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Special Features
- Video conversation between Robert Altman and Tim Robbins
- Luck, Trust and Ketchup: Robert Altman in Carver Country, a feature-length documentary on the making of Short Cuts
- To Write and Keep Kind, a PBS documentary on the life of Raymond Carver
- Segment from BBC Television's Moving Pictures tracing the screenplay's development
- One-hour 1983 audio interview with Carver, conducted for the American Audio Prose Library
- Original demo recordings of the Doc Pomus-Mac Rebennack songs, performed by Dr. John
- A look inside the marketing of Short Cuts
- A booklet featuring an essay by film critic Michael Wilmington
Editorial Reviews
Amazon.com
If aliens came down to earth to see if humanity was worth saving, showing them Short Cuts, Robert Altman's bluesy riff on life in L.A. in the '90s, would not be a good idea. Based on the stories of Raymond Carver (adapted by Altman and Frank Barhydt), this ambitious film is a devilish valentine to living in L.A., where happiness comes at a premium. There are at least eight separate stories that crisscross, most about people who choose not to relate to the lives they are living. Seemingly by design, none of the stories (nor the performances for that matter) have more impact than the others--this is a true mosaic film. The most representative plot deals with a group of friends (Buck Henry, Fred Ward, and Huey Lewis) who decide to keep fishing even after discovering a body in the river. The story works as a morose comedy and a flag holder for the movie: the inability to take the correct action. Others would rather talk about seeing Alex Trebek than discuss their faltering relationships. A huge and talented cast twists in the wind, bumping into moments of truth, sex, and passion. Some even come out all right in the end. The accidental nature of life--a common theme in many Altman films--has never been so maddeningly persistent, or absorbing. The score by Mark Isham with songs sung by Annie Ross (also a cast member) fuels the moodiness, as does the opening number in which Medfly helicopters spray the town to the tune "Prisoner of Life." Delivering the film a year after his biggest hit in two decades, The Player, Altman proved his artistic tenacity as an aged artist with the heart of a new filmmaker: he's not afraid of risking it all. --Doug Thomas
Product Description
Inspired by the writings of Raymond Carver, Robert Altman's magnificent mosaic of Southern California life interweaves the funny, touching, and dramatic stories of 22 characters. The ensemble cast includes Bruce Davison, Robert Downey, Jr., Jennifer Jason Leigh, Andie MacDowell, Matthew Modine, Julianne Moore, Chris Penn, Tim Robbins, Madeleine Stowe, Lily Tomlin, Tom Waits, and Jack Lemmon. 183 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; "making of" documentary; featurettes; deleted scenes; isolated music score; interviews; booklet. Two-disc set.
Customer Reviews
Most Helpful Customer Reviews
46 of 49 people found the following review helpful
Format:DVD|Amazon Verified Purchase
In society, people end up with careers and lives through situational opportunity and the coincidence of chance that struck them at a sudden moment. Short Cuts grasps this notion as a large number of characters, 22 to be precise, interact directly or indirectly through a wide variety of different opportunities and chances. The connection is that these character's ties are of variable closeness, as some know each other, some get to know each other, and some never get to know of the existence of one another, yet every action has an effect on everyone. It is this moment, which Robert Altman seizes, as Short Cuts becomes a tale of the little and epic episodes of life.
Robert Altman does a marvelous job in depicting the small daily deceits that are made in order to keep family life intact. The idea is based on Raymond Carver's work which Altman freely adapts onto the silver screen, and he does a marvelous job grabbing Carver's atmosphere. The atmosphere is of a detached society where no true values or customs exists, and only where a temporary fix can provide instant happiness. This is supported by an excellent cast consisting of talented actors such as Andie MacDowell, Jack Lemmon, Jennifer Jason Leigh, Anne Archer, Matthew Modine, Julianne Moore, Robert Downey Jr., and Tim Robbins among many others.
In the opening scene, a large number of helicopters take off into the sunset while families can hear about threats of the Medfly through a broadcaster. The hovering sound of helicopters roams over the Los Angles urban and suburban communities as the news continues of the helicopters that are set out to spray an insecticide over L. A. in order to combat the threatening Medfly. Fearfully, families close their windows and doors in concern of possible side effects of the insecticide. The cinematic introduction of Short Cuts brings the audience an anxious trepidation of an unforeseen looming future, and it displays how differently people deal with the worrisome situation.
In the middle of the Medfly tragedy there are ten different stories intermingled as they all affect one another in different ways. These stories contain love, deceit, suffering, denial, fear, envy, forgiveness, and death as the different characters explore new ways of dealing with life. The approach used to face the difficulties of life often contain some sort of short cut, such as alcohol, infidelity, lies, and denial to provide a quick fix. However, the short cuts taken by the people often end up being much more painful to involved parties as it does not involve taking the time to tell the truth or be frank with oneself or others.
The many tales of Short Cuts concern men such as an unfaithful police officer, three men on a fishing trip finding a dead body, a stalking baker, and a vengeful helicopter pilot. These men often to try to express an outward masculinity, but the maleness looks feeble as they find themselves forced into a situation where they have to be nurturing and caring. This inconsistency supports the notion that the men seek a short cut of being male by behaving in an overtly tough manner, but instead the men find themselves in a quandary as they find their wife or girlfriend upset.
