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Silas Marner (Enriched Classics (Pocket)) [Mass Market Paperback]

George Eliot (Author)
3.5 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

Enriched Classics (Pocket) June 28, 2005
Enduring Literature Illuminated by Practical Scholarship

A young orphan transforms the life of a lonely, embittered man in this novel about faith and society set in nineteenth-century rural England.

Each Enriched Classic Edition includes:

• A concise introduction that gives readers important background information

• A chronology of the author's life and work

• A timeline of significant events that provides the book's historical context

• An outline of key themes and plot points to help readers form their own interpretations

• Detailed explanatory notes

• Critical analysis, including contemporary and modern perspectives on the work

• Discussion questions to promote lively classroom and book group interaction

• A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

Series edited by Cynthia Brantley Johnson


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Editorial Reviews

Excerpt. © Reprinted by permission. All rights reserved.

Chapter I

In the days when the spinning wheels hummed busily in the farmhouses -- and even great ladies, clothed in silk and thread lace, had their toy spinning wheels of polished oak -- there might be seen, in districts far away among the lanes, or deep in the bosom of the hills, certain pallid undersized men who, by the side of the brawny countryfolk, looked like the remnants of a disinherited race. The shepherd's dog barked fiercely when one of these alien-looking men appeared on the upland, dark against the early winter sunset; for what dog likes a figure bent under a heavy bag? -- and these pale men rarely stirred abroad without that mysterious burden. The shepherd himself, though he had good reason to believe that the bag held nothing but flaxen thread, or else the long rolls of strong linen spun from that thread, was not quite sure that this trade of weaving, indispensable though it was, could be carried on entirely without the help of the Evil One. In that far-off time superstition clung easily round every person or thing that was at all unwonted, or even intermittent and occasional merely, like the visits of the peddler or the knife grinder. No one knew where wandering men had their homes or their origin; and how was a man to be explained unless you at least knew somebody who knew his father and mother? To the peasants of old times, the world outside their own direct experience was a region of vagueness and mystery: to their untravelled thought a state of wandering was a conception as dim as the winter life of the swallows that came back with the spring; and even a settler, if he came from distant parts, hardly ever ceased to be viewed with a remnant of distrust, which would have prevented any surprise if a long course of inoffensive conduct on his part had ended in the commission of a crime; especially if he had any reputation for knowledge, or showed any skill in handicraft. All cleverness, whether in the rapid use of that difficult instrument the tongue, or in some other art unfamiliar to villagers, was in itself suspicious: honest folk, born and bred in a visible manner, were mostly not overwise or clever -- at least, not beyond such a matter as knowing the signs of the weather; and the process by which rapidity and dexterity of any kind were acquired was so wholly hidden, that they partook of the nature of conjuring. In this way it came to pass that those scattered linen weavers -- emigrants from the town into the country -- were to the last regarded as aliens by their rustic neighbours, and usually contracted the eccentric habits which belong to a state of loneliness.

In the early years of this century, such a linen weaver, named Silas Marner, worked at his vocation in a stone cottage that stood among the nutty hedgerows near the village of Raveloe, and not far from the edge of a deserted stone pit. The questionable sound of Silas's loom, so unlike the natural cheerful trotting of the winnowing machine, or the simpler rhythm of the flail, had a half-fearful fascination for the Raveloe boys, who would often leave off their nutting or birds'-nesting to peep in at the window of the stone cottage, counterbalancing a certain awe at the mysterious action of the loom by a pleasant sense of scornful superiority, drawn from the mockery of its alternating noises, along with the bent, treadmill attitude of the weaver. But sometimes it happened that Marner, pausing to adjust an irregularity in his thread, became aware of the small scoundrels, and, though chary of his time, he liked their intrusion so ill that he would descend from his loom, and, opening the door, would fix on them a gaze that was always enough to make them take to their legs in terror. For how was it possible to believe that those large brown protuberant eyes in Silas Marner's pale face really saw nothing very distinctly that was not close to them, and not rather that their dreadful stare could dart cramp, or rickets, or a wry mouth at any boy who happened to be in the rear? They had, perhaps, heard their fathers and mothers hint that Silas Marner could cure folks' rheumatism if he had a mind, and add, still more darkly, that if you could only speak the devil fair enough, he might save you the cost of the doctor. Such strange lingering echoes of the old demon worship might perhaps even now be caught by the diligent listener among the grey-haired peasantry; for the rude mind with difficulty associates the ideas of power and benignity. A shadowy conception of power that by much persuasion can be induced to refrain from inflicting harm is the shape most easily taken by the sense of the Invisible in the minds of men who have always been pressed close by primitive wants, and to whom a life of hard toil has never been illuminated by any enthusiastic religious faith. To them pain and mishap present a far wider range of possibilities than gladness and enjoyment: their imagination is almost barren of the images that feed desire and hope, but is all overgrown by recollections that are a perpetual pasture to fear. "Is there anything you can fancy that you would like to eat?" I once said to an old labouring man, who was in his last illness, and who had refused all the food his wife had offered him. "No," he answered, "I've never been used to nothing but common victual, and I can't eat that." Experience had bred no fancies in him that could raise the phantasm of appetite.

