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Shooting the Moon [Hardcover]

Frances O'Roark Dowell (Author)
4.6 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

JAMIE THINKS HER FATHER CAN DO ANYTHING....

UNTIL THE ONE TIME HE CAN DO NOTHING.

When twelve-year-old Jamie Dexter's brother joins the Army and is sent to Vietnam, Jamie is plum thrilled. She can't wait to get letters from the front lines describing the excitement of real-life combat: the sound of helicopters, the smell of gunpowder, the exhilaration of being right in the thick of it. After all, they've both dreamed of following in the footsteps of their father, the Colonel.

But TJ's first letter isn't a letter at all. It's a roll of undeveloped film, the first of many. What Jamie sees when she develops TJ's photographs reveals a whole new side of the war. Slowly the shine begins to fade off of Army life - and the Colonel. How can someone she's worshipped her entire life be just as helpless to save her brother as she is?

From the author of the Edgar Award-winning Dovey Coe comes a novel, both timely and timeless, about the sacrifices we make for what we believe and the people we love.


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Editorial Reviews

From School Library Journal

Starred Review. Grade 5–8— "The Army way is the right way." So says Jamie Dexter's father, The Colonel, a die-hard officer who has raised Jamie and her older brother, TJ, to be proud believers in the U.S. military. Stationed at Fort Hood, TX, in the summer of 1969, Jamie's family is tested when TJ decides to forgo college and volunteers for the Medical Corps in Vietnam. The spirited 12-year-old wishes that she could go, and she shocked to discover that The Colonel disapproves. When TJ sends rolls of film home from the front, Jamie learns how to develop them. They are chock-full of pictures of his surroundings and his favorite subject, the moon, but over time she's less eager to develop the increasingly disturbing images. As Jamie learns about the war from soldiers at the fort's rec center and watches her father grow disenchanted with the Army, her firm worldview is shaken. The clear, well-paced first-person prose is perfectly matched to this novel's spare setting and restrained plot. Dowell captures Jamie's growing self-awareness and maturity with the slightly detached, wistful tone of a memoir related well after the fact, and the precise clarity of a developing photograph. This thoughtful and satisfying story is more a novel of family and growth than of war. Readers will find beauty in its resolution, and will leave this eloquent heroine reluctantly. This is Dowell's most cohesive and engaging novel yet.—Riva Pollard, American Indian Public Charter School, Oakland, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Twelve-year-old Jamie Dexter and her brother, TJ, have grown up with the Army: their dad is a colonel. So Jamie is puzzled when neither the Colonel nor their mother is thrilled to learn that TJ has enlisted. After all, he’s going to war in Vietnam, where Jamie would like to go if she weren’t so young. But then TJ, a photographer, begins to send her rolls of film to develop that gradually reveal the horrors of what he’s seen. This is a sparse, beautifully written story about learning to truly see people, situations, and emotions as they are, not as we want to see them. Through lovingly drawn, complex characters and explicit details about photography, Dowell introduces a war, and the issues surrounding it, that will seem familiar to contemporary readers in spite of the historical setting, and she invites young people to reflect on the many shades of gray that Jamie confronts. Grades 4-8. --Frances Bradburn

Product Details

  • Hardcover: 176 pages
  • Publisher: Atheneum Books for Young Readers; First Edition edition (January 29, 2008)
  • Language: English
  • ISBN-10: 1416926909
  • ISBN-13: 978-1416926900
  • Product Dimensions: 7.6 x 5.3 x 0.8 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,081,996 in Books (See Top 100 in Books)

More About the Author

Frances O'Roark Dowell is the bestselling and critically acclaimed author of Dovey Coe, which won the Edgar Award, Where I'd Like to Be, the bestselling The Secret Language of Girls, and its sequel The Kind of Friends We Used to Be, Chicken Boy, Shooting the Moon, which was awarded the Christopher Medal, and most recently Falling In. She lives with her husband and two sons in Durham, North Carolina.

 

Customer Reviews

8 Reviews
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4 star:
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3 star:
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Average Customer Review
4.6 out of 5 stars (8 customer reviews)
 
 
 
 
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13 of 13 people found the following review helpful:
5.0 out of 5 stars When the moon is in the seventh house..., February 3, 2008
This review is from: Shooting the Moon (Hardcover)
I've written about this before, but there's a flush of appreciation a reviewer experiences when they discover a great author that they've never read before. Even if that person has been around for years. In the case of Frances O'Roark Dowell, I'd read her first Phineas L. MacGuire book and I thought it was great. Still, I'd never gotten around to reading some of her better known works for older readers. I'd never picked up Dovey Coe or Chicken Boy or even The Secret Language of Girls. It just never came up. Still, I figure a person's got to start somewhere and so the book I decided to begin with her newest title, the historically minded "Shooting the Moon". A lot of people love Ms. Dowell and maybe they've become unable to tell one great book of hers from another. To those people I say this: This book is amazing. Top notch, wonderful, humorous, meaningful, with a pull and a hit in the gut that'll knock a readers' socks off. What we've got here is a title that has an excellent chance of engaging every reader that comes across it. And timely doesn't even begin to describe it.

Jamie Dexter is a card shark, an army brat, and her father's daughter. She and her older brother TJ were raised to love the United States Army by their father, the Colonel, and as far as they're concerned the greatest thing in the entire world is getting a chance to fight and die for your country. Seems like the Colonel would be pleased as punch to have TJ enlist and go to Vietnam to fight instead of going to college, but oddly enough that doesn't seem to be the case. Still, off TJ goes and before he leaves Jamie asks him to write her letters about everything he sees and feels over there. Except that TJ doesn't do that. Instead he sends her rolls of black and white film he's taken over there with very precise instructions: "Jamie: No facilities here ... Please develop and send contact sheets." Of course, that means that Jamie has to learn how to develop film, and she does when she gets a chance. And through TJ's lens, Jamie sees more than just what it's like in Vietnam. She now hears the experiences of the soldiers that walk through the rec center where she works. She sees her father as a man and not a larger than life figure. And she begins to understand that sometimes things aren't as simple as you would like them to be.

