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Signs and Symbols in Christian Art: With Illustrations from Paintings from the Renaissance (Galaxy Books) Paperback – December 31, 1966


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Signs and Symbols in Christian Art: With Illustrations from Paintings from the Renaissance (Galaxy Books) + From Abacus to Zeus: A Handbook of Art History
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Product Details

  • Series: Galaxy Books (Book 164)
  • Paperback: 304 pages
  • Publisher: Oxford University Press; Reissue edition (December 31, 1966)
  • Language: English
  • ISBN-10: 0195014324
  • ISBN-13: 978-0195014327
  • Product Dimensions: 8.2 x 5.3 x 0.7 inches
  • Shipping Weight: 13.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #158,119 in Books (See Top 100 in Books)

Editorial Reviews

Review

"A tremendous help to so many students who haven't been raised with the exposure to Christian iconography. Thanks!"-- Nancy Noonan-Morrissey, Front Range Community College

"Excellent reference book--well-organized and highly informative--also, moderately priced!"--Marie Canaves, Cape Cod Community College

"Ferguson has brought a dead language back to life. He writes simply and clearly."--The Chicago Tribune

"[A] superb volume."--The Christian Century

"An extraordinarily beautiful and useful book....For clergymen, both Protestant and Catholic, who are interested in liturgies and symbolism, for architects and artists, and for all devotees of art this is an unusually valuable volume."--Kirkus Reviews

"A good book of reference for the general reader."--The Nation

"The publication of this book is an important event. There is no comparable guide in English to the profoundly beautiful symbolism of Christian art."--John Walker, Director Emeritus of the National Gallery of Art, Washington, D.C.

"Whether as a reference work or as an invitation to fascinating browsing, the book is a treasure."--Journal of Bible and Religion

"An excellent resource with its nicely organized and easy-to-find explanations of persons, symbols, events/beliefs depicted in Christian art. My students found it to be a useful tool as they worked on their interpretations of paintings and other artistic renderings of NT texts. I hope this book will stay in print."--Professor Benjamin Fiore, Canisius College

About the Author

The late George Ferguson was Rector of Saint Philip's In the Hills Episcopal Parish in Tucson, Arizona.

Customer Reviews

4.6 out of 5 stars
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See all 21 customer reviews
This was an invaluable guide to the symbolism used in art and the various meanings.
Belinda A. Walker
While there are many books that contradict one another when it comes to symbolism, this book is one that commonly agrees with others I have read or consulted.
C. K. Lyons
Every art historian--student, amateur, or professional--should own a copy of this book.
C.J.A.

Most Helpful Customer Reviews

79 of 82 people found the following review helpful By Sorrel Wood on October 25, 1999
Format: Paperback
If you've ever wondered about the seemingly strange choices of modern writers or film directors (such as the repeated reference to chocolate "mouse" in the film "Rosemary's Baby"), "Signs and Symbols in Christain Art" will deepen your enjoyment of contemporary artforms as well as antique paintings found in museums.
Built around the symbol-system of Roman Catholic Church art, Ferguson's book illustrates the ways in which medieval and rennaissance artists tried to visualize scripture and cannon for their illiterate audiences.
Compact and consise, "Signs and Symbols" serves as a perfect bring-along for your next museum trip - but since the reader can look up various saints and doctrines (such as the Seven Deadly Sins and the Seven Virtues) as well as visual symbols, this book is more than just an art reference.
First-year art students are typically required to use this book in Survey of Western Art 101, but it deserves a place on the bookshelf of any home which aspires to cultural literacy.
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39 of 39 people found the following review helpful By C.J.A. on March 31, 2004
Format: Paperback
Ferguson's book is simply one of the best of its kind. The numerous entries (far more than most) are divided into reasonable sections (animals, plants, saints, etc.). Black and white images in the outer margins assist identification. A thorough explanation of each entry's various meanings within a Christian context is provided (with few oversights). The book is a convenient, portable size and weight. Though I have found books which contain Christian symbols & meanings Ferguson overlooked, I have not yet found a text that is better as a whole, and I collect books of art symbolism.
Every art historian--student, amateur, or professional--should own a copy of this book. Art lovers will find it a substantial aid to appreciation. It's a great book to take on museum and cathedral tours, e.g. if you intend to travel around Europe. Christians may also find it a helpful meditation aid.
The only real drawback is that Ferguson is limited to Western Christian art. For help with Eastern Christian art symbolism, I recommend starting with Linette Martin's "Sacred Doorways: A Beginner's Guide to Icons." It's less like a reference guide and contains few images, but it's a great start.
I look forward to finding more gems like these.
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13 of 13 people found the following review helpful By Brian J. Fegely on October 27, 2005
Format: Paperback Verified Purchase
Although not encyclopaedic, this book, first published in 1954, is indispensable to the art history, religious art, iconographic, and religious lives student. The essays are of significant depth without excessive volume, and the illustrations, although of a limited period (Medieval through Renaissance), are pungent enough from which to learn. Two limitation I will remark:

There are no representations from Eastern- or Byzantine- iconography.

The illustrations are all black and white.
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9 of 9 people found the following review helpful By Belinda A. Walker on June 28, 2007
Format: Paperback
I use this book frequently, especially when studying art books of Christian art as well as during a recent Bible study of the Book of Exodus. This was an invaluable guide to the symbolism used in art and the various meanings. For example, when studying the symbolic meaning of the priests robes of the Old Testament, the meaning of the pomegranate for the OT and NT is significant. In the OT, the pomegranate stood for the 613 Mosaic laws (the pomegranate was thought to contain 613 seeds). In the NT, the pomegranate is the symbol for the resurrection of Christ. The Hebrews believed following the law led them to God. For the Christian, belief in Jesus' death and resurrection leads to God! Enjoy this read.
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32 of 40 people found the following review helpful By William D. Rigdon on June 8, 2001
Format: Paperback
I am an artist. I wanted to include Christian symbols and signs in my pottery. Many of the signs or quite common, but the reasons for the symbols and signs are forgotten by many. This book both gives detailed pictures of each sign and symbol and also explains completely what each symbol means and why the symbol came about. Each symbol was established for a reason, and it all reflects back to the Bible.
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11 of 12 people found the following review helpful By C. K. Lyons on February 6, 2005
Format: Paperback Verified Purchase
If you are an art history student, this book is an absolute must. While there are many books that contradict one another when it comes to symbolism, this book is one that commonly agrees with others I have read or consulted.

For as inexpensive as this book is, you cannot afford NOT to get this book!
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6 of 6 people found the following review helpful By HollyG on July 13, 2007
Format: Paperback
When I bought this book, I needed a quick and dirty reference to religious symbolism in western art--I was pleased and surprised to find out that it's small, lightweight, and therefore portable when I visit museums. (Why don't more publishers consider weight and size when they print books for travelers? Lonely Planet and DK, I'm looking at you.)

Its easy size belies the incredible amount of useful information it contains; there are fourteen sections covering everything from the significance of certain animals to religious garments to a brief hagiography for commonly portrayed saints. About one-third of the book is a set of reproductions (sadly b&w in this edition) of famous renaissance religious paintings. There's no discussion or explanation accompanying the paintings--which is the only thing I don't like about the book.

And if you read one of the earlier reviews and are wondering about the chocolate mouse in Rosemary's Baby, it's a reference to mice as a symbol of evil because of their destructiveness.
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