From Library Journal
Most popular films are the end product of unique, creative filmmaking talent and technical expertise. However, sometimes the personalities involved in the production of a film steer the direction that the film takes. In this book, two filmmaking production veterans, Bart (editor in chief of Variety) and Guber (founder, Mandalay Entertainment), tell stories about the people who have affected the reality of popular film. Their years in the industry give them the wherewithal to relate all kinds of interesting anecdotes about famous directors, screenwriters, studios, and other members of Hollywood film production society past and present. In some entertaining asides, Bart and Guber trade off giving short sidebars on famous personalities in the film industry. The result is an insider's view of how some of the most popular films in history were made and subsequently consumed by the public. This will appeal to evolving filmmakers and others interested in learning about the day-to-day process of getting movies into production and up on the screen. Recommended for media libraries and academic libraries emphasizing popular film. David M. Lisa, Wayne P.L., NJ
Copyright 2002 Cahners Business Information, Inc.
About the Author
Peter Bart, editor-in-chief of
Variety and
Daily Variety, has been a reporter for
The New York Times and
The Wall Street Journal. He has played key roles in developing and supervising such films as
Rosemary's Baby,
True Grit,
The Godfather,
Paper Moon, and
Harold and Maude. He served as vice president for production at Paramount, senior vice president at MGM, and president of Lorimar Films. He is the author of several books, including
Who Killed Hollywood? and
Fade Out.
Peter Guber, the founder and head of Mandalay Entertainment, has served in a variety of key executive posts, ranging from head of production at Columbia Pictures to president of Sony Entertainment. He has been associated with many award-winning and successful films, including
The Deep,
Midnight Express,
Rain Man,
Batman, and
Enemy at the Gates. He has been a faculty member at the UCLA School of Theater, Film, and Television for more than twenty years, where he established and teaches, with Peter Bart, a graduate course in the Independent Film and Television Producers program.