The stories also have interesting quick fixes in regards to the women, who either drink themselves into oblivion or live in denial. For example, there is the story of a jazz singing alcoholic mother that drowns her own sorrows in alcohol instead of communicating with her depressed musically gifted daughter. There is also a housewife that runs a phone sex business while changing the diapers and feeding their infant, but when her husband wants to have some fun she is quick to remember something in order to ruin the moment. In addition, there is the waitress who has an alcoholic boyfriend who seems to have advanced on her daughter in a moment of drunkenness to which the mother blames the alcohol.
The different stories all have something in common, as all characters avoid the truth and try to find an instant fix around the corner. Nonetheless, the film is not about the stories, but about the people in the story and how these people deal with joy and misery from day to day while things they cannot control affect them. Altman provides this cinematically through jumping around to the different stories while telling each tale in a disconnected manner that enhances the detached atmosphere and brings human behavior to the focus. The behavior of the people seems to become a product of the environment and the way they have been nurtured, which gives the film some interesting psychosocial insights.
After a three hour long journey the audience will have experienced a first class venture into cinema as the tale offers several possible narrations of what happens. This is much due to Altman and his unique storytelling, which has been seen in both Nashville (1975) and The Player (1992). It is also a result of the brilliant performance of a magnificent cast guided into an every day rut, which many people go through. Short Cuts will ultimately offer the viewer a fulfilling cinematic experience, which presents much contemplation upon every day behavior.
Robert Altman does a marvelous job in depicting the small daily deceits that are made in order to keep family life intact. The idea is based on Raymond Carver's work which Altman freely adapts onto the silver screen, and he does a marvelous job grabbing Carver's atmosphere. The atmosphere is of a detached society where no true values or customs exists, and only where a temporary fix can provide instant happiness. This is supported by an excellent cast consisting of talented actors such as Andie MacDowell, Jack Lemmon, Jennifer Jason Leigh, Anne Archer, Matthew Modine, Julianne Moore, Robert Downey Jr., and Tim Robbins among many others.
In the opening scene, a large number of helicopters take off into the sunset while families can hear about threats of the Medfly through a broadcaster. The hovering sound of helicopters roams over the Los Angles urban and suburban communities as the news continues of the helicopters that are set out to spray an insecticide over L. A. in order to combat the threatening Medfly. Fearfully, families close their windows and doors in concern of possible side effects of the insecticide. The cinematic introduction of Short Cuts brings the audience an anxious trepidation of an unforeseen looming future, and it displays how differently people deal with the worrisome situation.
In the middle of the Medfly tragedy there are ten different stories intermingled as they all affect one another in different ways. These stories contain love, deceit, suffering, denial, fear, envy, forgiveness, and death as the different characters explore new ways of dealing with life. The approach used to face the difficulties of life often contain some sort of short cut, such as alcohol, infidelity, lies, and denial to provide a quick fix. However, the short cuts taken by the people often end up being much more painful to involved parties as it does not involve taking the time to tell the truth or be frank with oneself or others.
The many tales of Short Cuts concern men such as an unfaithful police officer, three men on a fishing trip finding a dead body, a stalking baker, and a vengeful helicopter pilot. These men often to try to express an outward masculinity, but the maleness looks feeble as they find themselves forced into a situation where they have to be nurturing and caring. This inconsistency supports the notion that the men seek a short cut of being male by behaving in an overtly tough manner, but instead the men find themselves in a quandary as they find their wife or girlfriend upset.
The stories also have interesting quick fixes in regards to the women, who either drink themselves into oblivion or live in denial. For example, there is the story of a jazz singing alcoholic mother that drowns her own sorrows in alcohol instead of communicating with her depressed musically gifted daughter. There is also a housewife that runs a phone sex business while changing the diapers and feeding their infant, but when her husband wants to have some fun she is quick to remember something in order to ruin the moment. In addition, there is the waitress who has an alcoholic boyfriend who seems to have advanced on her daughter in a moment of drunkenness to which the mother blames the alcohol.
The different stories all have something in common, as all characters avoid the truth and try to find an instant fix around the corner. Nonetheless, the film is not about the stories, but about the people in the story and how these people deal with joy and misery from day to day while things they cannot control affect them. Altman provides this cinematically through jumping around to the different stories while telling each tale in a disconnected manner that enhances the detached atmosphere and brings human behavior to the focus. The behavior of the people seems to become a product of the environment and the way they have been nurtured, which gives the film some interesting psychosocial insights.
After a three hour long journey the audience will have experienced a first class venture into cinema as the tale offers several possible narrations of what happens. This is much due to Altman and his unique storytelling, which has been seen in both Nashville (1975) and The Player (1992). It is also a result of the brilliant performance of a magnificent cast guided into an every day rut, which many people go through. Short Cuts will ultimately offer the viewer a fulfilling cinematic experience, which presents much contemplation upon every day behavior.
