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22 of 22 people found the following review helpful:
5.0 out of 5 stars
great biography, November 30, 1999
This review is from: Shostakovich (Paperback)
I highly recommend this book. Initially, I had some reservations about the format: Wilson went to people who knew or had contact with Shostakovich and had them write essays about their experiences, which she then put together to form the book. My hesitation stemmed from the fear that the book would read like a series of seperate articles, rather than a continuous biography, but fortunately they were not realized. The book reads like a biography with a continuous and logical flow. Because most of the accounts are firsthand, there is an certain amount of intimacy and detail that even the most thoroughly researched biographies lack. Wilson pretty much lets the individual contributors speak for themselves, only inserting paragraphs of related historical and political events where necessary for context. Although the book is a biography about Shostakovich's life, work, and personality, it also drops a few clues about performance of his works. Wilson humbly declares that the book is probably not the 'definitive' biography of Shostakovich but that she felt compelled to write it because most if not all of Shostakovich's contemporaries are getting up there in years, but I'd say the book is a definite must-read for anyone interested in Shostakovich's music.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
A Life Understood Through the Eyes of Others, October 20, 2002
This review is from: Shostakovich (Paperback)
We have too easily forgotten that sport, art, music, science and dance were all sites where Cold War battles were fought. The deprivations of post-Revolution Leningrad combined with the Stalinist years worked to drive the naturally introverted, intense and secretive Shostakovich even more into himself. This has made Shostakovich a fascinating topic for biographers, speculators and ideologues of all kinds. In addition, we also overlook the fact that musicians will by nature reveal themselves most fully in their art. So if we wish to understand the "real" Shostakovich, we need to turn to his music. Given these reflections, I found this to be an informative, insightful and moving book. The technique of breathing life into the man through the eyes of others - from his Godmother to neighbours, conductors and family - built a unique multi-level picture of the man underneath the many myths. Will we ever know him fully? Probably no more than we know Shakespeare or Rembrandt both of whose art rises above their particular context. Finally, I am greatful to Wilson because her book acted to drive me back to the music. I have since returned to Shostakovich's symphonies, chamber music and even the jazz suites with new love and energy. Well worth reading.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
A Revealing Look at the Composer, May 11, 2006
This review is from: Shostakovich (Paperback)
If I were asked to name a book that would give a complete portrait of Dmitri Shostakovich this would be the book that I would name. Elizabeth Wilson's Shostakovich: A Life Remembered is a collection of remembrances of the composer by many people: family, friends, colleagues, admirers and some who simply observed the composer from a distance. There is a wide variety of people who relate an event of Shostakovich's life, provide background on events in the composer's life or simple relate a personal story about him. The number of sources that Ms. Wilson consulted is vast and she also had the opportunity to interview many of the people who know Shostakovich who died since this book was published.
Ms. Wilson (who met the composer when she accompanied Benjamin Britten on a visit) has nicely divided the book into sections dealing with major events, such as the "War Years" and then deals with specific events that occurred like the "Seventh Symphony" and the "Teacher and Master" concerning Shostakovich's students during the period. One of my favorite sections is an interview with Mstislav Rostropovich where he relates a story just after he had won the All-Russia competition. He bought a suit to wear for his concert performances and to celebrate Shostakovich bought a bottle of moonshine vodka that turned out to the worst drink of their lives. Such anecdotes may not be highly important to Shostakovich's professional career but say volumes about him as a human being. The book gives as complete a life of Shostakovich as one would want, and we get a complete perspective. We get insight into why some friends cut themselves off from Shostakovich late in his life from what seemed to be his support of the Communist Party but, probably more important, we get the composer's reactions from his friends and colleagues in an unvarnished way.
The book is illustrated with some interesting photographs from various periods in Shostakovich's life. I have also used this book as a reference when I wanted to know something about one of his compositions. It is a very rewarding book that should not be missed if you have an interest in Dmitri Shostakovich.
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