gillen D'Arcy Wood is Assistant Professor of English Literature at the University of Illinois at Urbana-Champaign.

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Inside This Book (learn more)
First Sentence:
The shock experience of modernity, as defined in my introduction, derives from the perceived realism of popular visual-cultural phenomena. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lifelike mockery, greedy pencil, popular visual media, mimic sights, spectacular realism, sun pictures, modern visual culture, print trade, nationale des monuments historiques, frontispiece illustration, visual entertainment, academic principles, academic painting, prospect view
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Fox Talbot, Elgin Marbles, Drury Lane, Lord Elgin, Book Seven, British Museum, The Fall of Hyperion, Loch Katrine, Miss Prue, Illustration Tourism Photography, West End, Shakespeare Gallery, Paris Souterrain, Select Committee, Sir Joshua Reynolds, Sir Walter Scott, Charles Lamb, Leicester Square, Loch Coriskin, Benjamin Haydon, Lady Teazle, Sarah Siddons, Second Empire, Childe Harold, Egyptian Hall
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