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Shortcomings Hardcover – October 2, 2007


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Product Details

  • Hardcover: 104 pages
  • Publisher: Drawn and Quarterly; 1st edition (October 2, 2007)
  • Language: English
  • ISBN-10: 1897299168
  • ISBN-13: 978-1897299166
  • Product Dimensions: 7.1 x 0.8 x 9.1 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (69 customer reviews)
  • Amazon Best Sellers Rank: #52,306 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Amazon Significant Seven, November 2007: Adrian Tomine draws his mid-twenties slackers with an impeccable, exact line for every slumpy gesture and cultivated rumple. In Shortcomings, this ex-wunderkind tackles a book-length comic for the first time after three collections of stories, and his maturity shows not so much in the ages of his characters, who are still slackly wandering, dropping out of grad school or managing a movie theater, but in his calm and masterful handling of his story, in which vividly individual characters wander through the maze of imposed and self-generated stereotypes of Asian and American identities (the title is a wry allusion to one of the most enduring of those assumptions). Never has that old commonplace that the personal is the political seemed more paralyzing, and more true. --Tom Nissley

From Publishers Weekly

Starred Review. SignatureReviewed by Junot DíazTomine's lacerating falling-out-of-love story is an irresistible gem of a graphic novel. Shortcomingsis set primarily in an almost otherworldly San Francisco Bay Area; its antihero, Ben Tanaka, is not your average comic book protagonist: he's crabby, negative, self-absorbed, über-critical, slack-a-riffic and for someone who is strenuously race-blind, has a pernicious hankering for whitegirls. His girlfriend Miko (alas and tragically) is an Asian-American community activist of the moderate variety. Ben is the sort of cat who walks into a Korean wedding and says, Man, look at all these Asians, while Miko programs Asian-American independent films and both are equally skilled in the underhanded art of fighting without fighting. As you might imagine, their relationship is in full decay. In Tomine's apt hands, Tanaka's heartbreaking descent into awareness is reading as good as you'll find anywhere. What a relief to find such unprecious intelligent dynamic young people of color wrestling with real issues that they can neither escape nor hope completely to understand.Tomine's no dummy: he keeps the issues secondary to his characters' messy humanity and gains incredible thematic resonance from this subordination. Tomine's dialogue is hilarious (he makes Seth Rogan seem a little forced), his secondary characters knockouts (Ben's Korean-American only friend Alice steals every scene she's in, and the Korean wedding they attend together as pretend-partners is a study in the even blending of tragedy and farce), and his dramatic instincts second-to-none. Besides orchestrating a gripping kick-ass story with people who feel like you've had the pleasure/misfortune of rooming with, Tomine does something far more valuable: almost incidentally and without visible effort (for such is the strength of a true artist) he explodes the tottering myth that love is blind and from its million phony fragments assembles a compelling meditation on the role of race in the romantic economy, dramatizing with evil clarity how we are both utterly blind and cannily hyperaware of the immense invisible power race exerts in shaping what we call desire. And that moment at the end when the whiteboy squares up against Ben, kung-fu style: I couldn't decide whether to fold over in laughter or to hug Ben or both. Tomine accomplishes in one panel of this graphic novel what so many writers have failed to do in entire books. In crisp spare lines, he captures in all its excruciating, disappointing absurdity a single moment and makes from it our world. (Oct.)Junot Díaz's first novel, The Brief Wondrous Life of Oscar Wao, has just been published by Riverhead.
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Customer Reviews

The combination of art and dialogue make for a richly detailed story and character development.
Humberto Gallego
The depressing Ben Tanaka, the neglected girlfriend Miko Hayashi, and the lighthearted, promiscuous lesbian friend Alice Kim became real to me as I read.
K. Mehta
This is a book that would be interesting if you just read through it quickly, but I really encourage you to take your time with it and go deep.
mjakubowski

