Customer Reviews

Silk Purse

5 star:		(6)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

I draw the dividing line between Linda Ronstadt's early work at around 1971. While the LINDA RONSTADT album (1972) features a solid blueprint on the sound and style she would build her 1970s classics on, SILK PURSE is much closer to the later Stone Poneys and her first solo album. It also happens to be one of my favorite Linda Ronstadt albums.
SILK PURSE displays a heavy country sound in the arrangements and vocals, but the character is definitely unique, reflecting neither the Nashville Sound of late-1960s country nor the rock influence in much of the country-rock movement. Two of the album's best defining features are Linda Ronstadt's confident, powerful, and beautiful vocals, and the incredible arrangments that surround each of the songs. "Lovesick Blues" leaps out of the speaker with a stunning vocals start. The song has been recast as an uptempo rocker, though the fiddles are especially prominent. Her vocals also start "Are My Thoughts With You," which continually builds both musically and emotionally during the song. "Will You Love Me Tomorrow" is one of the best songs on the album, and one of my favorites. The arrangement is superb, opening with a ringing guitar sound, and featuring a brilliant vocal performance. The track melds both girl group, country, and great pop, and the result is a remarkable success that is above describtion. I've never understood why this song hasn't been featured on a Linda Ronstadt CD compilation (last was RETROSPECTIVE (I really miss that collection) in 1977, unless you count the small Capitol compilations from the 1980s (which aren't listed in her discography). Linda Ronstadt's vocal performance is the best feature of many of these songs, especially "Nobody's" written by Gary White. Gary White duets on "Louise," which features only an acoustic guitar, but delivers a powerful performance. One of Linda Ronstadt's greatest recordings is "Long Long Time," which resulted in her first solo hit ("Different Drum" was credited to the Stone Poneys) and her first Grammy nomination. The song is perfect, the arrangement of pedal steel, fiddle, harpsicord, and bass create a sound the is unbelievably emotional. Linda Ronstadt's vocal is powerful beyond the use of words, and the devastating lyrics bring new meaning to the term "sad song". The song has been recorded a few times since, but no version comes close to this gorgeous classic. "Mental Revenge" is considerably lighter, and the song is very entertaining, with her vocal delivery, arrangement, and lyrics that aim ill-wishes at the unfaithful partner from a former relationship. "I'm Leaving It All Up To You" was a pop hit in the early 1960s, but Linda Ronstadt ups the emotional quotient significantly, turning in a spectacular country recording. "He Dark The Sun" ranks with "Will You Love Me Tomorrow" and "Long Long Time" as my favorite recordings from this album. It was originally "She Darked The Sun" in bluegrass form on the first Dillard & Clark album (written by Gene Clark and Bernie Leadon). This recording rests largely on the soulful power of Linda Ronstadt's voice, Bernie Leadon contributes the harmony vocal, and the arrangement frames the vocal performance. Its worth a second listen everytime I play the disc. "Life Is Like A Mountain Railway" is reminiscent of an Appalachian spiritual, sung in harmony with the Beechwood Rangers. Its a unique way to conclude this immensely satisfying album. SILK PURSE is filled with spectacular performances, great arrangments, and unique songs. The critiques on the quality of all the songs really isn't that big a problem; I like those songs on the early albums which made up in emotional power whatever was missing on paper. SILK PURSE is an amazing album, probably the one I play most often, which is a very different experience from HEART LIKE A WHEEL, LIVING IN THE U.S.A. or, SIMPLE DREAMS. Highly recommended.

...and quite possibly in the Top 5 of her best recordings ever. A sure-footed, wonderfully hillbilly outing of songs that lets Ronstadt try out different moods without suffocating her inherent sweetness(nothing out of left field to distract her). It's full of lovesick, heartfelt nuances and twangy guitars. An absolute must.

Linda's recording career has embraced many different styles of music, including her country rock and pop rock music produced by Peter Asher in the seventies and her Great American Songbook albums produced by Nelson Riddle the mid eighties as well as her two traditional folk country Trio albums with Dolly and Emmylou. People who were taken by surprise at the style of the first Trio album would have been less surprised if they had looked at the early recordings of each of the three ladies. This 1969 album was recorded in Nashville in a folk-country-rock style typical of Linda's very early albums.
The best of the original songs, Long long time, provided Linda with an American hit.

There are several covers, including Lovesick blues (Hank Williams), Will you love me tomorrow (Shirelles), I'm leaving it all up to you (Dale and Grace - also covered in the seventies by Donny and Marie Osmond) and the traditional Life is like a mountain railway (previously recorded by Patsy Cline among others).

If you enjoy the Trio albums, you will probably enjoy this album and Linda's other early albums including Hand sown home grown. If you didn't enjoy the Trio albums, you may be better looking elsewhere for your musical entertainment. If you haven't heard those albums, I recommend that you try one or both of them first.

Given the proliferation of folk-rock artists like Bob Dylan, the Byrds, and Joan Baez who ventured to Nashville in the late 1960s to record with the cream of the crop of that city's country music session men, it seemed rather fitting that Linda Ronstadt should have done the same, with SILK PURSE. Indeed, of all the folk-rockers of the era, Linda had at least as much country music credentials as (if not more than) those heavyweights.

