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Signatures of the Visible [Paperback]

Fredric Jameson (Author)


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Book Description

0415900123 978-0415900126 August 14, 1992
"The visual is essentially pornographic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating the relationship between the imaginative screen world and the historical world onto which it is projected. By seeking the historical dimension of the visual, Jameson evaluates the power of the filmic form as a vehicle for the critique of culture and the diagnosis of social life. Jameson pursues this investigation through readings of politics, class, allegory, magic realism, and "the historical" in such films as Diva, The Shining, and Dog Day Afternoon. Throughout the book, he is concerned with the relationship between the achievements and limits of contemporary film theory itself, "a relationship," he argues, "which allows one to take the temperature of history itself."


Editorial Reviews

Review

...Jamesons work compares to the best of the major league of cultural theorists...and other scholars of interdisciplinary standing. -- Semiotica
One of the cliches about theoretical approaches to popular culture is that too much theory will spoil your enjoyment of it. Jamesons Signatures of the Visible is a living proof of the imbecility of this cliche, so convincing that one is almost tempted to say that today, it is only through his kind of deconstructionist Marxism that one can really enjoy the taste of Hitchcock, Kubrick, Lumet...The magic of Jamesons writing, the je ne sais quoi which makes it an instant classic, is the unique combination of the highest dialectical versatility with an almost adolescent sheer pleasure of devouring the classics of popular cinema. -- Slavoj Zizek
With the possible exception of Stuart Hall, Fredric Jameson is the most important Marxist critic of the Anglophone world. His knowledge of that tradition of social, political, literary, and cultural criticism is virtually unmatched.. -- Choice

About the Author

Fredric Jameson is Director of the Graduate Program in Literature at Duke University.

Product Details

  • Paperback: 264 pages
  • Publisher: Routledge (August 14, 1992)
  • Language: English
  • ISBN-10: 0415900123
  • ISBN-13: 978-0415900126
  • Product Dimensions: 9 x 6 x 0.7 inches
  • Shipping Weight: 15 ounces
  • Amazon Best Sellers Rank: #2,209,237 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
The theory of mass culture-or mass audience culture, commercial culture, "popular" culture, the culture industry, as it is variously known-has always tended to define its object against so-called high culture without reflecting on the objective status of this opposition. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Shining, Dog Day Afternoon, San Francisco, Frankfurt School, The Godfather, United States, World War, Karl May, Our Hitler, Jack Nicholson, Sir John, First World, Barry Lyndon, Cold War, Latin American, New Deal, New York, North American, Blow Out, Marguerite Duras, Tel Quel, The Thirty-Nine Steps, Ambrose Chapel, Gertrude Stein, Norman Bates
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