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Sin City Volume 2: A Dame to Kill For (3rd Edition) Paperback – October 19, 2010


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Frequently Bought Together

Sin City Volume 2: A Dame to Kill For (3rd Edition) + The Hard Goodbye (Sin City) + Sin City, Vol. 3: The Big Fat Kill
Price for all three: $39.50

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Product Details

  • Series: Sin City (Book 2)
  • Paperback: 280 pages
  • Publisher: Dark Horse Books; 3 edition (October 19, 2010)
  • Language: English
  • ISBN-10: 1593072945
  • ISBN-13: 978-1593072940
  • Product Dimensions: 6 x 0.7 x 9 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (79 customer reviews)
  • Amazon Best Sellers Rank: #35,326 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Because of a shocking ending to the first Sin City book, many people wondered how successful Frank Miller could be with future tales of his no-holds-barred city noir. Enter Dwight McCarthy, a clean-living photographer who tries to avoid trouble because he knows what he's capable of. His tactics don't do him much good when a girl from his past (who he can't say no to) shows up and professes her love for him. When he finds out she's in way over her head, it looks as though trouble has found him. What's going to happen? You guessed it: people get hurt. --This text refers to an out of print or unavailable edition of this title.

Review

www aintitcoolnews.com: " Dare I say the most perfect depictions of noir in illustrated literature form? yes indeedy..." --This text refers to an out of print or unavailable edition of this title.

More About the Author

Frank Miller is one of the seminal creative talents who sparked the current gigantic sub-industry of motion pictures featuring comic book- initiated product. A sub-industry which had become a super-industry. This most profitable aspect of this millennium's film production, now producing an annual flow of box office profits in the Billions of dollars, was launched when Frank Miller's graphic novel re-take on the classic comic book hero, Batman, resulted in an entertainment industry-wide reconsideration of the genre in the deeper and darker vision Miller brought to it.

Miller re-defined the presentation of comic book characters and heroic fiction with his grand-daddy of graphic novels, "The Dark Knight." This revolutionary work
not only kicked off the series of Batman films based on his redefinition, but a craze for such material that has thrown dozens of such heroes into multiple film franchise heaven. Certainly chief among these has been Miller's uniquely classical take on superheroic narrative, "300," and his "Sin City" books, each of which entered motion pictures with historic successes, and each now in Miller's creative phase of achieving its highly-anticipated sequel. Miller's co-direction of "Sin City" has made him one of the hottest
directors... as well as a guiding creative force...for the new genre. Or one might say "super genre."

Miller's latest graphic novel, Holy Terror, is his first original graphic novel in ten years. Join The Fixer, a brand new, hard-edged hero as he battles terror in the inaugural release from Legendary Comics.

Customer Reviews

You'll either really like it or hate it.
-JP
This book is a very strong addition to the series, and if you've seen the movie, then I reccomend reading this after.
Tyler S.
This is Frank Miller's second Sin City story.
Johnny Heering

Most Helpful Customer Reviews

8 of 8 people found the following review helpful By Johnny Heering on March 21, 2005
Format: Paperback Verified Purchase
This is Frank Miller's second Sin City story. While it doesn't quite match The Hard Goodbye, it's a damn fine example of comics noir in it's own right. The lead character this time around is Dwight, but fans of Marv will be pleased to know that he shows up here in a supporting role. This story takes place prior to, and concurrently with, "The Hard Goodbye". In fact, you can see Marv enacting some scenes from "The Hard Goodbye" in the background of panels here. Anyway, the story is about how Dwight's ex-girlfriend Ava comes and asks him for help. I don't want to give away the story, but it may seem a bit familiar to fans of film noir. Despite what may seem like a predictable storyline, I loved it because it is so well told and the art is beautiful. This is not one of the stories that is being adapted for the Sin City motion picture, but the sequel to this book, The Big Fat Kill is in the movie.
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6 of 6 people found the following review helpful By Clare Quilty on January 22, 2005
Format: Paperback
Simpler than other volumes in the series, "A Dame To Kill For" is still a cool, dark slice of comic book noir -- imagine Eisner's "Spirit" onscreen, as directed by the Coens in a more serious mood.

