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Siddhartha (Modern Library) [Hardcover]

Hermann Hesse (Author), Susan Bernofsky (Translator), Tom Robbins (Introduction)
4.6 out of 5 stars  See all reviews (14 customer reviews)

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Book Description

July 18, 2006
Hermann Hesse’s classic novel Siddhartha has delighted, inspired, and influenced generations of readers, writers, and thinkers. Though set in a place and time far removed from the Germany of 1922, the year of the book’s debut, the novel is infused with the sensibilities of Hesse’s time, synthesizing disparate philosophies–Eastern religions, Jungian archetypes, Western individualism–into a unique vision of life as expressed through one man’s search for meaning.

It is the story of the quest of Siddhartha, a wealthy Indian Brahmin who casts off a life of privilege and comfort to seek spiritual fulfillment and wisdom. On his journey, Siddhartha encounters wandering ascetics, Buddhist monks, and successful merchants, as well as a courtesan named Kamala and a simple ferryman who has attained enlightenment. Traveling among these people and experiencing life’s vital passages–love, work, friendship, and fatherhood–Siddhartha discovers that true knowledge is guided from within.

Susan Bernofsky’s magnificent new translation brings out Hesse’s inspired lyricism and his elegant, melodious cadences, illuminating the novel’s universal themes and timeless wisdom about the human condition.

This original Modern Library edition includes a lively new Introduction by Tom Robbins and a glossary of Indian terms.

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1

The Son of the Brahmin

In the shade of the house, in the sunlight on the riverbank where the boats were moored, in the shade of the sal wood and the shade of the fig tree, Siddhartha grew up, the Brahmin’s handsome son, the young falcon, together with his friend Govinda, the son of a Brahmin. Sunlight darkened his fair shoulders on the riverbank as he bathed, performed the holy ablutions, the holy sacrifices. Shade poured into his dark eyes in the mango grove as he played with the other boys, listened to his mother’s songs, performed the holy sacrifices, heard the teachings of his learned father and the wise men’s counsels. Siddhartha had long since begun to join in the wise men’s counsels, to practice with Govinda the art of wrestling with words, to practice with Govinda the art of contemplation, the duty of meditation. He had mastered Om, the Word of Words, learned to speak it soundlessly into himself while drawing a breath, to speak it out soundlessly as his breath was released, his soul collected, brow shining with his mind’s clear thought. He had learned to feel Atman’s presence at the core of his being, inextinguishable, one with the universe.

Joy leaped into his father’s heart at the thought of his son, this studious boy with his thirst for knowledge; he envisioned him growing up to be a great wise man and priest, a prince among Brahmins.

Delight leaped into his mother’s breast when she beheld him, watched him as he walked and sat and stood, Siddhartha, the strong handsome boy walking on slender legs, greeting her with flawless grace.

Love stirred in the hearts of the young Brahmin girls when Siddhartha walked through the streets of their town with his radiant brow, his regal eye, his narrow hips.

But none of them loved him more dearly than Govinda, his friend, the Brahmin’s son. He loved Siddhartha’s eyes and his sweet voice, loved the way he walked and the flawless grace of his movements; he loved all that Siddhartha did and all he said and most of all he loved his mind, his noble, passionate thoughts, his ardent will, his noble calling. Govinda knew: This would be no ordinary Brahmin, no indolent pen pusher overseeing the sacrifices, no greedy hawker of incantations, no vain, shallow orator, no wicked, deceitful priest, and no foolish, good sheep among the herd of the multitude. Nor did he, Govinda, have any intention of becoming such a creature, one of the tens of thousands of ordinary Brahmins. His wish was to follow Siddhartha, the beloved, splendid one. And if Siddhartha should ever become a god, if he were ever to take his place among the Radiant Ones, Govinda wished to follow him, as his friend, his companion, his servant, his spear bearer, his shadow.

Thus was Siddhartha beloved by all. He brought them all joy, filled them with delight.

To himself, though, Siddhartha brought no joy, gave no delight. Strolling along the rosy pathways of the fig garden, seated in the blue-tinged shade of the Grove of Contemplation, washing his limbs in the daily expiatory baths, performing sacrifices in the deep-shadowed mango wood, with his gestures of flawless grace, he was beloved by all, a joy to all, yet was his own heart bereft of joy. Dreams assailed him, and troubled thoughts—eddying up from the waves of the river, sparkling down from the stars at night, melting out of the sun’s rays; dreams came to him, and a disquiet of the soul wafting in the smoke from the sacrifices, murmuring among the verses of the Rig-Veda, welling up in the teachings of the old Brahmins.

