Former heroin addict O’Neill works a similar vein to his previous titles, which include Down and Out on the Murder Mile (2008). Here, aging, drug-snarfing rent boy Jeffrey inherits one hell of a hand-me-down from his suddenly dead ex-cop lover: a 16mm film featuring Sharon Tate at the center of an all-star Hollywood gangbang. Checking himself into rehab, Jeffrey meets Randal, a meth-using son of movie-industry royalty, and the two of them plot to fence the film. For them, this is honest work, but their utter lack of willpower means they keep shooting themselves in the foot (and arm, leg, and neck). Although the maguffin provides forward momentum, this ensemble of grotesques stumbles through skid-row L.A. like a Robert Altman film scripted by Charles Bukowski and William S. Burroughs. The plot could use tightening—one subplot goes nowhere, while another is essential—but the characters are unforgettable; they live and breathe, and you sure as hell wouldn’t want them to breathe on you. Sick City is appealing in its unsentimentalism, disgusting in its details—and, almost unbelievably, funny. --Keir Graff
“
Sick City is fun, twisted and brutal. One of the best books written about LA in a long time. O’Neill could be our generation’s Jim Thompson.” (James Frey, author of
Bright Shiny Morning )
“Tony O’Neill works his L.A. people the way Dutch Leonard had his hand down the pants of every degenerate in his great Detroit novels. Cover your ears, ladies; thanks to O’Neill, the cries of pain can be heard from one sick city to another. Just use your eyes.” (Barry Gifford, author of
Wild at Heart )
“Tony O’Neill writes about the Hollywood I know as well as any writer alive. His characters are a punch in the face, scorchingly real. His dialogue is note-perfect.” (Dan Fante, author of
86'd )
“I f**king loved it -- the piss-soaked floors, the vomit-impastoed car interiors, the groans and grunts from every room. It’s like some weirdly loveable purgatory.” (Tom McCarthy, author of
Remainder )
“Addictive Noir! Rarely do you find a novel that is both fast paced and well observed, action packed, yet high-grade poetic. Once you start it, just try putting it down.” (Arthur Nersesian, author of
The F*ck Up )
“A wildly fun read.” (
Willamette Week )
“You may feel disturbed by this very realistic account of addicts on a mission.” (CurledUp.com )
“Like the bastard child of Dashiell Hammett and Evelyn Waugh....With
Sick City, Tony O’Neil confirms his comic voice....If dark humor, punk sensibility, literary sophistication and pointed satire are among your addictions, you should find
Sick City a rewarding read.” (The Rumpus.net )
“O’Neill delivers a Hollywood thriller that’s equal parts acerbic social commentary à la Burroughs’s
Naked Lunch and extraordinary crime fiction misadventure....Fans of Chuck Palahniuk and Warren Ellis will cherish this twisted tale.” (
Publishers Weekly (starred review) )
“
Sick City is a disturbingly twisted ride through Hollywood’s underbelly with a degenerate cast of colorfully interwoven characters. I loved the whole f**ked up journey.” (Slash )
“Reading Tony O’Neill is like traveling downhill in a car with no lights at terrific speed and driven by a four-year-old child on meth. The signposts along the way are all marked ‘Nowhere.’” (Sebastian Horsley, author of
Dandy in the Underworld )
“Like a Robert Altman film scripted by Charles Bukowski and William S. Burroughs...
Sick City is appealing in its unsentimentalism, disgusting in its details--and, almost unbelievably, funny.” (
Booklist )
“[An] inspired comedy of errors…a post-punk crack at Hollywood’s legacy that’s funnier than its predecessor, and just as cringe-inducing…infused with enough black humor to make Bill Burroughs choke on his apple” (
Kirkus Reviews )
“What
Sick City does is takes the grit and grime of, say,
Naked Lunch by William Burroughs and makes it coherent…within the context of a caper novel, as imagined by Elmore Leonard….
Sick City makes Jim Thompson’s novels look like Little Golden Books.” (Bookreporter.com )