17 of 17 people found the following review helpful:
5.0 out of 5 stars
Engaging and Revealing, November 2, 2003
By A Customer
This review is from: The Singular Mark Twain: A Biography (Hardcover)
I felt drawn into Twain's world and the life that gave us Tom, Huck, the Connecticut Yankee and all Twain's political and religious convictions as never before. Fred Kaplan finally puts to rest those ill-founded murmurs about Twain being a racist with letters and documentation I'd never seen before; not to mention new information about Twain's strong position against American foreign incursions -- something ironically relevant these days. This "Singular Mark Twain" is such a complex, human, funny yet poignant figure, I only wished the book wouldn't end.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Suturing the severed, August 13, 2004
This review is from: The Singular Mark Twain: A Biography (Hardcover)
Several years ago Justin Kaplan sundered Sam Clemens and Mark Twain. It was an almost iconoclastic "psychological" study, typical of the times and thus immensely popular. It changed sharply the image of Clemens held by most Twain readers. Which one were they reading? Now Fred Kaplan has attempted to suture the parts and bring us a fresh picture of a whole man. Using new material and thorough analysis, Kaplan has produced a enduring biography of America's greatest writer. This study is comprehensive in scope and ably presented for long-time Twain aficionados. Newcomers to Clemens' work may be staggered by the wealth of information.
Pseudonyms were common among 19th Century journalists, Clemens' starting point in his writing career. Kaplan demonstrates that the detachment Clemens enjoyed as a "reporter" was transformed into a strong, unified character in his later writing. Factual works outlining his travel experiences later took second place to his fiction. While these books still carried the "Twain" banner, Kaplan shows it as an enlargement of his image, not a branching off. Fiction also enabled Twain to incorporate his linguistic attainments to a degree unmatched in his day. His portrayal of Mississippi Valley patois often led to critics labeling him "common", but Kaplan counters that Twain had a more comprehensive view of his fellow Americans than did most of his contemporaries.
Most contemporary readers of Twain were captivated by his humour, which was innovative and spirited. Kaplan, while recognising Twain's the appeal to his audience, gives little further acknowledgement to this aspect. Why, we wonder, did Twain, whose life was long beset by tragedies and the struggle for financial stability, continue to write with his unique form of wit. Even the latest works Twain produced were lively presentations, often heavy with irony. Kaplan relates this, but offers no explanation for its tenacity. Even Twain's inspired soliloquy of Belgium's King Leopold was laced with Mississippi Valley expressions. Reading any of the writings from Twain's long career, the light touch is always present, but it seems to slip by Kaplan with but scant notice.
Kaplan deals well, however, with Twain's serious side. Finances, in almost overwhelming detail, dominate the book. The problems with family - illness stalked the Clemens clan for decades - are thoroughly related. How many of these ills might be related to their economic plight? Twain saw firm links, described fully, but the biographer declines to judge their validity. Kaplan is stronger in description than in analysis. While this keeps him detached, the reader is offered few insights. No diagnosis of any of the family's illnesses intrude on the narrative. Kaplan also follows Twain's travels in detail, but the background panorama remains subtly hidden. A thorough knowledge of world events is a clear prerequisite for reading this life in context. The result is a straightforward relation of Twain's life, readable, thorough in personal details, but fails to place those intimacies within a broader scene.
The book will be welcomed by academics and those already well versed in Twain's life. Kaplan successfully refutes the claim that Clemens and Twain were separate personas, Twain shedding the intrusions of Clemens' financial worries or family illness when taking up his pen. Beyond that, Kaplan offers only descriptions of that background to Twain's successful writing career. A fine book, but limited in scope.
[stephen a. haines - Ottawa, Canada]
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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Trying to find balance in an unbalanced life, February 22, 2005
This review is from: The Singular Mark Twain: A Biography (Hardcover)
Trying to reconcile the public perception of Mark Twain, the jovial raconteur and "Great American Author", with the significantly flawed Samuel Clemens, a particularly inept businessman who may have squandered his greatest gift in his endless pursuit of "easy money," is a difficult task. Kaplan does an admirable job working to heal this dichotomy; he sticks to focusing on Clemens the man, with all his qualities for good or ill. Kaplan does fine work developing the reader's understanding of how Twain's early years of wandering created the necessity of Twain the writer. The gradual evolution of Mark Twain is an interesting and at times riveting tale and Kaplan supplies all the details needed to experience this transition. As Twain ages and his focus shifts from writing to his pursuit of financial success at the level of America's richest men, Kaplan maintains his ability to tell Twain's story in an interesting fashion, but Twain's life becomes less interesting. Bogged down in bad business decisions and family health issues Twain becomes someone the reader will find less patience with. Kaplan does have some difficulty here, with choices that occasionally lead to judgmental writing. Phrases like "his flawed best," "He would shamelessly upstage anyone," and mentions of his self-centered nature and megalomania make their appearances periodically. Kaplan is particularly harsh when considering Twain in his final years when his daughter's influence was significant on an old man who was ill and afraid of losing any more family. But there is an overall sense that Kaplan is just showing an actuality based on his research.
The book does come up a little short when discussing Twain's literary output. Kaplan makes judgments on what was significant, but there definitely needed to be a more complete look at Twain's output and discussion of the literary merits of his work. It may have added a number of pages to the work, but I felt twain's work needed a closer examination, perhaps at the expense of some of the financial minutiae of Twain's bad business decisions. Overall Kaplan does an excellent job of examining Twain the man; I just wish a bit more time had been spent on Twain the writer.
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