Siddhartha had begun to harbor discontent. He had begun to feel that his father’s love and the love of his mother, even the love of his friend Govinda, would not always and forever suffice to gladden him, content him, sate him, fulfill him. He had begun to suspect that his venerable father and his other teachers, all wise Brahmins, had already given him the richest and best part of their wisdom, had already poured their plenty into his waiting vessel, yet the vessel was not full: His mind was not content, his soul not at peace, his heart restless. The ablutions were good, but they were only water; they could not wash away sin, could not quench his mind’s thirst or dispel his heart’s fear. The sacrifices and the invocations of the gods were most excellent—but was this all? Did the sacrifices bring happiness? And what of the gods? Was it really Prajapati who had created the world? Was it not rather Atman, He, the Singular, the One and Only? Weren’t the gods mere shapes, creations like you and me, subject to time, transitory? And was it then good, was it proper, was it meaningful, a noble act, to sacrifice to the gods? To whom else should one sacrifice, to whom else show devotion, if not to Him, the Singular, Atman? And where was Atman to be found, where did He reside, where did His eternal heart lie beating? Where else but within oneself, in the innermost indestructible core each man carries inside him. But where, where was this Self, this innermost, utmost thing? It was not flesh and bone, it was not thought and not consciousness, at least according to the wise men’s teachings. Where was it then, where? To penetrate to this point, to reach the Self, oneself, Atman—could there be any other path worth seeking? Yet this was a path no one was showing him; it was a path no one knew, not his father, not the teachers and wise men, not the holy songs intoned at the sacrifices! They knew everything, these Brahmins and their holy books, everything, and they had applied themselves to everything, more than everything: to the creation of the world, the origins of speech, of food, of inhalation and exhalation; to the orders of the senses, the deeds of the gods—they knew infinitely many things—but was there value in knowing all these things without knowing the One, the Only thing, that which was important above all else, that was, indeed, the sole matter of importance?

To be sure, many verses in the holy books, above all the Upanishads of the Sama-Veda, spoke of this innermost, utmost thing: splendid verses. “Your soul is the entire world” was written there, and it was written as well that in sleep, the deepest sleep, man entered the innermost core of his being and dwelt in Atman. There was glorious wisdom in these verses; all the knowledge of the wisest men was collected here in magic words, pure as the honey collected by bees. It was not to be disregarded, this massive sum of knowledge that had been collected here by countless generations of wise Brahmins.

But where were the Brahmins, where the priests, where the wise men or penitents who had succeeded not merely in knowing this knowledge but in living it? Where was the master who had been able to transport his own being-at-home-in-Atman from sleep to the waking realm, to life, to all his comings and goings, his every word and deed?

Siddhartha knew a great many venerable Brahmins, above all his father, a pure, learned, utterly venerable man. Worthy of admiration was his father, still and regal his bearing, his life pure, his words full of wisdom; fine and noble thoughts resided in his brow. But even he, who was possessed of such knowledge, did he dwell in bliss, did he know peace? Was not he too only a seeker, a man tormented by thirst? Was he not compelled to drink again and again from the holy springs, a thirsty man drinking in the sacrifices, the books, the dialogues of the Brahmins? Why must he, who was without blame, wash away sin day after day, labor daily to cleanse himself, each day anew? Was not Atman within him? Did not the ancient source of all springs flow within his own heart? This was what must be found, the fountainhead within one’s own being; you had to make it your own! All else was searching, detour, confusion.

Such was the nature of Siddhartha’s thoughts; this was his thirst, this his sorrow.

Often he recited to himself the words of a Chandogya Upanishad: “Verily, the name of the Brahman is Satyam; truly, he who knows this enters each day into the heavenly world.” It often seemed near at hand, this heavenly world, but never once had he succeeded in reaching it, in quenching that final thirst. And of all the wise and wisest men he knew and whose teachings he enjoyed, not a single one had succeeded in reaching it, this heavenly world; not one had fully quenched that eternal thirst.

“Govinda,” Siddhartha said to his friend. “Govinda, beloved one, come under the banyan tree with me; let us practice samadhi.”

To the banyan they went and sat down beneath it, Siddhartha here and Govinda at a distance of twenty paces. As he sat down, ready to speak the Om, Siddhartha murmured this verse:

“Om is the bow; the arrow is soul.

Brahman is the arrow’s mark;

Strike it with steady aim.”

When the usual time for the meditation exercise had passed, Govinda arose. Evening had come; it was time to begin the ablutions of the eventide. He called Siddhartha’s name; Siddhartha gave no answer. Siddhartha sat rapt, his eyes fixed unmoving upon a far distant point; the tip of his tongue stuck out from between his teeth; he seemed not to be breathing. Thus he sat, cloaked in samadhi, thinking Om, his soul an arrow on its way to Brahman.

One day, Samanas passed through Siddhartha’s town: ascetic pilgrims, three gaunt lifeless men, neither old nor young, with bloody, dust-covered shoulders, all but naked, singed by the sun, shrouded in isolation, foreign to the world and hostile to it, strangers and wizened jackals among men. The hot breath of air that follow...