23 of 24 people found the following review helpful
Format:VHS Tape
Altman's singature classic with twenty two characters and ten nearly distinct tales. Imagine the ingenuity required to interweave all of that into a seamless whole, but Altman manages the feat deliciously.
While the individual threads may coax discussion, it is their blending that enables a variety of perspectives. Most of them are poignant, for instance the life of a pool cleaner and his wife who vocalizes orgasms on the phone in her job as a tele-sex worker while changing her kids' diapers. Or the life of a couple whose son has been in a tragic accident that brings their lives to an abrupt halt. Etc.
Be warned, many of these vignettes, while very tautly scripted and cleverly screenplayed, remain "unresolved," which may not work for some viewers. Personally I feel that films like this are more genuine reflections of the world in which we live: people often don't change, questions are frequently left unanswered, and unbecoming things do happen every day.
It's a pure pleasure to find a movie that weaves such a deep and intelligent tapestry of human lives, with all their idiosynchratic travails and triumphs. An absolute gem for you to own, not just rent.
22 of 25 people found the following review helpful
Format:DVD
While Magnolia has often been compared (usually favourably) with Short Cuts, this is a fine chance for those of you who haven't done so to do a compare and contrast, 10 years after the mighty Altman put this out. I don't fancy Magnolia's odds though.
Based on a series of stories by Raymond Carver, this is perhaps Altman's most consistent, accessible work. Unfortunately, he followed it with 'Pret a Porter', but lets not concern ourselves with that.
What is interesting is how many of the ideas and characters seem to have been lifted outright by Paul Anderson (from the sketchy cop, to the troubled kid, to the overlapping storylines), but Altman pulls the whole thing off infinitely better, without the need to get Tom Cruise doing daft speeches about penises.
The cast is absolutely outstanding, though Tom Waits is probably my favourite, as a sleazy chauffeur. Even Andi McDowell is good, and that is saying something.
Make sure you put aside a few hours to appreciate this, cause it's a long one - but it doesn't drag for a second. Outstanding.
Based on a series of stories by Raymond Carver, this is perhaps Altman's most consistent, accessible work. Unfortunately, he followed it with 'Pret a Porter', but lets not concern ourselves with that.
What is interesting is how many of the ideas and characters seem to have been lifted outright by Paul Anderson (from the sketchy cop, to the troubled kid, to the overlapping storylines), but Altman pulls the whole thing off infinitely better, without the need to get Tom Cruise doing daft speeches about penises.
The cast is absolutely outstanding, though Tom Waits is probably my favourite, as a sleazy chauffeur. Even Andi McDowell is good, and that is saying something.
Make sure you put aside a few hours to appreciate this, cause it's a long one - but it doesn't drag for a second. Outstanding.
Most Recent Customer Reviews
5.0 out of 5 stars
Short Cuts
Very interesting, and entertaining movie. Robert Altman was sort of a precursor to the Cohen Brothers; Nashville comes to mind.
Published 1 month ago by J. Lewis
4.0 out of 5 stars
Short Cuts DVD
Quirky film. Strange and amusing. Some disturbing scenes. Film follows several dysfunctional families and chance meetings tie them together. Read more
Published 3 months ago by Bryce Murphy
5.0 out of 5 stars
The Long & Short of It
Based on nine stories and a poem by the late Raymond Carver, Short Cuts is a deeply realistic, broadly written, stunningly structured jazz mural of a city on the edge. Read more
Published 3 months ago by N. Stennett
4.0 out of 5 stars
Good, but not quite great Altman
I certainly liked this film, especially after a 2nd viewing. But it's weak spots kept me from feeling it's one of Altman's very best. Read more
Published 9 months ago by K. Gordon
2.0 out of 5 stars
Altman Ruins Carver
Raymond Carver is my hero, I am a published author and I just watched Robert Altman ruin Raymond Carver. Read more
Published 11 months ago by Paulie
4.0 out of 5 stars
An excellent Altman film often overlooked
Criterion's release of what is considered one of Robert Altman's masterpieces finally allows me to discard my 2 VHS tape set acquired years ago. Read more
Published 19 months ago by M. Oleson
3.0 out of 5 stars
Live TV
Mosaic of pieces presenting live moments of a city dwellers interrupting and coexisting separately, unknowingly affecting each other, is nothing new to cinematography. Read more
Published 19 months ago by Michael Kerjman
3.0 out of 5 stars
Not the greatest DVD transfer, I'm disappointed, I have to say
Some DVDs look good even when up-converted. This one doesn't. But then again, it has that sort of gritty look, which kind of works. Read more
Published 20 months ago by Hammer-Y
4.0 out of 5 stars
Good, if not quite great Altman
I certainly liked this film, especially after a 2nd viewing. But it's weak spots kept me from feeling it's one of Altman's very best. Read more
Published on August 26, 2010 by K. Gordon
2.0 out of 5 stars
Like A Thousand Paper Cuts
Something about Robert Altman's films has always left me cold - whether from early in his career with 'Mash', or else later, as in 'A Prairie Home Companion'. Read more
Published on July 12, 2010 by Bryan Byrd
