From Publishers Weekly
When HarperCollins and Ecco Press acquired part of the Black Sparrow imprint early this year, one big prize was the sprawling, long-popular oeuvre of Charles Bukowski (Barfly; Ham on Rye; Love Is a Dog from Hell). Sifting Through the Madness for the Word, the Line, the Way: New Poems, Bukowski's 10th posthumous volume (with several more planned), collects yet more verse about the troubled, garrulous poet's traveling, gambling, thinking, aging, working, not working, romancing, drinking, self-mythologizing and even eating ("I opened a can of roastbeef hash/ and some pickled beets") as he fought through his blue-collar, beer-hall L.A.
Copyright 2003 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
Mother o' mercy, is this the end of Buk, nearly nine years after his death? Well, no, for his new publisher--Black Sparrow Press proprietor John Martin having retired and closed that long-lived, successful, and important small literary house--promises four best-of collections, their contents handpicked by Buk himself. But yes, apparently, it is the end in terms of all-new collections. And a fine valedictory this is, one of the most purely enjoyable entries in the Bukowski canon. The poems in it are all as autobiographical as their not-Bukowski "I" referent, Buk's perpetual stand-in--drinkin', screwin', horse-playin', typin' Henry Chinaski-- allows. As usual, they are chock-full of gripes, curses, petty rebellions, cocked snooks, long-suffering mutterings, Pyrrhic victories, and the other expressions of malcontent that were Buk's stock-in-trade for some 40 years. Perhaps he was a rhetorician, a ranter, more than a real poet, but for sure he was a humorist, one of the greatest in American literature, in prose as well as verse. If you aren't amused by him, what good are you?
Ray OlsonCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.