From Publishers Weekly
The premise of Lewycka's debut novel is classic Viagra comedy: a middle-aged professor's aging and widowed father announces he intends to marry a blonde, big-breasted 30-something woman he has met at the local Ukrainian Social Club in the English town where he lives, north of London. It is clear to Nadezhda and her sister, Vera, that the femme fatale Valentina is only after Western luxuries—certainly not genuine love of any kind. Smitten with the ambitious hussy, their father forges ahead to help Valentina settle in England, spending what little pension he has buying her cars and household appliances and even financing her cosmetic surgery. In the meantime, Nadezhda, a socialist, and Vera, a proud capitalist, confront the longstanding ill will between them as they try to save their father from his folly. Predictable and sometimes repetitive hilarity ensues. But then Lewycka's comic narrative changes tone. Nadezhda, who has never known much about her parents' history, pieces it together with her sister and learns that there is more to her cartoonish father than she once believed. "I had thought this story was going to be a knockabout farce, but now I see it is developing into a knockabout tragedy," Nadezhda says at one point, and though she is referring to Valentina, she might also be describing this unusual and poignant novel.
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In this comic first novel, two estranged sisters living in England discover that their addled elderly father, a Ukrainian war refugee and expert on tractors, is planning to marry a young, enormous-breasted woman who sees his modest pension as her ticket to capitalist comfort. The sisters put aside their differences, and embark on a spirited campaign to save him from boil-in-the-bag dinners, slovenly housekeeping, and such extravagant purchases as a broken-down Rolls-Royce. In the midst of these machinations—which include long-winded letters to solicitors, venomous gossip, and all-out spying—Lewycka stealthily reveals how the depredations of the past century dictate what a family can bear.
Copyright © 2005 The New Yorker