Product Details

  • Hardcover: 160 pages
  • Publisher: Modern Library; Modern Library edition (July 18, 2006)
  • Language: English
  • ISBN-10: 0679643362
  • ISBN-13: 978-0679643364
  • Product Dimensions: 5 x 0.7 x 7.6 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #328,230 in Books (See Top 100 in Books)

More About the Author

Hermann Hesse (1877-1962) was born in Germany and later became a citizen of Switzerland. As a Western man profoundly affected by the mysticism of Eastern thought, he wrote many novels, stories, and essays that bear a vital spiritual force that has captured the imagination and loyalty of many generations of readers. In 1946, he won the Nobel Prize for Literature for The Glass Bead Game.

 

Customer Reviews

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33 of 33 people found the following review helpful:
5.0 out of 5 stars new rendition of timeless tale, September 5, 2006
By 
Joseph H. Hartmann (Trenton, Michigan USA) - See all my reviews
(REAL NAME)   
This review is from: Siddhartha (Modern Library) (Hardcover)
Beautifully translated, evoking the majesty in the simple story of a man in his lifelong journey towards the attainment of Enlightenment. Melodic in its tone but true to the original German Susan Bernofsky's translation has set a new standard among the various English translations currently available. As many times as I have read and enjoyed Siddhartha over the years (about 10 or so readings) never have I enjoyed a translation as much as Ms. Bernofsky's - a truly remarkable effort.
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22 of 22 people found the following review helpful:
5.0 out of 5 stars An Old Friend Revisited, August 30, 2006
By 
PGB (Bearsville, NY) - See all my reviews
This review is from: Siddhartha (Modern Library) (Hardcover)
When I came upon a new translation of Siddhartha by the revered Susan Bernofsky, I was drawn to revisit this book from thirty years ago. Like many teens of the early seventies, I was affected deeply by Siddhartha. It offered me a way to find and embrace spirituality--spirituality that was more aligned with the Beatles, the anti-war movement, and my own peer culture than was my childhood Episcopalian upbringing. This new volume didn't disappoint. Bernofsky, whose translations I've long admired, pays careful attention to Hesse's musical prose and lyricism. The simple messages and Siddhartha's adventures were even more delightful that I remembered. This is a much more beautifully rendered version than the one I read in my youth. Bernofsky's mastery of German coupled with her understanding of and faithfulness to Hesse's pure and rather innocent lessons make this a refreshing read, like dipping one's feet into a cool brook on an August day. I'm glad I revisited this old friend. Siddhartha has stood the test of time. Bravo to Bernofsky, as well.
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19 of 19 people found the following review helpful:
5.0 out of 5 stars A Greater Book Than We Knew - Thank You Ms. Bernofsky, September 11, 2009
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This review is from: Siddhartha (Modern Library) (Hardcover)
A friend and I agreed to re-read Siddhartha. Quite fortuitously this was the edition we chose. Either the book has been stripped of all inelegance in this translation, revealing its poetic and timeless beauty, or we have finally caught up to Hesse's grace and wisdom. I suspect it is more of the former.
Yet, in the translation lies something very structural about the book and its themes. There is a kind of inevitability of the tale that seemed to be missing in earlier versions. It flows just as we, at some unconscious level, imagine it should unfold. Siddhartha's challenges to himself and the people who surround him form a profound framing of his life's quest. It is his acceptance of the results of this quest, and the tone of the revelation of it in this text that flows much more like poetry than in prior versions. One senses that this is the tale Hesse meant to tell, and the feeling he wanted to impart. It is a simple tale of the Jungian completion of the self, but told as a tone poem, a lullaby, a prayer, a myth, a celebration, and ultimately, as a wonder.
The major characters of the book - Govinda, Kamala, Buddha, the boatman, and Siddhartha's son - all play their parts at various points in the tale, but the boatman and the river itself take Siddhartha the farthest. Siddhartha's skepticism of dogma and doctrine (of the Buddha, of Govinda, of the world of business) drives him to find his own way, but it is not until he has been satiated with both the "spiritual" and the material world, and been tortured by the indifference of his son that he comes back to the river and the boatman to find his ultimate way and true peace. It is at once the individual and the universal peace of "solving" oneself - of the self and the Atman united in a very lyrical playing out of the inner theme common to us all. When philosophy becomes art, and when that art becomes mythic poetry, one is in the presence of something truly transformative. That is the sense that this version of the story conveys.
Good for Modern Library for coming out with Susan Bernofsky's translation. It is a new book in many respects, but one that is now being sold as what it will rightfully become - a great world classic in English as well as German.
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Hermann Hesse, Sublime One, Venerable One, Perfect One, Gautama the Buddha
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