Siege Perilous

Kamelot | Format: Audio CD

Product Details

• Audio CD (August 4, 1998)
• Original Release Date: July 28, 1998
• Number of Discs: 1
• Label: Noise
• ASIN: B000009OWN
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 3.8 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #111,415 in Music (See Top 100 in Music)

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Audio CD

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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars A treasure in the ongoing quest for the Grail, February 6, 2005

By 

John W. Petersen "seventhson1" (Ft Collins, CO United States) - See all my reviews
(REAL NAME)   

This review is from: Siege Perilous (Audio CD)

Named after the fabled chair at the Round Table reserved for the Knight who actually found the Holy Grail, "Siege Perilous" is the third album by Kamelot and the first to showcase the vocal talents of Roy Khan, formerly of Conception. Khan (part Thai and part Norwegian) has an incredible voice that just pulls you into its smooth embrace.

I actually got this album after already owning numbers four and five, "The Fourth Legacy" and "Karma". I love those albums, but I have to say this is their best album out of those first five. The reason for this simply lies in how much it differs from its predecessors and the albums that follow. Musically, it truly stands out from its kindred. Whereas the band's first two albums ("Eternity" and "Dominion") were meant to be early Queensryche clones - due in large part to original singer Mark Vanderbilt modelling his vocal style after that of Geoff Tate - "Siege" sees the Florida-based outfit introduce a welcome element of smoothness and subtlety. Still most definitely "progressive power metal", this album's true power actually lies in it's very LACK of power and its somewhat ethereal nature. There is nothing particularly overt or in-your-face about it. (A new singer with a deeper and richer voice certainly necessitated a new overall sound). This becomes evident from the very first heavenly keyboards and delicate beat of the opening song, "Providence". And yes, the production sounds a bit muddied at times, Khan's voice especially getting lost somewhat amid the low din of the instruments. But I think after a few listens you would agree that this element may actually add to the overall charm of this album.

They then took a decidedly more straight-line, power metal approach with "The Fourth Legacy", dropping some of the progressive elements and adding a bit more speed and simplicity. The new production team of Sascha Paeth and Miro (absent on "Siege") probably had a lot to do with that. (The second song here, "Milennium", actually seems a bit out of place on "Siege", its speed better matched to the overall mood of the succeeding ones). And please understand - this is not a bad thing, by any means. I certainly love all their albums since this one. And special attention should be made for the wonderful inclusion of strings, choirs, and female vocals on their sixth opus, the Faustian concept album "Epica" (not to be confused with the Dutch band named Epica, whose first album I review elsewhere - but to further add to the confusion, the singer of Epica, Simone Simons, makes an appearance on Kamelot's upcoming "Black Halo" album). Kamelot's sound has certainly evolved, mostly for the better. But I have to say again: because of how noticeably different it is from all the others, the beautiful magic of "Siege Perilous" immediately grabbed me and wouldn't let go.

A true gem among all the precious stones of their impressive catalog.

My favorite songs are "Providence", "Expedition", "Parting Visions", and "Rhydin".

4 of 4 people found the following review helpful:

3.0 out of 5 stars You people think this is bad production?!?! You haven't heard bad production!, December 12, 2007

By 

JP "ZappaFan" (Macon, GA) - See all my reviews

This review is from: Siege Perilous (Audio CD)

I finally got this and, if you people think this is bad/sloppy production well...all I can really say is, you've never been exposed to REAL bad production. Yes, this isn't anywhere near the best and certainly not up to the standards of the recent Kamelot releases, but no one in their right minds should ever call this "lacking" or "terrible" compared to many, many other CDs that are out there!!!

You really want to hear terrible production? Listen to the original release of Sabbath's "Born Again" (which I otherwise love simply because I love Gillan), or the original CD release of any of the first 4 ZZ Top albums, or, more recently, the godawful Riot CD "Brethren of the Long house", another recent purchase that is SO bad it even degrades the music. It has NO high end at all, almost thought my tweeter fuses were blown!!! THAT is bad production, this is NOT!! And, given time I could probably make a list of HUNDREDS of CDs that sound worse than this!!

As for the music, I like it!! Almost up there with "The Black Halo" and "Ghost Opera" and, in my opinion, is better than "The Fourth Legacy" and is at least as good as "Epica" and "Karma". But, with only 5 listens, I'm not quite sure about those last 2 yet, time will tell. And my faves at this point are "Expedition", "Parting Visions" and "Irea".

Bottom line - if you like Kamelot and already have "The Black Halo", "Ghost Opera" and the great live CD and DVD "One Cold Winter's Night" you won't be disappointed by this. But, if you don't already have all those, get them first. As for the "bad production" reviews I honestly say I don't think it's all that bad and haven't read anything about my copy being a re-mastered release!

4 of 5 people found the following review helpful:

5.0 out of 5 stars Yes...this CD is most certainly good!, September 3, 2000

By 

Eric Swanson (Calgary, AB Canada) - See all my reviews

This review is from: Siege Perilous (Audio CD)

Now, if you're used to Kamelot's latest release (4th Legacy) don't go rushing into things with this purchase. Siege Perilous is a heavier and more simplistic example of the band's obvious talent. The guitar and drums tend to walk the path of 'classic heavy metal'ala Blind Guardian, and the production volume on the vocals is a bit softer than it should have been. The other instruments tend to drown Khan (the vocalist) out a lot of the time. I got used to this after a while though, and it is barely noticeable now. In between these heavier parts, are some really creative sections with choruses that are just a notch below those on 4th Legacy in terms of overall goodness. This is one of those albums that might take a couple of listens to really get into, but once you do, it's a non-stop rock ride! If you're serious about getting into this band, then there is no doubt that you will enjoy this album to the fullest. However, if you're expecting an album a lot like 4th legacy, think twice. I'm not saying the two are extremely different, it's just that Siege is a little less...refined... Even so, I can not stand to give this CD less than 5 stars.