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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Intelligent, Imaginative, Beautifully Wrought--And OOP,
By
This review is from: Shore of Women (Hardcover)
Pamela Sargent's The Shore of Women works out in persuasively anthropological detail--almost Geertzian "thick description," if you will--a post-apocalyptic world in which women rule with space-age technologies from walled citadels, exiling male children into literal stone age societies of isolated bands clad in animal skins, where lives are nasty, brutish, and short. The violence of Sargent's largely paleolithic male society is mitigated only by its loving devotion to "The Goddess" and her cult, visits to the shrines in which prayer and worshipful communion with the deity transpires, and the occasional "callings" to the enclaves--simultaneously the preeminent male rite of passage and the sole (blind and thoroughly mediated) interaction with the ruling society that enables both worlds to procreate and persist. Within city walls, the master society is strictly bifurcated into elite and masses, in which the custodians of established order replace themselves, presiding over the bought indifference of commoners. Sargent is a beautifully expressive writer who works out the logic of her story to persuasive conclusions and, along the way, has smart, thoroughly rendered observations to make on societies of women and of men, the humanistic origins of religion, small group interactions under duress, the transformation of nomadic bands into sedentary cultures, the possible retreat of civilization from its points of greatest advancement, a variety of contemporary feminist political ideas, and more. At times, The Shore of Women brought to mind a host of antecedents, including A Canticle for Leibowitz, Lord of the Flies, The Golden Bough, Greek and Roman mythology, captivity stories from 17th and 18th century prisoners of American woodland Indians, the writings of Margaret Meade and other classic anthropologists, and other possible references, but without seeming directly dependent on any. Its principal characters, the inquisitive newly "called" man Arvil and the cast-out woman Birana, are beautifully developed and pass through punctuated sequences of change and unfolding awareness. A third point of view is provided by Laissa, who as the daughter of one of the "Mothers of the City" progresses on her own surprising journey of discovery...
8 of 8 people found the following review helpful:
4.0 out of 5 stars
Probably 4.5 stars! Excellent!,
By
This review is from: Shore of Women (Hardcover)
I can't believe this book is out of print. I've read many of what I call 'after-the-apocalypse' novels, but this is one of my favorites. Probably long after a nuclear apocalypse, women lived in domed cities, where they carry on at least somewhat with science, society, learning, arts, etc. Meanwhile, men live much as they did thousands of years ago, roaming a desolate world and living a subsistence lifestyle. The main characters are a woman and a man, neither of whom fit the stereotypical men and women of this age. This book has been compared (and rightly so) with Sheri S. Tepper's also-excellent "The Gate to Women's Country". If this sounds good to you, find a used copy!
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Refreshing and Satisfying,
By Avid Reader (Franklin, Tn) - See all my reviews
This review is from: Shore of Women (Hardcover)
Pamela Sargent is a prolific writer who unfortunately does not have a vocal support group. Her novels and novellas are not of the type "This is Cronon from the planet Abuzz, stop your atomic testing of be destroyed" They are instead, intelligen far-reaching reveries on the future. In several of her stories she has extrapolated a Mulism planet but this book goes beyond that to a time we can barely fathom.What happens when a woman in a strictly segregated society commits the ultimate sin - falling in love with a man? The descriptions of the two varying societies and their need for each other is told with a sense of disquiet. And when the lovers finally "find each other" the language approaches a confession. This is a book that can be read again and again on several levels.
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