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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
4.0 out of 5 stars
Promising Start to a Rio Trilogy,
By A. Ross (Washington, DC) - See all my reviews (VINE VOICE) (HALL OF FAME REVIEWER) (TOP 500 REVIEWER) (REAL NAME)
This review is from: The Silence of the Rain: A Novel (Hardcover)
Popular Brazilian author Garcia-Roza wrote a trilogy of crime novels in the latter part of the '90s, and this is the first of them to appear in English. Unlike another Brazilian crime novel of that time, Patricia Melo's "The Killer", this book doesn't take a hard-boiled approach, but is a carefully crafted procedural. With plenty of social commentary mixed in, the book reads somewhat like one of Mario Vargas Llosa's crime fictions such as "Who Killed Palamino Molero" or "The Green House".The novel starts by presenting the suicide of a rich executive in Rio de Janerio, and in Hitchcockian fashion allows the reader to know a great deal more than the hero for most of the book. That hero is a rather nebbish Detective Inspector, who for most of the book treats the case as a murder since someone made off with the gun used in the suicide, the note, and more. As in much noir, several smalltime people get accidentally mixed up in the matter and further deaths ensue, making it all rather confusing for the Inspector. He's a likable loner, a kindred spirit of John Harvey's Nottingham Inspector Charlie Resnick, or Sicilian Inspector Montalbano of Andrea Camilleri's series ("The Shape of Water"). There are some rather curious aspects to the story, for example, despite Rio's notorious murder rate, this homicide Detective mostly adheres to strict 9-5, Monday-Friday hours, working only a single case at a time. And in the book's sole instance of awkward author contrivance, his network of informers just happens to have information on a key gun sale-this in a city where guns change hands like pocket change. The setting is fairly interesting, rain-slicked white middle-class Rio neighborhoods which are very cosmopolitan and European (I'm not sure why other reviewers insist on using the word "sultry" to describe the setting). Rio's favelas (shantytowns) are only seen in the distance. It's always a treat to read crime fiction from other countries, and this is no exception. Garcia-Roza's trilogy kicks off with an intriguing plot, a likable hero, and great promise.
7 of 7 people found the following review helpful:
4.0 out of 5 stars
Let's have more of Espinosa! Women should love him!,
By Ladyce West "Ladyce West" (Rio de Janeiro, Brazil) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: The Silence of the Rain: An Inspector Espinosa Mystery (Paperback)
I truly enjoyed this book. It is fast paced, it is exotic in location and it has an intelligent cop. But even more astounding it only has smart women characters. There is not a single blond bimbo, prostitute or a lowlife female character, of dubious virtues. ALL of the women have professions, know what they want, and SURPRISE! they think! Not one needs the protection of our tough cop! This is so refreshing! It makes me want to read more of Espinosa. The book is a standard mystery. There is no need to try to find here the answer to your philosophical questions. Look for other styles for that. But it is a truly enjoyable one afternoon or two, depending on your time book, an uncompromising weekend read!
3 of 3 people found the following review helpful:
1.0 out of 5 stars
What Silence? What Rain?,
By
This review is from: The Silence of the Rain (Paperback)
Initially, I was intrigued by the poetic title of this novel by Luiz Alfredo Garcia-Roza: "The Silence of the Rain."
It began quite promisingly, but by the second "book",things had already begun to slow down. The switching from third person to first person narrative and back seemed more a whim than a solid structural device, and I found it baffling. (Who IS telling this story?) Also, while I like cerebral detectives, Espinosa, once he begins talking, even if it's only to himself, never shuts up, and his conjectural scenarios and other ramblings slow the plot. Worse, he doesn't really solve anything. And still worse: if we are ever given the hint of believeable motive for any of the deeds committed, this reader missed it. Because the characters never became "real," their actions didn't make sense. There were simply too many "whys" left unanswered. Because if you don't have character development in a mystery, you don't have answers. As for the ending--it accomplished nothing except to make the entire story seem like a bad joke--the author having one off on the reader. In that respect, the "poetic" title was also a cheat.
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