This may be my favorite of the books (though trying to pick a favorite "Sin City" yarn is like trying to select a favorite Beatles album). It encapsulates everything I like about Miller's work: beautiful black-and-white illustrations with an emphasis on venetian blinds; cigarette smoke; shattered glass and dangerous curves; twisty storylines that pop in on one another; hot mamas and serious ultraviolence.

Plus, it contains my favorite moment in the entire series: Dwight, shot and seriously wounded by the murderous harlot he loved, is being raced away from a crime scene by Marv (who has a nice supporting role here). Marv says Dwight won't survive unless they get to the nearest hospital; Dwight, a bloody mess, insists on being taken somewhere further away and delivers the line of dialogue that best sums up the ethos of "Sin City" : "I'll make it. I won't die. I've got too much I have to do to let myself die." Sweet.
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8 of 9 people found the following review helpful By Beardyjin on April 10, 2005
Format: Paperback
Sin City may be black ink on white paper, but it's nothing without the grey. The characters in this book are grey--all over.

A Dame to Kill For is the story of Dwight. Dwight is a good guy with 2 bad habits--booze & broads. But he's sober now. He's taking great pictures of husbands doing nasty things to women who aren't their wives in order to make a living as a private-eye. Dwight is damaged, but on the mend--until Ava shows up. Then it all gets messy. Really messy.

This is the 2nd tale of Sin City and about mid-way through the story Marv, the star of the first book, makes a guest appearance. This book stands completely on its own from book 1 (The Hard Goodbye). However, Marv's story in The Hard Goodbye begins to intertwine with Dwight's and Miller throws in a few cameos for those who read The Hard Goodbye.

This is probably my favorite Sin City yarn. I love them all, but in my opinion creator Frank Miller found his stride in book 1 then ran with it in spades with this book.

And for those folks delving into the world of Sin City because of the 2005 film, this book will be a special treat cuz it's the prequel to Dwight's story in The Big Fat Kill, in which Clive Owen, Michael Clarke Duncan & Rosario Dawson starred in the 2005 film. Do yourself a favor and throw down the cash for this book now. Trust me, $12 is peanuts for the all entertainment packed in these pages.
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26 of 34 people found the following review helpful By Jeffrey A. Veyera VINE VOICE on April 27, 2000
Format: Paperback Verified Purchase
In 1986, Frank Miller ushered in a new age in comic writing and illustration with his landmark "Batman: The Dark Night Returns." A couple of years later, he reinvented the form again with his gritty return to Daredevil. To almost no one's surprise, Miller completely retooled the medium with his take on film noir in "Sin City".
How radical was this alteration in Miller's artistic vision?
In a world of garish, computer-derived colors, Miller constructed a world of broad swaths of black ink. In a medium dominated increasingly by splash pages linked by plots beneath the sophistication level of your average porno movie, Miller delivered a compelling satire of modern urban existence. In an industry increasingly convinced of its own sociological significance, Miller crafts a tale so over-the-top in its violent imagery as to eradicate any claim to stature amongst the Starbucks set.
How do you follow up the outstanding statement that was "Sin City"?
You don't.
"A Dame to Kill For" finds Miller clearly less infatuated with the vision that fairly screamed from his pen in the prior tale. The art, while still visually stunning in places and always crafted with a cinematic flair, seems somehow rushed here, as though the languid love affair he previously had with his imagery has cooled to a Thursday night quickie.
The plot involves a sleazy photographer whose past returns to haunt him in horrific fashion. As in the best film noir, nothing is as it initially seems, motives are rarely clear, and the hero takes a terrific beating along the way to both body and sensibility. Unfortunately, Miller's portrayal of the villain here is less nuanced than his past work, detracting from the psychological reality he is apparently trying to convey.
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