Reading my description of the book I know that you might be a little worried. It sounds like a book inclined to get preachy, doesn't it? I'm as anti-war as the best of them, but there's nothing worse than a work of fiction for kids that gets all holier-than-thou, proselytizing its views on war and how it's naughty. But Frances O'Roark Dowell isn't going to play that game. For one thing, she really is an army brat. For another, she's a good writer. This isn't a book that tells you what to believe. It's a book that starts with someone who thinks that they know what to think only to find that the world is a complicated place. It was a complicated place in the late 60s and it's a complicated place today. Which is not to say that you can't take a moral or a lesson out of this book if you want to. It's only giving you an option.

There is a school of thought that says that if you place a story in history, you better have a darn good reason for doing so. So the question becomes, could Dowell have set this story in the here and now rather than the past? Would it have served the moral better? The answer is no, there is no other time period that would have better served this story. For one thing, you could have a character taking pictures with black and white film, but digital cameras are undoubtedly more probable today. And you could have sent TJ to Iraq instead of Vietnam, but part of the reason the end of this book works as well as it does is because we can look at the past and learn from it.

The thing is, this is a book that's easy to love. You love the people in it. I, for one, loved the character of Jamie. She felt true and real and interesting. She also carries her certainties with her on her sleeve. "I was six months away from turning thirteen and I thought I knew everything." Can't say it any plainer than that (not to mention that it carries a whiff of To Kill a Mockingbird). Really, every character in this book (and there aren't that many) appears with all three dimensions firmly intact. For example, Jamie describes Cindy Lorenzo, a girl who is somewhat learning disabled, as being "nervous and excitable and shaky around the edges. She hit and bit." Pitch perfect, that.

As for the writing itself, Dowell's book is only 176 pages and she packs each one with interesting text. Chapter Two, for example, begins, "We were stationed at Fort Hood, Texas, a flat piece of real estate that threatened to burst into flames every afternoon from June through September." Or the first sentences of Chapter Four, "TJ's first letter to me wasn't a letter at all. It was a roll of film." You can see that Dowell includes equal parts interest and good writing, and the effect is tight. This is a book that doesn't mince words. It gets right to the point every time and doesn't sacrifice anything in the process. Rare? You don't know the half of it. The writing and the editing on this puppy must have been intense.

It's hard to find fault here. I do know at least one person who thought it a little odd that the book didn't concentrate more on the moon landing and how that would have affected the characters. The book is called "Shooting the Moon" after all. But Dowell covers her bases, having TJ speculate at times about "the idea that there are human footprints on the moon's surface." Classrooms of children will someday be asked what the moon signifies to TJ and to Jamie. I can already see it. My questions and concerns about the book were a little more basic. I would have liked a little more background on the Colonel's past. Did he serve in WWII or Korea? Does he know what real combat is like? Does this inform what he feels about his own son enlisting? And maybe an explanation of where Jamie is getting all this photographic paper and chemicals for developing her brother's pictures would have been nice. I assume that the army provided all this free of charge in their rec center but we don't know it for a fact.

Otherwise it's as fine a book as you could hope for. With its magnificent backing and forthing within the story's timeline, its spot on characterization, its plot, writing, and general kid-friendly text (always important and seldom recognized) Frances O'Roark Dowell has more than just a winner here. She has a classic. 2008 required reading for any and for all.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars ...and hitting it!, June 27, 2008
Amazon Verified Purchase(What's this?)
This review is from: Shooting the Moon (Hardcover)
On the recommendation of a kid lit blogger, I ordered a copy of this small, unpretentious book and had a read-through. It is wonderful!
Jamie Dexter is a military brat whose father is a colonel and whose brother has enlisted to be sent to Vietnam. As the story progresses Jamie, who has been pro-war and battle-ready her whole life, begins to reconsider things as she sees her brother's photos from Vietnam. Instead of sending her letters to describe the war, he sends her his undeveloped film rolls to show her. No words, just photos. And in each roll, a photo of the moon.
I feel that this book would work better with older elementary students, only because a coinciding study of Vietnam would be much easier to get into more deeply. The reading level is probably a bit lower than 5th grade, making it an ideal book for a book club who can handle more complex subject matter and high level mature discussions, but perhaps requires a shorter, less dense text. Great themes to explore here, and (at least for this reader, who never even had any siblings gone to war) strong emotional connections.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars A Must Read!, March 20, 2008
This review is from: Shooting the Moon (Hardcover)
SHOOTING THE MOON is a deeply moving, gorgeously written novel about one military family's gradual disillusionment with the Vietnam War. It's the most realistic, searching kids' book I've read about that neglected period in American history. It's also a delicately nuanced family drama with unforgettable characters: the richly drawn heroine Jamie, who slowly develops an understanding not just about the war but about love and honor; her soldier brother who communicates by sending her undeveloped photos of Vietnam; her father the Colonel, a steadfast but surprisingly touching career Army man. Everything about this book is fresh and believable--and also poetic, resonant, and memorable. I think kids--and smart adults--will be reading this book for years to come. A real standout.
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Inside This Book (learn more)
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Private Hollister, Miss Murlene, Fort Hood, Labor Day, Signal Troop, Cindy Lorenzo, United States Army, Fort Sill, Santa Claus, Jamie Dexter, Phu Bai, Southeast Asia, Rec Center
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