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14 of 15 people found the following review helpful:
2.0 out of 5 stars
Like Hitting A Wall, June 8, 2005
Singer is the story of a young girl who has been held captive by her powerful witch mother for 12 years. She finally escapes, and is then passed to an abbey and finally the home of several smart, talented women who are a center of trust in her shaky world. The first half or so of the book rushes by quickly, developing neither characters, settings nor even the plot. However, the book then begins to pick up, gaining maturity and depth, with the introduction of several interesting characters (like King Harry, the Fair Folk outcast guised as a cat). The meat of the book, however, is supposed to be her involvement with the children of Lir, centered around the folk story. Jean Thesman, however, tries to rush most of the plot into the last sixty or so pages of the book, leaving gaping plot holes, one dimensional characters, and confusion.
But the worst part is the ending. Singer's final confrontation with her all-powerful mother, besides being badly explained and hurriedly done, is so pathetic as to be almost laughable. Singer's supposed powers, her supposed sacrifice, do not even come into play, and her mother dies instead when her husband chases her and she falls out of a castle. A page later, the book is over, leaving the reader (me, at least) so unsatisfied I wondered if a chunk of the pages had been ripped out, or if I could get my money back from the library.
To me, there is nothing worse than when a writer writes an interesting and involving book and then is too cowardly or lazy to work out an ending, instead setting down something stupid and quick just to finish the book.
I don't recommend this book to anyone unless they don't plan to finish it. In that case, stop around page 130. It all goes down hill from there.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Dramatic fantasy story based on a classic Irish folktale, August 11, 2005
Ever since she was born, Gwenore of Wales has been regarded as a curse by her mother, a truly evil witch named Rhiamon. Gwenore knows that she is different from the blood drop-shaped birthmark that she bears on her left wrist, but she doesn't understand her mother's motives towards her. Just when things couldn't get any worse, Gwenore is accused of murder and locked away in a cellar. Then in the dark of night, Gwenore is rescued by her longtime nursemaid Brennan and a priest-enchanter named Father Caddaric. She is taken to stay at an abbey, uncertain if she will ever see her allies again.
At the abbey, Gwenore is renamed Mary Blondine and is looked after by a nun, Sister Mark. Gwenore is worried by the news of an "aunt" traveling to collect her from the abbey and the crows that seem to know her real name. Despite her anxiety, she gradually begins to learn how to read and write and play music. This skill opens up a whole new world for the girl, who finds herself never wanting to leave. However, Gwenore's journey is just beginning and she is forced to flee once again.
She is then taken by a kindly physician named Margarite to the healing community of Blessingwood in England. There, she is welcomed by her aunt Hildegard and the other women of Blessingwood. Gwenore meets two other refugees named Elaine and Simon; she discovers that she is not the only one with special abilities and is given the chance of having a safe life. She also meets King Harry, a brazen, magical cat, who updates Gwenore of her allies and the enemies she left behind in Wales as well as hints of her true self.
Two years go by, and Gwenore's life --- and her appearance --- has changed. She is now working as Margarite's apprentice and has developed her skills as a musician. Things seem to be going well, until a courageous friend named Tom arrives in Blessingwood with news of her mother and an evil physician rival accusing Margarite of witchcraft. Gwenore and her friends flee to Ireland, but Gwenore ends up on the Island of Lir, where she must protect its kingdom from the evil witch and finally discover who she really is.
SINGER is a great story based on the classic Irish folktale "Children of the Lir." It is a fast-paced, dramatic fantasy that readers will want to read to the very last page.
--- Reviewed by Sarah Sawtelle[...]
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4.0 out of 5 stars
Great read overall, May 18, 2011
I agree with the other reviewers, and mainly picked this book up based on the beautiful cover art. The book was well researched and written, the characters believeable. Warning, there is a spoiler here. The only drawback was the ending. If the mother was so powerful as a witch, why was the king able to chase her around and have her fall off the castle to her death? If Gwenore was able to make those around her young again, why did she not make the old Blessingwood women in it young again, instead of changing them into swans? I guess because they ALL decided that they wanted to fly? And what exactly was Gwenore's great sacrifice - to never have a loving mother? That's the only thing I could think of.
The tale is beautifully told up until the end and well worth the read. And being a harpist, I personally appreciate that she learned to play the harp (rather quickly) and have magical powers by singing with it. Although she seemed more worried about keeping her small dog, which seemed like more of a burden as she had to carry it everywhere, with her than a harp.
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