Product Details

• Actors: Albert Rémy, Charles Aznavour, Claude Mansard, Daniel Boulanger, Jean-Jacques Aslanian
• Directors: François Truffaut
• Format: Import, PAL, Subtitled, Widescreen
• Subtitles: English
• Region: All Regions
• Number of discs: 1.0
• Studio: Umbrella Entertainment
• Run Time: 91 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (28 customer reviews)
• ASIN: B000BMWK4G
• Amazon.com Sales Rank: #298,873 in Movies & TV (See Bestsellers in Movies & TV)

Editorial Reviews

Product Description

Australia released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: French ( Dolby Digital 2.0 ), English ( Subtitles ), WIDESCREEN, SPECIAL FEATURES: Filmographies, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: Francois Truffaut's loving homage to Hollywood gangster films is less a plot-filled film noir than a free-associative meditation on the genre. Charles Aznavour stars as a one-time concert pianist who gained fame as Edouard Saroyan but has since changed his name to Charlie Kohler and plays honky-tonk in an out-of-the-way saloon. His self-imposed exile is shattered by the appearance of his mobster brother Richard Saroyan (Jacques Aslanian). Richard and his other brother, Chico (Albert Remy), are on the lam from gangsters they've double-crossed. Charlie helps Richard and Chico get away, but he now finds that his life, along with his younger brother Fido's (Richard Kanayan, has been put into jeopardy, having gotten mixed up with gangsters Momo (Claude Mansard) and Ernest (Daniel Boulanger) who are pursuing Richard and Chico. Momo and Ernest keep an eye on Charlie's apartment and, although they don't get Fido, they manage to kidnap Charlie and Lena (Marie Dubois), a co-worker with whom he has fallen in love. But when Ernest runs a red light and is pulled over, Charlie and Lena escape the gangsters' clutches. They take refuge in Lena's apartment, where Charlie sees a poster for a performance by Edouard Saroyan, causing Charlie to think back upon the circumstances that had led him to this moment in his life. Lena and Charlie make love, and Charlie returns to his apartment, only to discover Fido has been kidnapped. Lena and Charlie then head back to his club, where they plan to quit their jobs and try to find Fido.

Customer Reviews

Most Helpful Customer Reviews

37 of 40 people found the following review helpful:

5.0 out of 5 stars I use the word 'emotional' a lot. It means everything to me, July 5, 2001

By	darragh o'donoghue (dublin, ireland) - See all my reviews (TOP 500 REVIEWER)

This review is from: Shoot the Piano Player (DVD)

Truffaut said he realised, when filming 'Shoot the Pianist', a gangster film, that he hated gangster films. He shows his contempt most by consistently emphasising human truth over generic convention, but finally allowing generic convention to win brutally through. For Truffaut, genre is incompatible with humanity and its messiness.

Like many of my favourite films (and it is my favourite), 'Shoot' is a reworking of 'Vertigo', the story of a man who lets two women die because of his own emotional cowardice, leaving him in emotional shellshock. Aznavour's performance - and this isn't sufficiently realised - is one of the towering achievements of cinema, a complete, physical embodiment of diffidence, guilt, solitude and emotional paralysis, a man more lethal in his dithering passivity than murderous gangsters are in their violence.

Like all the best art, 'Shoot' is a tragicomedy, moving bewilderingly between the two moods, creating a devastating emotional texture - the hilarious scene where Charlie debates the best way to hold Lena only to tragically realise she's gone, or the frightening abduction scene that sees captor and juvenile captive argue comically over scarves.

As the title suggests, music is this film's soul, the only thing that can transcend genre for Charlie, the only way an emotionally dead man can feel.

Truffaut's restlessly inventive mise-en-scene, switching between studied artifice and breathless open air filming, is full of Hitchcock, Godard, Ophuls, Ray, Renoir - all the best of cinema; but in truth, there is no other film like it.

16 of 16 people found the following review helpful:

5.0 out of 5 stars A Funny and Emotional Ride, May 8, 2003

By	R. W. Rasband (Heber City, UT) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)    (VINE VOICE)

This review is from: Shoot the Piano Player [VHS] (VHS Tape)

Truffaut's "Shoot The Piano Player" is a remarkable thing: a funny and light-on-its-feet movie about despair. The director combines the grittiness of David Goodis' noir novel "Down There" with his own more optimistic humanism and the full stylistic arsenal of the French "New Wave" to create a film that manages to say as much about Art and Life as any really good, satisfying book. Charles Aznavour plays the timid Edouard, aka Charlie, a piano player in a cheap bar who is really a classical concert pianist hiding from a catastrophic, tragic history. A pretty new waitress knows who he is and encourages him to live again. But as in most American gangster movies, you can't run away from your past. Truffaut includes an amazing amount of philosophy about women, Fate, success, failure, marriage; all couched in a runaway style that is familiar to us today, but must have been shocking and exhilirating back in 1960. (The famous cut to the "old woman dropping dead" could have come directly from MAD magazine.) And who hasn't sometimes felt bedeviled by fortune and shyness: we greatly identify with Charlie. The comically incompetent yet sinister villains are also a great touch. This movie feels as fresh as it must have 40 years ago.

8 of 8 people found the following review helpful:

5.0 out of 5 stars A classic movie filled with many wonderful moments, January 10, 2006

By	Bomojaz (South Central PA, USA) - See all my reviews (TOP 500 REVIEWER)

This review is from: Shoot the Piano Player - Criterion Collection (DVD)

Truffaut's second film after THE 400 BLOWS, and it finds him experimenting all over the place. Charles Aznavour plays Charlie Kohler, once a very prominent concert pianist, but now playing honky-tonk in a back alley joint. Once he thought only of his great career, but in the process lost his wife to suicide (she slept with his promoter to help advance his career and he could never forgive her); now he wants only obscurity. But he inadvertently gets mixed up with a couple of thugs who are after his two brothers, and he falls in love with another woman (Marie Dubois). The thugs end up kidnapping Aznavour and Dubois, and although the two lovers had made plans that Aznavour would pursue his "career" again, fate seems to be against them: she is killed in a shoot-out at the end.

Truffaut said this movie was "a grab bag." And it does seem to have everything in it but the kitchen sink: it's rooted in "B" Hollywood gangster movies, is a wonderful mixture of comedy and tragedy, and has almost no storyline. In fact, Truffaut throws the storyline to the wind: it's a picture of touches, of quick, fleeting moments, rather than narrative continuity. Its juxtapositions are wonderful: fame and obsurity, love and hate, gangsters with a sense of humor, lots of action and the desire to go and do nothing. It's a great movie - funny and sad - and one filled with many memorable moments. Definitely worth a watch.