In a Silent Way: A Portrait of Joe Zawinul [Illustrated] [Hardcover]

Brian Glasser (Author)

Book Description

ISBN-10: 1860743269 | ISBN-13: 978-1860743269 | Publication Date: February 1, 2001 | Edition: illustrated edition

Joe Zawinul pioneered a seismic shift in American jazz, incorporating international rhythms and new electronic tonalities.

Product Details

• Hardcover: 300 pages
• Publisher: Sanctuary Publishing; illustrated edition edition (February 1, 2001)
• Language: English
• ISBN-10: 1860743269
• ISBN-13: 978-1860743269
• Product Dimensions: 9.5 x 6.4 x 1.2 inches
• Shipping Weight: 1.5 pounds
• Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #810,254 in Books (See Top 100 in Books)
  • #55 in Books > Biographies & Memoirs > Arts & Literature > Composers & Musicians > Jazz

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Customer Reviews

Most Helpful Customer Reviews

6 of 7 people found the following review helpful:

5.0 out of 5 stars Wonderful Book, January 20, 2002

By 

Adapters that work - See all my reviews

This review is from: In a Silent Way: A Portrait of Joe Zawinul (Hardcover)

One of the things that makes this such an interesting book is that it is about the music as much as it is about the personality of Joe. It has details such as how two Drummers were used on one of the Black Market Tracks. I so enjoyed listening to the songs after reading about them.

Half the book is about the Weather Report years, the other half is pre and post Weather Report.

3 of 3 people found the following review helpful:

5.0 out of 5 stars In a Silent way: A Biography of Joe Zawinul by Brian Glasser, November 25, 2002

By 

R M SMITHSON (Broxbourne, HERTS United Kingdom) - See all my reviews

This review is from: In a Silent Way: A Portrait of Joe Zawinul (Hardcover)

This book is a "must have" for any fans of Fusion or Modern jazz music. It details the extraordinary life and career of JOE ZAWINUL, probably best known as co-leader of the influential Jazz/Fusion band WEATHER REPORT. There is extensive input and recollection from many famous names past and present from the jazz world and the author has left no stone unturned in tracking down these superstars for their oppinions about a personality who always left a mark on their playing and careers. Mr Zawinul himself also has a lot to say about some of his associated musicians and there is some revealing and forthright words about his times with MILES DAVIS. WEATHER REPORT were very much a "musicians" band and to this end the book is written in a way that musicians will be very at home with...there is detail of recording sessions, song structures and even technical information on synthesizer set-ups. This may not be appealing to the general public but their interest is easily engaged with all the other stories of the love/hate relationships that the feisty Joe Zawinul formed with his contemporarys. A sure sign of a genius at work.

4 of 5 people found the following review helpful:

3.0 out of 5 stars extraordinary life, but not an extraordinary book, April 3, 2003

By 

m_noland "m_noland" (Washington, DC United States) - See all my reviews

This review is from: In a Silent Way: A Portrait of Joe Zawinul (Hardcover)

Joseph Zawinul is arguably one of the more interesting cultural figures of the 20th century, perhaps the only non-American to have a profound effect on the music that we call jazz. Author Brian Glasser argues that this book is a "portrait" rather than a biography, aiming for emotional truth over factual specificity. Whatever the intent, the book views Zawinul very much through the prism of his music with the emphasis on the subject's musical career and very little on his life beyond music making. It is not an authorized biography in the sense of after giving Glasser several interviews, Zawinul apparently withdrew his cooperation, forcing Glasser to cobble together much of the book from previously published interviews and accounts. The result is a certain unevenness to the story - aspects of Zawinul's childhood are covered in a fair amount of detail, but in contrast it is only mentioned in passing that at a certain point Zawinul was married and had a family; later, we again learn in passing that his wife is named Maxine, that she is African-American, similarly the names of their children crop up sort of randomly etc.

In some respects this is not a major drawback - the emphasis is rightly on Zawinul's music, and many (most?) readers will already be acquainted with the basic facts of his life. Yet, it would appear to be an extraordinary life, and it is a pity that it is not the subject of a more polished biography.