Amazon.com: Silk: Michael Pitt, Keira Knightley, Kji Yakusho, Sei Ashina, Tony Vogel, Toni Bertorelli, Kenneth Welsh, Martha Burns, Alfred Molina, Michael Golding, Carlo Cecchi, Chiara Stampone, Franois Girard, Alessandro Baricco: Movies & TV

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Silk (2007)

Michael Pitt , Keira Knightley , Franois Girard  |  R |  DVD
2.9 out of 5 stars  See all reviews (39 customer reviews)

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Product Details

  • Actors: Michael Pitt, Keira Knightley, Kji Yakusho, Sei Ashina, Tony Vogel
  • Directors: Franois Girard
  • Writers: Michael Golding, Franois Girard, Alessandro Baricco
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
  • Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1)
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: New Line Home Video
  • DVD Release Date: February 26, 2008
  • Run Time: 107 minutes
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (39 customer reviews)
  • ASIN: B00104J4IO
  • Amazon Best Sellers Rank: #26,462 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Silk" visit the Internet Movie Database (IMDb)

Editorial Reviews

Based on the best-selling novel by Alessandro Baricco, Silk is a visually stunning epic spanning two continents. Hervé Joncour's (Michael Pitt) devotion to his beautiful bride (Keira Knightley) is tested by increasingly, dangerous trade missions in search of silkworms for his towns survival. From his journeys to Japan, Hervé brings great wealth for his village, but with each return to the Far East he becomes torn by the temptation of a local warlords sensuous concubine and his love for Hèléne.

 

Customer Reviews

39 Reviews
5 star:
 (8)
4 star:
 (9)
3 star:
 (4)
2 star:
 (6)
1 star:
 (12)
 
 
 
 
 
Average Customer Review
2.9 out of 5 stars (39 customer reviews)
 
 
 
 
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47 of 52 people found the following review helpful:
5.0 out of 5 stars 'Come back or I shall die', February 27, 2008
By 
This review is from: Silk (DVD)
For those who fell under the spell of Alessandro Baricco's novel SILK, a meditation about love, desire, and conflict, this cinematic transformation adapted as a screenplay and directed by François Girard will not disappoint: reservations about making Baricco's poetry visual are for the most part put to rest. The resulting film, SILK, is supported by a sensitive cast, wondrous cinematography by Alain Dostie, a haunting musical score by Ryuichi Sakamoto, and is an appropriate extension of the beauty of Baricco's short novel.

Set in France in 1862, Hervé Joncour (Michael Pitt) is following his family tradition of military duty until a somewhat mysterious man named Baldabiou (Alfred Molina) approaches Hervé's father Mayor Joncour (Kenneth Welsh) with an idea to increase the tiny French town's revenues by capitalizing on the manufacture of silk. He talks the town council into fortifying his project and in a short time Baldabiou has several silk mills running. A problem arises when an infection attacks the silkworm eggs and threatens to destroy the business. Baldabiou convinces Hervé to travel to Africa to buy silkworm eggs to solve the dwindling supply. Hervé, meanwhile, has met and fallen in love with the beautiful Hélène (Keira Knightley) who is loving enough to encourage Hervé's travel to Africa for the eggs, a trip Hervé makes and returns with eggs that make the town's mills thrive, allowing the prospering relationship between Hervé and Hélène to result in marriage and hopes for a happy future.

The eggs are again attacked by disease and this time Baldabiou sends Hervé to Japan where the perfect eggs can be smuggled out of the country: the trip is arduous, long (through Europe, Russia, China to Japan), and while Hervé succeeds in securing the precious eggs, he also loses his heart to the seductive eyes of the baron's concubine (Sei Ashina). Upon returning home the town prospers, Hervé and Hélène try to have children, but Hervé is again forced to travel to Japan for more eggs - and to fulfill the longing to see the concubine again. Japan is now at war and the trip is far more harrowing than before and while Hervé doesn't satisfy his desire for the concubine, she gives him a note in Japanese as he departs for France. Upon returning to France, Hervé has the note translated: 'Come back or I shall die'. His love for Hélène remains strong and he shares the experience he had in Japan. A letter is delivered to Hervé, a beautiful love letter, and it is at this point that Hélène becomes ill and the events that transpire bring life to the real meaning of love in an unexpected way.

