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Showdown at High Noon: Witch-Hunts, Critics, and the End of the Western (The Scarecrow Filmmakers Series)
 
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Showdown at High Noon: Witch-Hunts, Critics, and the End of the Western (The Scarecrow Filmmakers Series) [Paperback]

Jeremy Byman (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0810849984 978-0810849983 June 14, 2004
For more than fifty years, High Noon has been a touchstone in the popular imagination and a source of endless controversy about film art. On its release it was hailed as a masterpiece. But film historians and theorists have also reviled it almost from the beginning as pretentious "social realism" inspired by its screenwriter's victimization by the red-hunting House Committee on Un-American Activities.

Showdown at High Noon is the study of a film caught between popular admiration and critical disdain. In order to understand how and why High Noon has elicited such disparate reactions, author Jeremy Byman explores all of its elements, from its origins in the mind of blacklisted screenwriter Carl Foreman to its long-lasting impact on culture, American and otherwise. High Noon not only affected the westerns that followed it, but also changed filmmaking in fundamental ways. By analyzing its political, cultural, and thematic implications, Byman reveals how this one film has had such a profound and enduring influence, a long lasting impact that cannot be so easily dismissed.

Includes 8 pages of photos.

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Editorial Reviews

Review

Argues that High Noon was seminal in anticipating the "new," darker Western, and that the film's realist aesthetic was particularly undervalued by auteur critics...fundamentally evaluative... (Choice )

Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious social realism inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included.... (Reference & Research Book News )

Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious "social realism" inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included. (Reference & Research Book News )

About the Author

Jeremy Byman holds a Ph.D. in political science and M.A. in cinema studies, and has taught political science and film courses at several colleges and universities. He was the film reviewer for an arts and entertainment weekly for 19 years. This is his seventh book.

Product Details

  • Paperback: 344 pages
  • Publisher: Scarecrow Press (June 14, 2004)
  • Language: English
  • ISBN-10: 0810849984
  • ISBN-13: 978-0810849983
  • Product Dimensions: 8.9 x 5 x 0.8 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,252,564 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:
4.0 out of 5 stars an excellent companion to the film, February 16, 2009
This review is from: Showdown at High Noon: Witch-Hunts, Critics, and the End of the Western (The Scarecrow Filmmakers Series) (Paperback)
I took off one star for the price(at $50 for a paperback it's rather high), but the book itself is very well made and written. The author writes in an easy to understand style, but the book is both a fun companion to High Noon and an exhaustive history/film criticism volume.

Here's a table of contents for those who want to know exactly what the book contains:

Preface
Acknowledgments
Part I: The World of High Noon
1. Showdown
2. High Noon Enters Popular Legend
3. Independent Production and the Rise of Stanley Kramer
4. The Red Scare and the Blacklist
Part II: Communism and Conformity
5. Writing High Noon, Facing the Blacklist
6. The Failed Community
Part III: Westerns and Anti-Westerns
7. Formula and Subversion
8. High Noon and the End of the Western
Part IV: Auteurs, Critics, and Collaborative Filmmaking
9. Auteurs and Westerns
10. The Making of High Noon
Part V: The Film As Film
11. A Citizen Named Kane
12. Noir at High Noon
Bibliography
Index
About the Author
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