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  • Shure SM58-LC Cardioid Vocal Microphone without Cable
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Shure SM58-LC Cardioid Vocal Microphone without Cable

by Shure
125 customer reviews
| 21 answered questions

List Price: $120.00
Price: $99.00 & FREE Shipping. Details
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Microphone
  • Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
  • Effective built-in spherical wind and pop filter. Frequency response: 50 to 15,000 Hz
  • Pneumatic shock-mount system cuts down handling noise.
  • Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
115 new from $74.00 5 used from $79.95
$99.00 & FREE Shipping. Details In Stock. Ships from and sold by Amazon.com. Gift-wrap available.

Frequently Bought Together

Shure SM58-LC Cardioid Vocal Microphone without Cable + CBI MLC20 Low Z XLR Microphone Cable, 20 Foot + On Stage Foam Ball-Type Mic Windscreen, Black
Price for all three: $107.81

Buy the selected items together

Product Description

Configuration:Microphone

Product Description

A standard on stages throughout the world for years, the Shure SM58 Dynamic Vocal Microphone offers a carefully tailored frequency rise at about 4,000 Hz for smooth as silk vocals that stand out in the mix. Long associated with its unmistakable sound and unsurpassed reliability, the Shure SM58 Dynamic Vocal Microphone is widely considered the most popular mic in the world. Designed for professional vocal use in sound reinforcement and studio recording, the Shure SM58 Dynamic Vocal Microphone utilizes a highly effective, built-in, spherical filter that minimizes wind and breath pop noise while the cardioid pickup pattern isolates the main sound source and minimizes unwanted background noise. The tailored vocal response on the SM58 is a legendary tone that has become a world standard. Shure SM58 Dynamic Vocal Microphone Features: Smooth, mid-frequency presence rise for world-famous SM58 Mic sound, Uniform cardioid pickup pattern isolates the main sound source, Minimizes background noise, Pneumatic shock-mount system cuts down handling noise, Rugged construction for extreme reliability in demanding applications, Effective, built-in spherical wind and pop filter, 50 to 15,000 Hz frequency response, Supplied with break-resistant stand adapter which rotates 180 degrees, Legendary Shure quality, ruggedness, and reliability, Includes a mic stand adapter and a zippered storage pouch, Proximity Effect: When the sound source is less than 1/4 inch from the microphone, the microphone boosts bass frequencies (by 6 to 10 dB at 100 Hz), creating a warmer and richer bass sound than when farther away. This effect, known as proximity effect, happens only in unidirectional dynamic microphones like the Shure SM58 Vocal Mic. The low-frequency roll-off on the SM58 provides greater control, allowing the user to take full advantage of proximity effect.

From the Manufacturer

SM58 Cardioid Dynamic Microphone - Without Cable

Overview

The legendary Shure SM58 vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. Its tailored vocal response for sound is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A unidirectional (cardioid) pickup pattern isolates the main sound source while minimizing unwanted background noise.

Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.

The Standard for Dynamic Vocal Mics

You'll find multiple SM58s in most any studio or live music venue - no doubt you've heard of them. The SM58's frequency response is tailored for vocals, with brightened midrange and bass rolloff. The uniform cardioid pickup pattern isolates the main sound source and minimizes background noise, which is ideal for vocals, especially in live situations where background noise is substantial.

The microphone's pneumatic shock-mount system cuts down handling noise, making it a great choice for handheld vocals, and the built-in wind/pop filter helps keep things in check.

The dark gray, enamel-painted, die-cast metal case has legendary looks and - paired with the mesh grille - legendary toughness.

Features

  • Frequency response tailored for vocals, with brightened midrange and bass rolloff
  • Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Effective, built-in spherical wind and pop filter
  • Supplied with break-resistant stand adapter which rotates 180 degrees
  • Legendary Shure quality, ruggedness and reliability
  • Cardioid (unidirectional) dynamic
  • Frequency response: 50 to 15,000 Hz

SM58 Specifications

Type Dynamic
Frequency Response
Click for Image
50 to 15,000 Hz
Polar Pattern
Click for Image
Cardioid
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
-54.5 dBV/Pa (1.85 mV)
1 Pa = 94 dB SPL
Impedance Rated impedance is 150 Ohms (300 Ohms actual) for connection to microphone inputs rated low impedance
Polarity Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Case Dark gray, enamel-painted, die cast metal; matte-finished, silver colored, spherical steel mesh grille
Connector Three-pin professional audio connector (male XLR type)
Net Weight 298 grams (10.5 oz)
Dimensions 162 mm (6-3/8 in.) L x 51 mm (2 in.) W

Available Models

Model Description
SM58-LC Includes Stand Adapter and Zippered Pouch
SM58S Includes Integrated On/Off Switch, Swivel Adapter and a Zippered Pouch
SM58-CN Includes 7.6 m (25 ft) XLR-Male to XLR-Female Cable, Swivel Adapter and a Zippered Pouch
SM58-X2U Includes X2U XLR-to-USB Signal Adapter and 9.8' USB Cable

Accessories & Replacement Parts

Model Description Model Description Model Description Model Description
A58WS Windscreen (6 Color Options) C25F 7.6 m Cable (25 ft) A26M Dual Mount R59 Cartridge
A55M Isolation Mount A25D Microphone Clip RK153G Screen and Grille S37A Desk Stand

SM Microphones are equal to the demands of high-energy performance, proven time and time again through decades of rigorous use by performers and engineers of all experience levels. The renowned sound and construction of the SM Microphone line has remained the metric by which all other microphone performance has been judged, setting standards for minimized handling noise and improved gain before feedback. In live performance and recording applications, SM Microphones are legendary - virtually indestructible professional gear.


