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The Showman and the Slave: Race, Death, and Memory in Barnum's America [Hardcover]

Benjamin Reiss (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

October 9, 2001 0674006364 978-0674006362 1St Edition
In this compelling story about one of the nineteenth century's most famous Americans, Benjamin Reiss uses P. T. Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman who was said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act--and especially her death--into one of the first media spectacles in American history.

In piecing together the fragmentary and conflicting evidence of the event, Reiss paints a picture of people looking at history, at the human body, at social class, at slavery, at performance, at death, and always--if obliquely--at themselves. At the same time, he reveals how deeply an obsession with race penetrated different facets of American life, from public memory to private fantasy. Concluding the book is a piece of historical detective work in which Reiss attempts to solve the puzzle of Heth's real identity before she met Barnum. His search yields a tantalizing connection between early mass culture and a slave's subtle mockery of her master.


Editorial Reviews

From Publishers Weekly

.T. Barnum's first triumph as a showman was passing off Joice Heth, an elderly slave, as the 161-year-old ex-wet nurse of George Washington. A consummate spin doctor, Barnum squeezed profit even from Heth's death: tickets to her autopsy cost 50 cents, "the equivalent of a good seat at the opera." Reiss, an assistant English professor at Tulane, examines the cultural meanings of the Heth hoax for insight into racial attitudes in antebellum America. This wholehearted postmodernist explores the ascendance of newspapers and autopsies, our fascination with cannibalism and other phenomena. More attention to literature on contemporaneous freak shows (e.g., Bondeson's 2001 The Feejee Mermaid) might have added depth. Dollops of lingo (Heth as a "deeply ambiguous somatic symbol" of "struggles over cultural propriety and social hierarchy") lard every chapter, but patient readers will be rewarded. The last chapters treat head-on the two lead characters in the story, Barnum and Heth, and their respective roles in the hoax. While digressions can be interesting (a few paragraphs on abolitionist and ex-slave Harriet Jacobs are welcome), some of the relevance claims can be annoying (e.g., the scrap of the NY Herald Jacobs sent to her former master to make it seem she was living in New York may or may not have had an article about Heth). Reiss undercuts his strong concluding argument for Heth's cleverness by speculating that she may have suffered from dementia. 12 illus.

Copyright 2001 Cahners Business Information, Inc.

Review

A good and engaging read. A mystery story, an attempt to sort through conflicting, often fragmentary, evidence to give the most plausible account of a bizarre, perhaps transformative, moment in American popular culture. (Ronald G. Walters, Johns Hopkins University 20020501)

Product Details

  • Hardcover: 288 pages
  • Publisher: Harvard University Press; 1St Edition edition (October 9, 2001)
  • Language: English
  • ISBN-10: 0674006364
  • ISBN-13: 978-0674006362
  • Product Dimensions: 9.3 x 6.4 x 1.1 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,479,502 in Books (See Top 100 in Books)

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4 of 4 people found the following review helpful:
5.0 out of 5 stars A fascinating study of antebellum America, October 31, 2009
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This review is from: The Showman and the Slave: Race, Death, and Memory in Barnum's America (Hardcover)
Reiss sets about to untangle the mysterious relationship between enterprising showman P.T. Barnum and Joice Heth, an elderly ex-slave whom Barnum falsely advertised and exhibited as the nurse of the infant George Washington. Through a careful study of the archives (letters, periodicals, Barnum's autobiographies and much, much more), Reiss shows how the Barnum-Heth relationship is a unique case study of how celebrity and capitalism mingled during the antebellum period.

As an elderly black woman whose body was deformed by age and malnutrition, Heth simultaneously inspired disgust, doubt, admiration and erotic fascination in her audiences, particularly in the white newspaper reporters who were either obsessively profiling her or sneeringly debunking her. Reiss shows how Barnum fed the flames of her celebrity, keeping alive all manner of stories and skepticism about Heth.

Reiss is an impressive prose stylist; he knows how to pace a historic narrative to maximum effect. And rather than doggedly pursue any single thesis, he spins out a lot of possible interpretations of the Barnum-Heath duo, while acknowledging that there's much about Heth's private life that we'll never know.

Barnum and Heth are unforgettable characters, but their story is also a prism revealing many facets of American life in the 19th century: the significance of George Washington's memory in the early republic, public entertainment, race, urban life, the growth of penny newspapers, the status of the working class and, of course, the meaning of slavery in the American North and South.
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