From Library Journal
The homeless Vietnam veteran, bedraggled, lovelorn and alcoholic, has become a staple of recent fiction. What's different here is the unrelenting focus, born of the author's personal experience, and the mythic underpinnings. Finn MacDonald emigrates from Scotland to the United States with his family in the 1960s, only to find himself almost immediately drafted. After participating in an atrocity of war, he becomes a multisubstance addict and, ultimately, homeless in San Francisco. What follows is his attempt to right himself, to banish the hideous nightmare-visions and seizures, and to reunite himself with his soul (the book's part-time first-person narrator). Powerful, graphic, but at the same time poetic, this first novel will surely not appeal to everyone, but it will be important to those to whom it does appeal.?Robert E. Brown, Onondaga Cty. P.L., Syracuse, N.Y.
Copyright 1997 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
Finn Quinn is a shattered man. Shortly after emigrating from Scotland, he is drafted for service in Vietnam, and while there, he experiences something so horrific that his soul fragments and leaves his body. After returning from the war, post-traumatic stress (PTS) drives him to alcoholism, and he ends up divorced and on the street, haunted by the unseen pieces of his spirit. Finally, alcohol poisoning puts him into the hospital in a coma, where his light and dark sides struggle for dominance and the ghost of Robert Louis Stevenson acts as a hallucinogenic referee. This first novel is full of rich imagery, drawing on the myths of both Vietnam and the Scottish Celts. Fundamental to both this work and to Philip Red Eagle's
Red Earth (also reviewed in this issue) is the premise that post-traumatic stress is more an ailment of the spirit than of the mind or body. Although the novel is successful, it could have benefited from more aggressive editing.
Eric Robbins
--This text refers to the
Hardcover
edition.