Shot

Jesus Lizard | Format: Audio CD

Product Details

• Audio CD (April 16, 1996)
• Number of Discs: 1
• Label: Capitol
• ASIN: B000002U32
• Also Available in: Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #198,645 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

4.0 out of 5 stars Vastly underrated, December 4, 2003

By A Customer

This review is from: Shot (Audio CD)

I don't know why this album has such a bad reputation. Yes, it's the first studio LP without Steve Albini, so it sounds different; however, it's still a really great album. The 1-2-3 punch of "Thumper", "Blue Shot", and "Thumbscrews" (one of my favorite TJL songs) can hold up to any other album of theirs. The rest of the album is good, with only a few songs i dont really care for, hence the 4 stars. With Goat and Liar, all of the songs kick ass. Just because theres 2 or 3 songs that are fairly mediocre, doesn't mean this should be shunned. It's way better than pretty much any other popular band of the time. Oh, and "Skull Of A German"'s guitar line kicks my ass.

4 of 4 people found the following review helpful:

4.0 out of 5 stars Mailman - one of the creepiest songs I've ever heard, August 10, 2004

By 

Personal Robot (Always here, sometimes there) - See all my reviews
(VINE VOICE)   

This review is from: Shot (Audio CD)

"He wants to know if he can run his fingers through my hair

He also wants to know if he can hop around my hole

Wants to see my skirt rise abuxt my hairless thigh"

"Mailman" is singer David Yow's tale of a woman being stalked by some creepy bastard who likes to send her little love notes through the mail. This is the kind of thing the Jesus Lizard excels at - making the listener just uncomfortable enough that any laughter that the odd lyrics might encourage are questioned as to whether it's because of the humor of them - or a nervous reaction to something disturbing, like when we laugh at excessive gore in a movie.

I question my reaction everytime I hear the song's signature line - "He sure as hell can't touch me." Spat with such acidic disgust that you know the female persona Yow takes on for the tune says it more out of self-reassurance than as a statement of fact. The terror of the song is that nothing has happened - yet. The only thing she knows for certain is that she doesn't want the "Mailman" touching her - whether he abides her wishes is left unanswered, in fact, whether he even does anything more than send creepy letters is unknown. The song is a snippet of a "now" when the woman in the song receives yet another letter that one can only imagine has her darting about in fear, checking with shaky hands that doors and windows are locked, that nothing in the house has been disturbed, that this man hasn't somehow infiltrated the safety of her home. We never know anything but what she's feeling and fearing while reading his words - how he wants to "run his fingers through [her] hair" and "hop around [her] hole." No - all we know for sure is that "the word he uses, the thought he thinks is getting under my skin."

One of my favorite musical elements of the Jesus Lizard is that greasy bassline that permeates everything they do. It leaves a slime wherever it slithers and in the case of "Mailman" it just makes an already odd little tune that much more perverse - but really, what Jesus Lizard song isn't perverted and greasy? That's exactly why I love them. David Yow wasn't afraid to write more-than-disturbing lyrics, and the band wasn't afraid to create music that perfectly backs it up.

2 of 2 people found the following review helpful:

4.0 out of 5 stars is that sound quality?, November 5, 2005

By 

Stargrazer "the lost mixtape of my life" (deep in the heart of Michigan) - See all my reviews
(VINE VOICE)   

This review is from: Shot (Audio CD)

If you're looking for a rock album that twists the usual power trio format into a taut, angular whirl, look no further.

If on the other hand, you have followed the Jesus Lizard and are inclined to rank their albums, you may find some faults. But to the uninitiated, this is punk-metal bliss. Fans seem to universally agree on this album, scenesters tend to diss it.

You knew what you were going to get with the Albini-produced albums. This one was a gratifying sonic surprise.

For one thing, their sound finally gets some robustness, while eschewing the too-slick sheen of their final album "Blue." Songs like "Thumbscrews" are cathartic both live and on album, and you can finally crank them up without it sounding like mud. Very pleasant mud, to be sure, but lacking the crystalline crunch and nice round growly bass of "Shot."

Additionally, it's their last recorded outing with drum-savant Mac McNeilly.