Silk Road Journeys: When Strangers Meet

Filippo Azzaiolo (Composer), Tan Dun (Composer), Michio Mamiya (Orchestra), Silk Road Ensemble (Performer), Yo-Yo Ma (Performer), Franghiz Ali-Zadeh (Performer), Kayhan Kalhor (Performer) | Format: Audio CD

Product Details

• Performer: Silk Road Ensemble, Yo-Yo Ma, Franghiz Ali-Zadeh, Kayhan Kalhor
• Orchestra: Michio Mamiya
• Composer: Filippo Azzaiolo, Tan Dun
• Audio CD (April 16, 2002)
• Number of Discs: 1
• Label: Sony
• ASIN: B0000641CG
• Also Available in: Audio CD  |  MP3 Music
• Average Customer Review: 3.7 out of 5 stars  See all reviews (32 customer reviews)
• Amazon Best Sellers Rank: #12,025 in Music (See Top 100 in Music)
  • #7 in Music > Indie Music > Classical

Track Listings

1. Mongolian Traditional longsong

2. Legend of Herlen (Byambasuren Sharav)

3. "Blue Little Flower" (Chinese Traditional)

4. "Mido Mountain" (Chinese Traditional)

5. Moon over Guan Mountain (Zhao Jiping)

6. "Miero vuotti uutta kuuta" from Five Finnish Folk Songs (Michio Mamiya)

7. "Joiku" from Five Finnish Folk Songs (Michio Mamiya)

8. Avaz-e Dashti (Persian Traditional)

9. Habil-Sayagy (In Habil's Style) for cello and prepared piano (Franghiz Ali-Zadeh)

10. Blue as the Turquoise Night of Neyshabur (Kayhan Kalhor)

11. Chi passa per'sta strada (Filippo Azzaiolo)

12. Desert Capriccio (Music from the film Crouching Tiger, Hidden Dragon/Tan Dun) (Bonus Track)

Editorial Reviews

Amazon.com

This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music.

This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma's tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project's musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments. --Edith Eisler

Most Helpful Customer Reviews

106 of 113 people found the following review helpful

5.0 out of 5 stars What Fusion Is For May 10, 2002

By Mick McAllister

Format:Audio CD|Amazon Verified Purchase

Most "fusion" recordings remind me of a pretentious little restaurant in Salt Lake City that jumbles together French haute cuisine and Chinese condiments. Name of "Haut Chinoise" or some such--three perfectly poached spears of asparagus, garnished with ginger. Right. The digestif is a chocolate-dipped fortune cookie.

But occasionally something comes along like Yehudi Menuhin's collaborations with Ravi Shankar or this, cellist Yo-Yo Ma's ambitious blend of classical instruments with the music of central and eastern Asia; and the potential for evolving new art from spliced traditions is realized.

This is not classical slumming, nor is it Middle Eastern folk music jazzed up. It hasn't the odd discontinuity one hears when the trained voice of an opera star sings gospel music or folk songs "correctly." The compositions and arrangements present a unified suite of sound, moving as comfortably as a caravan from Renaissance Italy (with a side trip to Finland!) to Persia, Mongolia, and into China.

The sound is exotic, from the initial shock of the piercing Mongolian street singer's shrill tremulo to the belly dance rhythms of the later pieces. The quality of the sound is impeccable, as one would expect of an artist as meticulous at Yo-yo Ma. I heard this on the radio, and ordered it immediately. How glad I am, that CDs don't wear out.

46 of 48 people found the following review helpful

4.0 out of 5 stars Beautiful and fascinating mix of East & West / new & Trad. April 27, 2002

By David Dahl

Format:Audio CD

If your exposure to Yo Yo Ma is primarily through his classical performances on cello, Silk Road Journeys is likely to be a shock. However, if you have heard and enjoyed the beautiful soundtrack to Crouching Tiger Hidden Dragon, SRJ will be a treat. This is not pure traditional folk music, but rather contemporary music inspired by the traditions of the cultures who inhabit what was known as the Silk Road, from China to Europe. I am amazed that such a mix of styles fits together so well. This collaboration of musicians from different traditions reminds me of the West-meets-East recordings of Yehudi Menuhin and Ravi Shankar. Even if SRJ does not have the cultural impact of Menuhin and Shankar, I admire the creativity and boldness of this project. Fortunately it is also very listenable.

29 of 29 people found the following review helpful

5.0 out of 5 stars Exquisite March 3, 2003

By Jean Vignes

Format:Audio CD

One of the most exquisite, haunting, creative and sumptuous works of musical art to be produced in my lifetime. I cannot play this CD as 'background' music; it captures 100 percent of my heart and mind each time I play it. It is breathtaking and disturbing and almost heartbreakingly beautiful.

It is especially touching at this moment in time, when so much of our daily consciousness is caught up in the conflicts between cultures. This weaving together of musicians and instruments from different 'worlds' is healing for my soul at a level almost too deep to express. It portrays to me with delicate artistry what it means to be an individual member of a worldwide, ancient and variegated human race.