Review
"A Simple Heart" ("Un Coeur Simple"), by French writer Gustave Flaubert, is one of the stories in his
Three Tales (
Trois Contes), published in 1877. It received admiring reviews at the time and has continued to be second only to his novel
Madame Bovary (1857) in recognition and acclaim.
Originally entitled "Le Perroquet" ("The Parrot"), "A Simple Heart" is the story of one woman's apparently fruitless existence. The protagonist, a hardworking, good-hearted, poor and uneducated woman named Felicite, is said to have been modeled after a maid employed by Flaubert's family during his childhood, a much beloved woman of tremendous character. The story is unusual among the author's writings because it is about goodness. In this story of a simple housemaid's life and death, the reader is invited to view a world of boundless, if not reciprocated, love and spirit. Felicite, a woman of simple mind and devoted heart, suffers tremendous loss but continues to her last breath to love unconditionally. Some critics have suggested that Felicite's apparently meaningless life and misplaced worship of the parrot, Loulou—whom she adores and whom she imagines, in her dying moment, to be an incarnation of the Holy Ghost—reflect Flaubert's melancholy and disillusionment with life and with organized religion, particularly the Roman Catholic Church. Most critics agree that this is a poignant account of a sweet, simple, and unrewarded life, one which may have been happy precisely because it was unexamined. It does not matter that Felicite may have misinterpreted or simply not interpreted many of the events in her life: she dies smiling, and thus lives up to her name to the last.
Product Description
For half a century the housewives of Pont-l'Eveque had envied Madame Aubain her servant Felicite. For a hundred francs a year, she cooked and did the housework, washed, ironed, mended, harnessed the horse, fattened the poultry, made the butter and remained faithful to her mistress - although the latter was by no means an agreeable person. Madame Aubain had married a comely youth without any money, who died in the beginning of 1809, leaving her with two young children and a number of debts. She sold all her property excepting the farm of Toucques and the farm of Geffosses, the income of which barely amounted to 5,000 francs; then she left her house in Saint-Melaine, and moved into a less pretentious one which had belonged to her ancestors and stood back of the market-place. This house, with its slate-covered roof, was built between a passage-way and a narrow street that led to the river. The interior was so unevenly graded that it caused people to stumble. A narrow hall separated the kitchen from the parlour, where Madame Aubain sat all day in a straw armchair near the window. Eight mahogany chairs stood in a row against the white wainscoting. An old piano, standing beneath a barometer, was covered with a pyramid of old books and boxes. On either side of the yellow marble mantelpiece, in Louis XV. style, stood a tapestry armchair. The clock represented a temple of Vesta; and the whole room smelled musty, as it was on a lower level than the garden.