James Sunderland's wife Mary died 3 years ago. Since then, James has been fighting off depression and guilt, living a shadow of his life. One day, he recieves a letter from his wife. His dead wife. She beckons him to their "special place", a sleepy New England town called Silent Hill, nestled around the bank of Toulca Lake. It's been a long time since James and Mary had their vacation there. Mary loved it so much, so could it be that she's still there, now, waiting for him?That's the basic plot, and that's all you need to know from the start. Things will get much more involved, perhaps to the point where you don't want them to...
This game, hands down, is a work of art. It deserves much higher accolades than I think it's been allowed so far, with most of the reviews from major publications basically saying "Oh, it's good, it's creepy, you'll like it, now sit back and read some more Metal Gear Solid 2 coverage." I've got nothing against Metal Gear 2, really, but it's a shame this game (and so many others) have been overshadowed by it, because this is right when the PS2 is starting to put out some serious AAA titles. This, naturally, is one of them.
Without giving too much of the plot away, it's a safe bet that this game is not one of those "pick it up, play for a bit, put it down" kind of games. The story and atmosphere will easily draw you in and creep you out, but like they say, you can lead a horse to water but you can't make him drink. If you play this game with the lights on, a party going in the back room, and a phone in your ear, you may as well not play it. I've seen lots of people buy this game and try and tell me "yeah, it's creepy, but it's no big deal." So, I say, did you play it with the lights out? "Well, no.
...
" How about the sound up? "No, I was listening to the radio." Were you alone? "No, my brother kept switching the channels." Well, no wonder it wasn't scary! To really appreciate the game, there are 2 that things must be done.
1. Set the mood. Play it ALONE, at NIGHT, with the lights OUT and the sound up very LOUD. This is crucial, and I'm kind of surprised they didn't simply instruct people to do this in the manual. Atmosphere is half the game's selling point, and if you ruin that, the game looses a good deal of it's charm. If you have wimpy sound, you're not going to jump or even be affected by the game's specific use of certain sounds made to strike emotional responses within people. HAving the lights will kill a good amount of the tension as the purpose of the game in many parts is to severely limit your field of vision. When you're seeing James wandering dark halls with your furniture intruding on your point of view, it's not the same as seeing nothing but James, alone, with a single cone of light as the only viewable source. Think of it like a movie. Movies are widescreen so they fill your vision. This game is meant to be played the same way.
2. Pay attention! If you have "no time to sit down and play video games" then this is not a game for you. Likewise, if your attention span is so short that you can't sit through an episode of The Sopranos if someone isn't getting whacked onscreen, pass this game up. It's not meant for you, and you'll be wasting your money. If, however, you think you can spare an hour or so every other night where you can be by yourself and can actually focus, you'll be rewarded by a surprisingly deep and well constructed game that will creep you out and keep you interested. The game is not boring, but it isn't spoonfed to you either. The "M" rating is there for a reason, folks. It's not just for violence, this thing requires the attention span of at least a 17 year old as well. The puzzles make a fair amount of sense and aren't particularly hard (the first puzzle area is actually the most difficult) but you'll get stumped if you haven't been listening or watching. James takes notes and draws maps for you, but you do have to check them occasionally.
With that out of the way, I seriously can't suggest this game enough for someone looking for a deep, involving game that plays with the emotions. This game has almost nothing to do, plot wise, with it's predecessor for the PSX. There ARE referrences to the first, but only vaugely, and they're easy to miss. Also, those who played Silent Hill 1 may be in for some dissapointment as far as the fear factor goes. While this game IS very creepy, SH1 veterans will probably be inured to it within three hours of play, and that's assuming you're doing the whole atmosphere thing. One of the big gripes with this game is that the "evil world" (SH1 vets will know exactly what I'm talking about) has been considerably weakened. You only really see the "real" evil world a few times in the game, and even then it's breif. Most of the time it's an odd hybrid, and this time the evil world only exists indoors. No more running around Silent Hill in it's other form. Whether this is a dissapointment or a relief depends on the player, but I stand by my assertion that the bottom of the hospital in Silent Hill 1 is far more terrifying than the Hospital in Silent Hill 2. The Hotel? Well, that's a different story (it's by far the best part of the game). When you get there, you'll see. Heh...Video Tapes in Silent Hill are ALWAYS disturbing.
So, the fear factor isn't as high, you say? (Keep reading, I'm almost done. You're doing so well!) So, what does the game have that's better? I mean, Silent Hill is supposed to be a HORROR game, right? Well, easy. This game is depressing. Very, extremely, kill yourself upon finishing it depressing. The first had nothing depressing in it whatsoever; it was all about the fear. This game will make you sit, staring at your TV trying to figure out who in the Konami development team hates you so much and why they put such horrible, horrible things in a video game to drive you to insanity. For the unlucky folk who get the "In Water" ending the first time around (run around hurt a lot, look at Angela's knife frequently, read the diary on the roof, and listen to EVERYTHING in it's entirety), be prepared to be mortified by the turn the game takes toward the end. It's so good because it's just so horrible. You don't expect to be moved when you play games, and sorrow is a harder emotion to invoke than fear. Hats of to Konami for pulling it off with aplomb, though there are points when I wonder if they shouldn't have just included a noose with the game.
Now, some quickie technical stuff. The game looks fantastic, but you may notice a grainy noise in the picture. That's SUPPOSED to be there. It adds atmosphere and makes everything look phenominally dirty. You can turn it off after you beat the game once. That taken into account, this game looks jaw-droppingly good. Detail is everywhere, seams are nonexistant (except in ONE spot - find it for fun!) and the characters move convincingly, especially in the cutscenes. The music this time around is actually, in some cases, music! This is a departure from SH1, where "music" consituted sending a sound tech guy to the ninth layer of Hell with a microphone and putting the results in the background of the game. The music this time is actually really good, but always fitting to the game (read: Dark as a train tunnel.) The voice acting is not even close to as bad as some people make it out to be. it's actually very good in some spots (Mary's yelling at James sounds totally convincing, which is REALLY rare in a video game) and never gets below average. At it's worst, it's unobtrusive, which as far as the survival horror genre goes, is a first. Steve Burnside from RE:CV anyone? God I wanted to kill him myself after four seconds of hearing him speak...
Also good is that this time the puzzles are fitting to the plot, and not nearly as random as some other games. The darkness is played up to full effect here (as before), and touches like the sheen on the bodies of the monsters and Mary's clothes, and James turning his head to look at obtainable items are nice touches that show just how much work went into the game. It has a high quality feel that leaps off the screen. You can use this to show off your PS2 without hesitation. It looks, sounds, and feels remarkable. Just make sure you're showing it off and that's it. Play it alone...
Highly, highly recommended. I've beaten it 4 times so far, and I'm still going back for more. This is totally the game I was hoping for, and hopefully you'll like it just as much.