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41 of 44 people found the following review helpful:
5.0 out of 5 stars
SUPERB overall, August 18, 2006
I have an average of about 10 recordings for each Shostakovich symphony. My first box set of DSCH symphonies was this set, and I still think it's really great! There may be some more special versions of some of the symphonies out there, but you can't go wrong with this for an overall set. The reviewer below who says that it's made in the last few years is plain wrong. It comes from the 70s and 80s (mostly the latter and mostly very good digital). Also, I disagree with that reviewer on sound quality; I'm pretty fussy about sound but the sound quality here in the Haitink set is excellent overall, including for Sym #13: this is one of my favourite recordings of that wonderful work, and it brings out the essential lyricism (!) of this work, in my view (Rinztler and the choir are very focused and clear)! Of my many recordings of #7, my favourites are the Bernstein/DG one and this Haitink version: the Haitink here really is superb. The Haitink #11 is also great and gets plenty of drama in great sound for the 2nd movement. Really, all recordings here are great; I can't think of any one which disappoints me (which can be said for other complete sets of DSCH symphonies, including Jansons' generally excellent set). I would say that I probably prefer Jansons for #6, #9, #10 over Haitink, but for most of the other symphonies, I easily prefer Haitink. The super cheap Barshai set is very good overall too, but I would place Haitink's set above it for most performances. So in general, this Haitink box is a superb set so you can't go wrong with this as a general set!
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33 of 36 people found the following review helpful:
5.0 out of 5 stars
Absolutely the BEST cycle available., January 26, 2005
This review is from: Shostakovich: The Complete Symphonies - Concertgebouw Orchestra / London Philharmonic Orchestra / Bernard Haitink (Audio CD)
Bernard Haitink's performances of these symphonies regularly reveals Shostakovich as very few others ever have. First, many reviewers consider this to be the best complete cycle of Shostakovich's symphonies ever recorded. Eight of the symphonies (1, 5, 6, 7, 11, 13, 14, & 15) are considered among a handful of the best performances ever recorded, with the 5th and 15th right at "the very best." Haitink's 10th with the Royal Concertgebouw Orchestra is also cited often as "the best" but is not the 10th included in this box set. The remaining six symphonies are all considered excellent, not average, not pretty good, but excellent performances. In addition, the recording quality of these Decca Great Masterwork CDs is outstanding. The dynamic range is huge. The emotional content of the music really comes through. You can find other top performances. Mravinsky is great and has recorded numerous performances of some of these symphonies. But not all are worth owning. Do your homework. For example, of the 5th, the 1973, 78 and 84 are worth owning, but not the 1966 or 67 versions. With the 6th, it is 1965 performance that is considered his best. For the 3rd symphony, Rostopovich has a great 93 performance, but I really like Haitink's better. For the 8th and 9th, go with Solti's 89 Decca and 90 London (VPO) performances respectively. For the 14th, Rostopovich is again a great performance. For a terrific listing of Shostakovich's work and review of recorded performances go the Yosuke Kudo's home page at [...] or look him up on the web. You will learn a lot about Shostakovich and recorded performances of his work. If you want to know and and experience the awe of Shostakovich's symphonies, just buy this box set. Happy listening.
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44 of 52 people found the following review helpful:
4.0 out of 5 stars
still a contender among complete DSCH symphony sets, July 5, 2006
Contrary to what some people have deduced, this Haitink set is not new. It is a reissue of the old Decca set from years ago at a new reduced price in time for the Shostakovich Centenary. The recordings were made from the mid-1970s to the mid-1980s. If what you really want is all of Shostakovich's symphonies by one conductor in one set, this is still a contender -- hence the 4 stars, especially given the reduced price. But I would recommend buying the symphonies individually instead, and I will offer some specific suggestions. Haitink's first recordings were with the London Philharmonic Orchestra (Symphonies 1, 2, 3, 4, 7, 9, 10 and 15). Later he began to record with the Royal Concertgebouw Orchestra of Amsterdam (Symphonies 5, 6, 8, 11, 12, 13, and 14). The RCOA is a better orchestra, and the symphonies recorded with the RCOA are generally better than those recorded with the LPO. That's one way to begin considering buying individual symphonies. Another important consideration is that not all of Shostakovich's symphonies are equally good -- in fact, they are much more uneven than Beethoven's, Bruckner's or Mahler's, just to mention some great forerunners in the category of symphonic cycles. The great DSCH symphonies are No.s 4, 5, 8 and 10. No.s 1, 2 and 3 are really not essential -- the 1st was a beginner's exercise, and No.s 2 and 3 were revolutionary propaganda pieces. In general, the others can all be considered to be second or third tier -- I prefer No.s 7, 9, 11 and 14 over No.s 6, 12, 13 and 15, but I concede that at this level of ranking subjectivity increases. Both No. 11 and No. 12 are post-Stalin pro-Soviet exercises, the 11th commemmorating the failed revolution of 1905, and the 12th celebrating the Bolshevik revolution of 1917. Both No. 13 and No. 14 feature vocals, modeled on Mahler's Das Lied von der Erde (Song of the Earth), which fused song and symphony forms. So clearly the first priority is to hear the best available versions of Shostakovich's best symphonies, No.s 4, 5, 8 and 10. Of those, Haitink ranks only for No. 8. I prefer the now out-of-print recording by Solti and the Chicago Symphony Orchestra, but Haitink and the RCOA are a close second (see my review). So definitely start there! Haitink's No. 5 (paired with No. 9) is excellent, another good choice (see my review). I would place it alongside the Mravinsky/Leningrad Philharmonic, Gergiev/Kirov Orchestra, and Rostropovich/LSO recordings (see my reviews of all three). My top choice for the Fifth, though, is Rostropovich with the National Symphony Orchestra, a 1983 recording on DG that is now available as an import (see my review). Haitink's 4th, with the LSO, has clearly been superceded -- my top choice is Jarvi/Scottish National Orchestra on Chandos, a 1989 recording (strange, admittedly, but Jarvi was a student of Mravinsky!). Gergiev's recent recording is also excellent. As for the 10th, I hate to admit it, but Karajan's 1981 recording for DG with the Berlin Philharmonic is clearly superior to all contenders. (I object to Karajan on both ideological and musical grounds.) Sanderling and the Berlin Symphony Orchestra on Berlin Classics is a good second choice. As for the rest, Gergiev's recent 7th with the Kirov is outstanding (see my review). Both Haitink and Gergiev present solid 9ths -- I prefer Haitink's interpretation, but the sound on the more recent Gergiev recording is much better (see my reviews). Rostropovich and the LSO perform an amazing live 11th (see my review). Haitink and the RCOA are brilliant on the 14th, which includes the equally superb "Poems of Marina Tsvetayeva." That's enough for one review! See my SHOSTAKOVICH: A LISTENER'S GUIDE list for more of the great Dmitri Shostakovich.
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