Product Details

Configuration: Microphone
  • Product Dimensions: 10.3 x 4.9 x 3.3 inches ; 19 pounds
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Domestic Shipping: Item can be shipped within U.S.
  • International Shipping: This item is not eligible for international shipping. Learn More
  • Shipping Advisory: This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
  • ASIN: B000CZ0R42
  • Item model number: SM58-LC
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (125 customer reviews)
  • Amazon Best Sellers Rank: #459 in Musical Instruments (See Top 100 in Musical Instruments)
  • Manufacturer’s warranty can be requested from customer service. Click here to make a request to customer service.
  • Date first available at Amazon.com: April 13, 2004

Customer Questions & Answers

Customer Reviews

Most Helpful Customer Reviews

49 of 51 people found the following review helpful By Justin "pa2hire.co.uk" on February 20, 2006
Configuration: Microphone
The Shure SM58 is one of the most recognisable microphones in the world - and for good reason. It is the main stay of many a hire companies microphone hire stock, including mine (pa2hire.co.uk). Practically unbreakable, and if you do manage to drop it from a high stage / skyscraper, you can also buy a replacement pop shield. Very suited to rock, or other musical styles that need powerful vocals. Make sure your singers lips are touching the pop shield to get the best results, though, unless they have very good mic technique. The proximity effect (increase in bass when you sing or talk close to the mic) makes this important. If the singer is a foot away from an SM58, the chances are they will sound thin, and you will also have gain before feedback issues....

Sonically the response has a nice presence peak in the upper mid range, but the top end rolls off quickly after that. Opinion is split about whether that is a good or a bad thing - it helps keep a lid on feedback, but it doesnt sound as hi-fi as some other mics. I have had some singers complain that their vocal top end is not quite right - sometimes asking for more top end. I guess they are used to the sound of expensive condenser mics on their recordings. My solution is normally to give them another mic, like a Beta 58, or Beta 87a maybe, rather than use EQ. If you A/B test an SM58 verses these mics it will always lose. But it can still be a better mic in some cases, such as when you are looking for a cardioid rather than hyper-cardioid response (the SM58 has a cardioid response, which means it has a wider pickup pattern at the front). But most vocalists will be more than happy with the sound the SM58 gives.
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49 of 55 people found the following review helpful By Aaron Rubenson on August 14, 2004
Configuration: Microphone
This is an excellent, general purpose microphone at a reasonable price. I'm a classically trained vocalist, and I use the SM58 for rehearsal and "scratch" recordings. It delivers clear, true, and warm sound under all standard conditions and requires essentially no fine tuning or signal processing. I still prefer the crisp detail of a condenser microphone for formal demo recordings (my favorite is the Studio Projects C1), but it's hard to beat the simplicity and reliability of the SM58 for everyday use.
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28 of 30 people found the following review helpful By T. P. Inglis on January 2, 2005
Configuration: Microphone
I have been using the Shure SM58 microphone for over two decades of live performance. It is simply the best affordable microphone available for lead or backing vocals. It's so durable, you could literally use it as a hammer then perform a sweet ballad with no ill effect. I have never had one break down in hundreds of shows.

My current primary SM58 has a couple dents from rough use in rough venues but sounds just like it did brand new. The only reason I've ever replaced one is because they were stolen. If you're just starting your professional career, this is the microphone you need. If you're a seasoned veteran of the music biz, you've probably already got one in your gig bag.

Get a Shure SM58, don't use some crappy thing that costs half as much, you won't get enough level into the board. Your sound guy will thank you, they know just exactly what to expect.

Any other comparable quality microphone will cost you at least twice as much.
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27 of 32 people found the following review helpful By D. Johnson on November 3, 2012
Configuration: Microphone
Both the Shure SM57 and SM58 microphones (which, by the way, are the same internally) are considered industry workhorses. You see these things pop up everywhere, from studios to live gigs to concerts on TV. They are everywhere. Which I find a bit strange because, frankly, they don't sound good.

The design of these mics goes back about 40 years. A lot has happened with microphone technology during that time. These models may have been very good decades ago, but they are really showing their age. The most prominent problem with them is the sound quality... they are quite "honky" making everyone sound far more nasal than they do in real life. There are some situations where that might be okay, but unless you are a vocalist who actually wants to sound more nasal than you do in reality, there are much better choices out there, as these two mics will really emphasize any honkiness/nasality of your voice.

In a shootout in my studio with more than 20 different models of mics, the SM57/58 were clearly near the bottom of the list. Virtually every other microphone we tested sounded better. And I'm not talking about comparing it to $3500 Neumann U87 mics either... half of the mics we used can be had for under $150. Another, much better choice in a similar price range is the AKG D5, or you can step up to the Shure Beta 58, which is much, much better, and a microphone I can easily recommend. Both of these other mics also have better off-axis rejection and higher gain before feedback.

I know that nearly everyone uses these mics, but that doesn't actually mean they are that good. There are much better choices for your money. "Tradition" alone isn't a great reason to buy a particular product, especially in a technology-heavy field.
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12 of 13 people found the following review helpful By Aaron Rubenson on August 14, 2004
Configuration: Microphone
This is an excellent, general purpose microphone at a reasonable price. I'm a classically trained vocalist, and I use the SM58 for rehearsal and "scratch" recordings. It delivers clear, true, and warm sound under all standard conditions and requires essentially no fine tuning or signal processing. I still prefer the crisp detail of a condenser microphone for formal demo recordings (my favorite is the Studio Projects C1), but it's hard to beat the simplicity and reliability of the SM58 for everyday use.
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Shure SM58-LC Cardioid Vocal Microphone without Cable
This item: Shure SM58-LC Cardioid Vocal Microphone without Cable
Price: $99.00
Ships from and sold by Amazon.com