There are problems with the film: the Japanese conversations are not translated by subtitles (perhaps the director wants us to feel the alienation of a Frenchman in a strange land) making the viewer feel that chunks of the story are missing; the emphasis of the film is more concentrated on the beauty of the various locales than on the character development; Michael Pitt is a fine actor but the inner conflicts of his character are not explored well. But these flaws are minor when the scope of the film is viewed in full. It is a beautiful work and one that will satisfy the readers of the novel from which it was adapted. Grady Harp, February 08
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26 of 29 people found the following review helpful:
1.0 out of 5 stars A lifeless, listless, loveless love story, June 19, 2008
This review is from: Silk (DVD)
Like many well-intentioned adaptations, "Silk" fails in its horrible execution. We supposedly have an adventurous silk trader, Herve Joncour (Michael Pitt), who undertakes the perilous journey from France to Japan in the mid-1800s in search of blight-free silkworm eggs that would ensure his village's prosperity in the silk industry. Married to a fetching wife and, from all accounts, in love with her, our intrepid traveler becomes obsessed with a Japanese concubine in his first trek to Yamagata. On the pretext that Japan's silkworm eggs are worth the frequent traveler miles, Herve returns to Japan to obtain yet another glimpse of his amour. We are obliged to accept that the largely lethargic Pitt traverses these thousands of miles (3 times!) by carriage, rail, ship, caravan and horseback, when it looks like he can't even get across town without being toppled by a strong breeze. Straining to evoke a Dr. Zhivago-like epic, it only succeeds at looking ludicrous. Permanently sporting a pout like a child scolded for playing with worms, Pitt mumbles in a monotone with one wooden facial expression all throughout, in perfect accompaniment to his sleep-deprived droning voiceover narration for the film's painful 110 minutes. As badly miscast and as anemic as Pitt's acting is, it is equaled, agonizingly enough, by the same lifeless performance of Keira Knightley as Herve's wife Helene. Mostly relegated to bidding Herve a spiritless goodbye whenever he departs and a spiritless hello whenever he returns, one wonders if the absence of affect and chemistry with the two was a joke on the audience that they secretly delighted in.

It may have been possible to forgive such lackluster acting if there was a story to behold. When the procurement of silkworm eggs is more riveting than Herve's infatuation with the unnamed concubine, then I know there's no redemption. I am as perplexed as those who've seen director Francois Girard's "Red Violin" in the `90s, a magnificent film that remains one of my favorites to this day. A feudal Japan of the 1800s, still closed to the west, with its warring warlords and bewildering culture would have been ripe for exposition, injecting the much-needed tensions and conflicts the film sorely lacks. To not have attempted to incorporate it in any meaningful way with the lame love story was a fatal mistake. At least, it could have given the dying plot a fighting chance. This is nothing more than another dull and dreary depiction of the white man's fantasy of the submissive, exotic female, a stereotype that really is getting old.

I'm no stranger to arthouse, but honestly, it's films like this that give arthouse a bad reputation. The fantastic cinematography in "Silk," with breathtaking panoramic shots of Japan in winter, cannot rescue this inferior film. I've seen nature documentaries on PBS with more gist and drama than this turgid exercise. Come to think of it, I've seen turtles with more passion.
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16 of 18 people found the following review helpful:
3.0 out of 5 stars "What We Were Meant To Do We Have Done", March 30, 2008
This review is from: Silk (DVD)
The '07 romance `Silk' is one of the most visually stunning films in recent memory which in and of itself is enough reason for one to give this movie a viewing. Unfortunately once you move beyond the lush, sumptuous landscape and the hopelessly romantic soundtrack you come face to face with a slow, plodding storyline that even the most lovelorn amongst us would have trouble staying with.

Keira Knightley is the vision of loveliness her audience has come to expect but love interest Michael Pitt is way over his head, failing to display the emotional depth and angst required for this role. With a more established, polished actor in this role who knows, maybe this could've been a love story for the ages?
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