And Raveloe was a village where many of the old echoes lingered, undrowned by new voices. Not that it was one of those barren parishes lying on the outskirts of civilization -- inhabited by meagre sheep and thinly scattered shepherds: on the contrary, it lay in the rich central plain of what we are pleased to call Merry England, and held farms which, speaking from a spiritual point of view, paid highly desirable tithes. But it was nestled in a snug, well-wooded hollow, quite an hour's journey on horseback from any turnpike, where it was never reached by the vibrations of the coach horn, or of public opinion. It was an important-looking village, with a fine old church and large churchyard in the heart of it, and two or three large brick-and-stone homesteads, with well-walled orchards and ornamental weathercocks, standing close upon the road, and lifting more imposing fronts than the rectory, which peeped from among the trees on the other side of the churchyard -- a village which showed at once the summits of its social life, and told the practised eye that there was no great park and manor house in the vicinity, but that there were several chiefs in Raveloe who could farm badly quite at their ease, drawing enough money from their bad farming, in those wartimes, to live in a rollicking fashion, and keep a jolly Christmas, Whitsun, and Easter tide.

It was fifteen years since Silas Marner had first come to Raveloe; he was then simply a pallid young man, with prominent, short-sighted brown eyes, whose appearance would have had nothing strange for people of average culture and experience, but for the villagers near whom he had come to settle it had mysterious peculiarities which corresponded with the exceptional nature of his occupation, and his advent from an unknown region called "North'ard." So had his way of life -- he invited no comer to step across his doorsill, and he never strolled into the village to drink a pint at the Rainbow, or to gossip at the wheelwright's; he sought no man or woman, save for the purposes of his calling, or in order to supply himself with necessaries; and it was soon clear to the Raveloe lasses that he would never urge one of them to accept him against her will -- quite as if he had heard them declare that they would never marry a dead man come to life again. This view of Marner's personality was not without another ground than his pale face and unexampled eyes; for Jem Rodney, the molecatcher, averred that, one evening as he was returning homeward, he saw Silas Marner leaning against a stile with a heavy bag on his back, instead of resting the bag on the stile as a man in his senses would have done; and that, on coming up to him, he saw that Marner's eyes were set like a dead man's, and he spoke to him, and shook him, and his limbs were stiff, and his hands clutched the bag as if they'd been made of iron; but just as he had made up his mind that the weaver was dead, he came all right again, like, as you might say, in the winking of an eye, and said "Good night," and walked off. All this Jem swore he had seen, more by token, that it was the very day he had been mole-catching on Squire Cass's land, down by the old saw pit. Some said Marner must have been in a "fit," a word which seemed to explain things otherwise incredible; but the argumentative Mr. Macey, clerk of the parish, shook his head, and asked if anybody was ever known to go off in a fit and not fall down. A fit was a stroke, wasn't it? and it was in the nature of a stroke to partly take away the use of a man's limbs and throw him on the parish, if he'd got no children to look to. No, no; it was no stroke that would let a man stand on his legs, like a horse between the shafts, and then walk off as soon as you can say "Gee!" But there might be such a thing as a man's soul being loose from his body, and going out and in, like a bird out of its nest and back; and that was how folks got overwise, for they went to school in this shell-less state to those who could teach them more than their neighbours could learn with their five senses and the parson. And where did Master Marner get his knowledge of herbs from -- and charms, too, if he liked to give them away? Jem Rodney's story was no more than what might have been expected by anybody who had seen how Marner had cured Sally Oates, and made her sleep like a baby, when her heart had been beating enough to burst her body, for two months and more, while she had been under the doctor's care. He might cure more folks if he would; but he was worth speaking fair, if it was only to keep him from doing you a mischief.

