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Summer Reading
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Copyright 2001 Cahners Business Information, Inc.
Gr 5-8-In this tale of courage and devotion, a single shard from a celadon vase changes the life of a young boy and his master. In 12th-century Korea, the village of Ch'ulp'o is famous for its pottery. The orphan Tree-ear spends his days foraging for food for himself and Crane-man, a lame straw weaver who has cared for him for many years. Because of his wanderings, Tree-ear is familiar with all of the potters in the village, but he is especially drawn to Min. When he drops a piece Min has made, Tree-ear begins to work for him to pay off his debt, but stays on after the debt is paid because he longs to learn to create beautiful pots himself. Sent to the royal court to show the king's emissary some new pottery, Tree-ear makes a long journey filled with disaster and learns what it means to have true courage. This quiet story is rich in the details of life in Korea during this period. In addition it gives a full picture of the painstaking process needed to produce celadon pottery. However, what truly stands out are the characters: the grumpy perfectionist, Min; his kind wife; wise Crane-man; and most of all, Tree-ear, whose determination and lively intelligence result in good fortune. Like Park's Seesaw Girl (1999) and The Kite Fighters (2000, both Clarion), this book not only gives readers insight into an unfamiliar time and place, but it is also a great story.-Barbara Scotto, Michael Driscoll School, Brookline, MA
Copyright 2001 Cahners Business Information, Inc.
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Linda Sue Park does a fabulous job of taking this traditional Korean story module as a catalyst for a well-developed tale of triumph of a boy who shouldn't have overcome the odds but did. Placing the protagonist boy in 12th century Korea was a shrewd move, as it was the era when Korean art was deemed to be in its apex, especially its pottery. As we follow Tree Ear, the hero of the book, trying to overcome many obstacles to become the master potter, we also become aware of the rich culture and tradition of an exotic land.
It's a tribute to Ms. Park that she does this without sentimentalizing and 'orientalising' the world that she depicts. (Although I question the translation of the boy's name into 'Tree Ear', a la Amy Tan) We only get a deeply moving tale, a bildungsroman of a boy who came into his own despite the odds. It's a common story structure, but it works unfailingly through Ms. Park's convincing and inspired narrative and the previously uncharted terrain of 12th century Korea. Very well done. Get this book for your kids but steal it away from them at night when they're sleeping and read it yourself.
First of all, I always appreciate books that take me to places I've never been. Certainly, this story of twelfth century Korea does that. Additionally, it describes various processes of pottery-making, something else with which I was not very familiar.
Most importantly, however, this is a story filled with wonderful characters. Tree-ear is an orphan who lives beneath a bridge with an old man named Crane-man. Slowly, Tree-ear works his way into the family of a master potter, Min & his wife, by doing work which the old potter now finds difficult. Ultimately, Tree-ear is sent on a long journey to the capital with a sample of Min's work to obtain a royal commission but, when the samples are destroyed along the way, he can only take a shard of the former pottery to the commissioner.
This is a beautiful story which is well worth reading--and that includes any "adults" who might be reading this. Remember, if you can't read a "children's book" and enjoy it, then your child should probably not be reading it either.