Sinister Urge (Bonus CD) [Explicit Lyrics]

Rob Zombie | Format: Audio CD

Product Details

• Audio CD (November 13, 2001)
• Number of Discs: 1
• Format: Explicit Lyrics
• Label: Umvd Labels
• ASIN: B00005RRKR
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (158 customer reviews)
• Amazon Best Sellers Rank: #658,298 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Sinners Inc.

2. Demon Speeding

3. Dead Girl Superstar

4. Never Gonna Stop

5. Iron Head

6. Go To California

7. Feel So Numb

8. Transylvania Transmission

9. Bring Her Down

10. Scum Of The Earth

Disc: 2

1. The Way You Like It - Adema

2. Black And White - Static X

3. Stop - Dope

4. Halo - Soil

5. Rot - Dry Kill Logic

6. Solitaire/Unraveling - Mushroomhead

7. T.R.I.C. - OTEP

8. Steppin' Away - Stereomud

9. Trouble - Cypress Hill

10. Payback - Flaw

See all 16 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

15 of 18 people found the following review helpful:

5.0 out of 5 stars Get up, get out, get inside the outside, February 25, 2003

By 

Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 100 REVIEWER)    (VINE VOICE)    (REAL NAME)   

This review is from: Sinister Urge (Audio CD)

This album doesn't seem to enjoy the popularity of Hellbilly Deluxe, Rob Zombie's first solo release, but I consider The Sinister Urge the better album of the two. The music seems to be more important this time around, as Zombie experiments with or conjures up new means by which to communicate his unique message. (go to) California, for example, seems to begin with a strange lilting sound to it, and Zombie's voice is somewhat subdued on the verses, providing a nice contrast with the more forceful chorus. Of course, there is plenty of hard rocking on this album, especially on the three most familiar tunes: Never Gonna Stop (the red, red kroovy), Feel So Numb, and Demon Speeding. Demon Speeding reminds me a lot of the Hellbilly Deluxe tracks, but the other new songs have a different sound and style than what Zombie has given us before. These songs are catchier and are more prone to hang around in your head reminding you of their visceral greatness; some might say Zombie got a little soft and added a touch of pop to a few tracks here, but I don't think that is the case at all. If he has added anything, it is a complexity that makes his music all the more impressive.

One song that certainly deserves special mention is Iron Head, which features none other than Ozzy Osbourne helping out on the vocals; the way he and Zombie alternate lines makes Ozzy's input especially effective. Dead Girl Superstar is a great hard-rocking track, and I also really like Bring Her Down (To Crippletown), another song which features a dramatic contrast between the verses and chorus. Scum of the Earth isn't bad, but I would consider it the only light-weight song on the album. There really isn't as much filler material on here as some might think. Sinners Inc. introduces the album with some horror movie-type dialogue, Transylvanian Transmissions Pt. 1 features a dramatic, malevolent reading of horror-laden, strangely philosophical lines, and then the singular House of 1000 Corpses closes out the album with rather a significant bit of what some would call filler material surrounding an otherwise gleefully evil song-more horror movie dialogue about murder, cannibalism, and similar dastardly deeds, voices of innocent little girls, a satisfying number of screams, and-somewhat inexplicably-a couple of minutes' worth of background noise. At almost ten minutes, House of 1000 Corpses is definitely the longest song on the album, but I for one enjoy taking my time to enjoy the pleasure offered by musical rumination upon the darker things in life.

I might note that this album, unlike its predecessor, provides listeners with the song lyrics; it's not always easy to understand Zombie's edgy vocals, and now, while some of the lyrics don't make a great deal of sense, I at least know what I'm hearing. Overall, I recommend this album wholeheartedly to those who like their music dark and forceful. Even though Rob Zombie brought a musical legacy with him from his White Zombie years, Hellbilly Deluxe had a bit of a gimmicky feel to it and proved a little uneven in places. The Sinister Urge, on the other hand, is consistently good from start to finish.

5 of 5 people found the following review helpful:

5.0 out of 5 stars He's baaaaaaaaaaaaaack!, December 28, 2001

By 

A. Estes (Maine) - See all my reviews

This review is from: Sinister Urge (Audio CD)

After 3 long years of Rob Zombie's absence (Aside from a zillion remixes and soundtracks) my anticipation was very high for this CD. After listening to it, I realized that this is even better than I expected it to be. "Sinister Urge" is an album that combines old with new. It will please die-hards of White Zombie, and people who enjoy Rob's more catchy solo stuff. Just like the old b-horror movies Rob emulates, his music is pure entertainment, an adrenaline rush. You won't find lyrics that have social or political impact. No, just pure entertainment. The music on here is very catchy and at the same time, very heavy. It's definetly an improvement over "Hellbilly Deluxe." The guitar work on here is definetly better than before. It drives home the horror movie sound that Rob's lyrics are trying to convey (especially on Demon Speeding). Overall, you can't go wrong with Sinister Urge. It has less filler than Hellbilly Deluxe and it really is a landmark album for Rob. Let's see what he can do with his movie debut next.

5 of 5 people found the following review helpful:

3.0 out of 5 stars What to expect from the Clean Version, January 16, 2003

By 

Gabriel Saraco (Long Island, NY) - See all my reviews
(REAL NAME)   

This review is from: Sinister Urge (Clean Version) (Audio CD)

This is an interesting Edited CD, mainly because none of the actual lyrics have been edited. There wasn't originally any cursing on this CD to begin with (except for a brief sample that says "shake your...proper," which has been left in). There WAS originally some nudity in the packaging, which has been blurred out in this version.

So the only actual editing in this CD takes place in the packaging. This seems really odd... but remember, the Parental Advisory labels read "Explicit CONTENT," not "Explicit Lyrics" - so it kind of makes sense.