It was partly to this vague fear that Marner was indebted for protecting him from the persecution that his singularities might have dr...


Product Details

  • Mass Market Paperback: 288 pages
  • Publisher: Simon & Schuster (June 28, 2005)
  • Language: English
  • ISBN-10: 1416500340
  • ISBN-13: 978-1416500346
  • Product Dimensions: 6.1 x 4.9 x 0.8 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #209,449 in Books (See Top 100 in Books)

 

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13 of 13 people found the following review helpful:
5.0 out of 5 stars Good will prevail, September 19, 2005
This review is from: Silas Marner (Enriched Classics (Pocket)) (Mass Market Paperback)
George Eliot, born Marian Evans in 1819, spent most of her early life in rural Warwickshire. This early upbringing is apparent from her easy comfort in writing about country settings, with attention to detail and niceties that a born-Londoner would generally not be able to provide. Eliot's life was not that of the typical Victorian lady; she worked in publishing, including periodicals, translations, and writing her own fiction. Eliot led a 'colourful' life; living in a common-law marriage with Lewes, a man who left his wife and children for her, she then married after his death a man twenty years her junior, only to die eight months later.

In this novel, Silas is a weaver, a rather grumpy and sour man, whose primary occupation and avocation is the making of money. He is an outsider in Raveloe, having been driven from his earlier community under the false accusation of theft, an accusation that also cost him his engagement to his beloved, and left him with little faith in human nature, particularly that of the church-ly humans.

The high society in Raveloe reached the pinnacle in the Cass family. Squire Cass had two sons, Godfrey and Dunstan, each his own unique form of scoundrel. Godfrey, who had an illicit marriage to a local barmaid Molly, is being blackmailed by his spendthrift brother Dunstan. Alas, Godfrey is expected to marry another, Nancy Lammeter, daughter of another society family. Godfrey attempts to buy off Dunstan with his horse, Wildfire, and during a journey to sell the horse Dunstan accidentally injures and kills Wildfire.

Dunstan is stranded in the countryside, but sees light from a cottage -- the home of Silas Marner, reputed after fifteen years of weaving and miserly activity of having accumulated a large stash. He steals the bags of money he finds in the deserted cottage, and disappears into the night.

Silas reports the theft, but is unaided. He is heartbroken, for his life's purpose has been the accumulation of this wealth. No one seems to make the connexion between the lost money and the disappearance of Dunstan (one flaw in the novel, in my opinion). Silas gradually recovers from this blow, and the people of Raveloe begin for the first time to see him in terms of friendship.

At a Christmas party, the Cass family is in full celebration, for the upcoming marriage of Godfrey and Nancy. However, Nancy is not pleased, given Godfrey's reputation. Later in the holiday season, Molly makes her way to the Cass estate and confronts Godfrey with a two-year-old daughter in tow. Upon her return from the estate, she falls and dies in a drunken, drug-induced stupor, and the child wanders through the snow to the cottage of Silas. Silas lays claim to the golden-haired child, and Godfrey is relieved to be free from Molly and paternity.

Sixteen years pass, and we come to meet a very different Silas, one who is now a truly human being, who is loved, and has an object of love in his daughter Eppie. Eppie is in fact about to be wed to the nice Aaron Winthrop. Godfrey and Nancy, however, have had a loveless and childless marriage.

Things develop rapidly near the end of the novel. A pond near Silas' cottage is drained, and the remains of Dunstand with two bags of gold coins is found. Godfrey feels compelled to tell his wife now everything, how Dunstan dishonoured the family, how he (Godfrey) was being blackmailed, and admits his paternity of Eppie. Nancy is strangely tolerant -- she only complains of not having been told sooner. They decide to demand that Eppie be returned to them.

In a beautiful scene of compassion and love, Eppie, given the free choice of deciding between Silas and connexion with the noble Cass family, opts for the man who was her true father, and chooses to remain with Silas.

Later, Silas and Eppie revisit Lantern Yard, from which Silas was expelled so many years before. Here in no longer the old church, his old home, or his old friends -- all has changed; life has gone on. The old place is dirty and noisy by comparison to the serene Raveloe. The question of Silas' guilt or innocence cannot be resolved, but then, is no longer a question of concern for anyone in either place. Eppie then marries Aaron, in a wedding paid for by Godfrey, who cannot attend due to business, and Eppie declares in the end that 'nobody could be happier than we are.'