SILK PURSE, released in 1970, however, turned out to be an extremely uneven album that Linda, in later years, would all but disown. There are reasons for this. Despite the presence of many fine songs on this album, including Mel Tillis' "Mental Revenge", Carole King's "Will You Love Me Tomorrow", and the Hank Williams classic "Lovesick Blues", the musical arrangements of producer Elliot Mazer are often quite inappropriate; and worst of all, Linda is trying too hard to sound like a hillbilly. It wasn't necessary really, since with her Southwestern accent, she can be the most natural of country singers.

However, though it is now mainly known today for its cover of Linda cavorting in a barnyard full of pigs and thus spoofing her Moonbeam McSwine image of that time, SILK PURSE still has some redeeming features: a totally acoustic take on Paul Siebel's prostitute ode "Louise"; the bluegrass-gospel standard "Life Is Like A Mountain Railway"; and the Bernie Leadon-Gene Clark song "He Dark The Sun" (with Leadon himself harmonizing with Linda). Linda REALLY hits an early peak, however, on the gut-wrenching ballad "Long, Long Time", which became an instant country-rock standard, a #25 pop hit in the fall of 1970, and got Linda her first Grammy nomination (Best Contemporary Female Vocalist).

Although Linda would continue for decades to come to show her love for the traditional spirit of country music (tinged, of course, with the energy of rock), SILK PURSE would be her only album made in Nashville itself. Despite being incredibly ragged and undeniably crude, it is still worth searching out.

....but I'll make an exception for Linda. Linda Ronstadt has been a vocal presence for 40 years, singing all kinds of music; this 1970 classic from her "country" years catches her voice at its peak [and her picture when she could make a sexy album cover].

This is an album of "covers", each sung so well as to make it Linda's own. All are well done, but honors go to "Lovesick Blues", "Will You Love Me Tomorrow?", and "I'm Leavin' It All Up To You". And very special honors to "He Dark The Sun". The album has been kind of superseded by "The Best Of Linda Ronstadt: The Capitol Years", a two CD collection of her first four records, with bonus tracks. Thank you, Capitol. Still, this is the original....

Linda's politics nauseate me; as an American, citizen, she's entitled to them [as you are entitled to let politics influence your music buying]. Personally, I don't like to mix music with politics; that's one reason that I can give this five full stars. Her voice is as great as ever; listen to this, and find out how a great singer sounds before she's a legend.

I LOVE THIS CD. I CAN LISTEN TO THIS CD OVER AND OVER!!!!!

I can remember being in high school and listening to Linda Ronstadt on AM radio as if it were only yesterday, but in reality it has been a long long time. When she cut this album she had already moved on from singing with the Stone Poneys to a solo career that would take her to the pinnacle of rock and roll. While Silk Purse is anything but her greatest album, it does contain her (arguably) greatest song: Long Long Time. I don't think it would be possible for anyone to listen to her sing that song and not feel the pain, the anguish, the desperation, of a young woman in love with a man who couldn't care less. The hurt is evident in her voice as she cries out to anyone who will listen, pleading for solace yet finding none. The true measure of an entertainer is how well that person can assume another's identity, and it is here that Linda succeeds alongside the very best. The rest of the songs on this album serve to showcase her diversity, but none are of the quality of Long Long Time (which can also be had on her greatest hits cd). If you want to hear a side of Linda that you may never have heard before then this is a good choice, but if you only want to hear her commercial successes look elsewhere. Linda does a little of everything on Silk Purse; Hank Williams, the Shirelles, she could handle their music easily and showed it. I didn't give this album five stars because of the unfamiliarity factor. While Linda sang her heart out, most would not recognize the songs. For those who weren't there, the sixties may seem like a terrible ten years; but for those of us who lived them they were ten of the most incredible years of our lives. The music was phenomenal and this wonderful singer was a part of it.

I liked:
'Long Long Time',
'I'm Leavin It all Up 2U'
'He Dark The Sun'
'Life Is Like A Mountain Railway'

The others had Linda's great voice, but I didn't care for them as much.

Still worth getting.

It's great that they've reissued her early solo period - pre-1974 Superstar status - albums, once again on Cd, if, at least on "imports". I have all the mid-90's Stone Poneys/Early Solo Lps to Cd reissues, which were bought up quite quickly and are worth a rock queen's ransom these days. Now that I think about it, as I did at that time also, WHY did they not include those several scattered off album recordings as "BONUS TRACKS" on these early "solo reissues" which never appeared on her albums?!!! Tracks such as: "CARNIVAL BEAR" & "SHE'S A VERY LOVELY WOMAN" - to name but a couple of her occasional "outings" for movie soundtracks and off to the side projects she was involved in. I adore this woman and her entire recorded output - as millions of others still do, but, some of the non-album "45"s I collected on vinyl(minus the "live bootlegs Lps")have never been reissued on Cd. WHY??? CAPITOL RECORDS: You guys need to 'get it together' and reissue a THOROUGHLY COMPREHENSIVE "LINDA RONSTADT ANTHOLOGY"[which will include all non-Lp recordings & rarities] in a much more detailed fashion than that 1976 "RETROSPECTIVE" double Lp(which by the way, still yearns to see itself on CD!)- she gave you a # 1 album, HEART LIKE A WHEEL, after all, as well as the most celebrated(by modern Country artists)blueprint album in Country-Pop-Rock history!