Amazon.com Review
Twelve is a dreadful age for almost any girl, with its nonstop insecurity and humiliation. But May, the heroine of Galaxy Craze's
By the Shore, seems to suffer considerably more than her share of unhappiness. Ignored by the popular clique at school, dressed by her mother in retro-hippie fashions that are anything but cool, she's a virtual poster child for preteen angst. And if adolescence weren't enough of a burden, May must also contend with a big dose of familial angst. Her mother, Lucy, runs a none-too-successful guesthouse on the English coast. Young and single, she spends more time gossiping and party hopping than tending to May and her brother Eden. And this distracted maternal style has, alas, exposed our heroine to machinations of grown-up life, which she tracks with fascination and horror. Her single remaining pocket of naiveté involves her estranged father, whose return she eagerly anticipates--even after an unassuming writer begins to pay court to her swinging mom. But this dream, too, is crushed when the genuine item shows up: "This is what happens to hope: it gets smaller and smaller."
By the Shore does contain some of the typical properties of a coming-of-age drama. But Craze, a first-time novelist and actress, writes with acute insight and sympathy, and she understands one of the great consolations of adolescence: that even the tiniest kernel of hope can be enough to generate almost boundless happiness.
--Brangien Davis
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
In the first-person voice of a 12-year-old English girl, British actress (David Lynch's Nadja; Woody Allen's Husbands and Wives) and debut author Craze fashions a spare, beautifully evocative tale of love and the youthful need for belonging. May, her six-year-old half brother, Eden, and their unconventional but loving single mother, Lucy, have moved out of London to turn an old girls' school on the coast into a bed-and-breakfast. Accustomed to Lucy's erratic behavior and the shenanigans of her mother's drug-culture friends, May craves merely to be regarded as "a girl from a safe home," to fit in with the other girls at school. As the Christmas holidays approach, only one boarder comes to stay, a mysterious writer named Rufus, aided by his pretty, hip publishing assistant and sometime lover, Patricia. In light, deft strokes, Craze delineates the delicate balance of need and hurt in the lives of her characters. May quietly and subversively wounds her mother while trying to keep her father's influence alive; Lucy's fragile emotional state results in often clumsy maternal care; Rufus makes halting attempts to reach out for intimacy. Through a series of tender epiphanies, the budding romance between Rufus and Lucy is skillfully juxtaposed with May's incipient awareness of the adult world of sex and desire. Before May even realizes that her rou? father has arrived, she notices a familiar odor in the house: "I have secretly searched for it in other people's houses, locking the bathroom door, smelling all the soaps and things in bottles." While the plot is so simple as to be predictable, Craze's seemingly effortless touch renders it remarkable and moving.
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.