Elliot intended to show that misfortune can lead to greater things, and provided a typical Victorian happy ending.

This novel has been a traditional one assigned to students of secondary school age for decades now; it is a classic, fairly simple in construction and vocabulary, and brings up the timeless themes of good, evil, fate, and has a wide range of characters who change over time. Alas, many school-age readers come away cold, often determined never to read another novel again, as it is presented poorly and not put in a more modern context which students will more readily understand. But, it remains a good story, and a fine representative of the Victorian novel.

This particular edition contains many extra pieces of commentary, notes and other study aids that will be helpful to the student trying to understand the text, the motivations of the characters, the world context of the story, and different ideas of interpretation.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Good classic, short and easy to read, April 16, 2009
This review is from: Silas Marner (Enriched Classics (Pocket)) (Mass Market Paperback)
Strange that so many people complained about this book after having been forced to read it in High School. I had never heard of this particular Elliot book until I acquired the list of "1001 books to read before you die." I can see where the language in this book would be troublesome to many young students, particularly if they have little to no experience reading anything from the time, much less anything written in phonetic slang. But the theme should be universal.

Short Synopsis - we follow to individuals through the tale, the title character - Silas Marner, a weaver who has had a long run of bad luck in dealing with people who has then holed himself away from society and fills his days with weaving and counting his slowly growing stack of gold. The other is Godfry Cass, a wealthy son of a land owner who's poor in morals and scruples. Through a series of events triggered by Godfry and his brother, Silas is thrust into various situations of both grief and joy. Always Silas maintains his high moral standard and simple way of life and is thusly rewarded for it.

As is standard in the literature of the time - the good get what they deserve and the morally lacking get their just ends. The interesting part that Elliot weaves in to the tale is that the unfortunate events that happen to Silas, all end up leading him to true happiness. Now I don't want to give the story away as many others have, but I will say that once you get past the first third or so (where the reader will find themselves wondering if ANYTHING is ever going to happen) the book picks up and becomes very enjoyable.

The language may be tough for some, but once you get about 20-30 pages in, you shouldn't have much trouble reading it. If all else fails, read it out loud. On the whole this is a very enjoyable book, though not my favorite - the story is fun and happy and leaves the reader feeling rather warm and fuzzy.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Absorbing read, July 21, 2008
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K. E. Fuhrmann (SO CAL United States) - See all my reviews
(REAL NAME)   
This review is from: Silas Marner (Enriched Classics (Pocket)) (Mass Market Paperback)
Don't read the review following this one unless you want all the plot points revealed.

If you've read George Eliot before, you know to expect interweaving plot lines, good characterizations and moral themes. This story is shorter than Middlemarch and Mill on the Floss, therefore not as deep in its levels and plot lines, but still absorbing and satisfying.

It's the story of a bitter man, older than his years; a young child who changes him, and how their lives are interweaved with the lives of another, wealthy family. It's filled with life: tragedy, comedy, scenes you want to read out loud. George Eliot is a wonderful writer, one who can transport you to the English countryside and to the time period so you feel like you are there, and you always care deeply for the characters.

I think very young readers might find feel there are "too many descriptions," but I found it very entertaining all the way through. And I love those old-fashioned endings, where you find out what happens to everyone.
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Inside This Book (learn more)
First Sentence:
IN THE DAYS when the spinning wheels hummed busily in the farmhouses-and even great ladies, clothed in silk and thread lace, had their toy spinning wheels of polished oak-there might be seen, in districts far away among the lanes, or deep in the bosom of the hills, certain pallid undersized men who, by the side of the brawny countryfolk, looked like the remnants of a disinherited race. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
furze bush, coal hole, stone pit, red house
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Master Marner, Miss Nancy, Silas Marner, Godfrey Cass, Squire Cass, Stone Pits, Lantern Yard, Miss Gunns, Dolly Winthrop, Jem Rodney, Ben Winthrop, New Year's Eve, William Dane, Sally Oates, Cliff's Holiday, Wise Woman, Master Godfrey, White Parlour, Charity Land, King George, Master Dunsey, Miss Priscilla Lammeter, Shoe Lane
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Silas Marner by George Eliot
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