Most Helpful Customer Reviews

28 of 31 people found the following review helpful By M. JEFFREY MCMAHON TOP 500 REVIEWERVINE VOICE on October 27, 2007
Format: Hardcover Verified Purchase
Written in 3 "chapters," which are more like 3 film Acts, Shortcomings tells the tale of cynical, lust-soaked Ben Tanaka, a 30-year-old movie house manager in Berkeley. Even though his girlfriend Miko is a gorgeous Japanese cultural activist with sensitivity and intelligence, Ben's wandering eye for Anglo girls and his surly attitude cause friction in his relationship with disastrous consequences. Ben finds solace in his only friend, Alice, a spunky, sharp lesbian who attends Mills College. In this context, Shortcomings explores with sadness and hilarity sexual and racial stereotypes and the painful search for an authentic identity. The characters are painfully realistic, beset by misguided desires, raging egos, and intense selfishness. But Tomine's brilliance as an artist is to give his characters complexity, believability, and, yes, our sympathy. I was sad after I finished the book in 90 minutes of reading because I loved the characters and wanted to spend more time with them and found myself fantasizing a long-running TV show about them or a series of more graphic novels so I could follow their lives in more depth. Such is the pang this great book left me.
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14 of 15 people found the following review helpful By A. Ross HALL OF FAMETOP 1000 REVIEWERVINE VOICE on March 15, 2008
Format: Hardcover
I loved Tomine's early collections, 32 Stories and Sleepwalk, but his last one (Summer Blonde) was a bit of a disappointment, feeling like a rehash of earlier material. This latest book collects issues 9-11 of Optic Nerve into a single narrative arc following a single protagonist. Despite this move from short story to novella-length, Tomine largely fails to take advantage of the space afforded to move into new thematic territory.

His work has always focused on loneliness, and yet again the main character is a socially awkward semi-hipster who tends to alienate people. Ben Tanaka is a 30-year-old manager of an art house cinema in Berkeley (presumably the UC Theater, which like the one Ben manages, was forced to close to due seismic retrofitting regulations), living with his beautiful Japanese-American girlfriend Miko. The story follows Ben's dying relationship with Miko and subsequent rebound attempts with various cute Anglo girls. But Ben is so plagued by insecurity and bitter snobbishness, and is so grumpy and cynical that it becomes increasingly hard as the book progresses to understand what any woman would see in him.

The one new theme Tomine introduces to his work is the struggle to define identity and identity politics among Asian-Americans. Ben, Miko, and even Ben's moxie-laden Korean-American lesbian pal Alice (who tend to steal any scene she's in), all grapple with various stereotypes and self-imposed expectations.
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19 of 23 people found the following review helpful By A reader on October 12, 2007
Format: Hardcover Verified Purchase
I'm probably not an objective reviewer. I'm a white woman married to an Asian man, and we lived in the Bay Area for many years, so the subject matter was a bit close to the bone for me. At several points in the novel, I felt as though someone had been eavesdropping on my conversations. Tomine also does a great job of conveying subtle emotions through facial expressions. I loved it, and not just for the local references and jokes about Asian identity politics.
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2 of 2 people found the following review helpful By James Thomas Moon on January 28, 2008
Format: Hardcover Verified Purchase
This book is just as I imagined from most reviews (which is good).
Tomine has recreated a new and strange social dilemma of modern America.
He accurately explains (through his characters) the grandiose ideas that distract two intelligent Asian Americans from the simpler and immediate discomfort they have with their identity, roles within their families and their personal relationships.

My favorite aspect of the main character, Ben Tanaka, is he can't see how he causes his own problems. His jealousy, insecurity, and intellectual snobbery fuel his mean and cynical behavior toward his girlfriend.
And the best part is, he's not even consciously aware of what he's doing!
I like this because it is very accurate recreation of real life.
And as the reader, we can objectively watch it unfold in front of us. You can see exactly where Ben Tanaka turns from kind boyfriend into a cynical brat. And he acts like a brat by his own choosing.
This is a phenomenon all human beings share. Not realizing how their own behavior and attitudes are the cause of their life's problems. And the ideas of their era (in this case, identity and race in America) is a superficial lense through which many people try to understand their own suffering.

Tomine has accurately described the very human conflict of emotions and ideals.

-J_Tom_Moon_79
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2 of 2 people found the following review helpful By Ryan C. Conrath on March 3, 2008
Format: Hardcover
This is adrian tomine's first full-length work, if you accept the fact that this is just a fusing of three short works. This book has literally been created from the three installments of the optic nerve series in which Tomine took part.

The story is okay... the art is really what is interesting here. Jonathan Lethem compares tomine's "mise-en-scene" to Eric Rohmer's, but it would be more accurate to compare his style to Bresson's, since Tomine's art is so focused on gestures... especially HAND gestures. Its really interesting to see what Tomine chooses to take out. This is also an interesting point of comparison between him and Bresson/Rhomer: the lack of certain objects--what's left in and whats taken out.

I don't know a whole lot about graphic novels, but this guy is really interesting and although i find his characters a bit underdeveloped (but the characters themselves really don't matter) and his story a bit cliche, he's worth checking out because his drawing is so careful and imaginative.

For those of you drawn into the orientalism masking for cultural and personal reflection of Satrapi, I wouldn't tell you to go out and buy this book. If you are interested in quiet, faultless visuals that reflect on physical human subjects as much as on than their psychological qualities, Tomine is your hipster shaman.
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