Sirens of Titan (Coronet Books) [Paperback]

Kurt Vonnegut (Author)

Book Description

ISBN-10: 0340028769 | ISBN-13: 978-0340028766 | Publication Date: May 1, 1982

Winston has flown his craft into a chrono-synclastic infundibulum, and been converted into pure energy. Materializing only when his waveforms intercept a planet, he only gets home once every 59 days. But at least it's some consolation that he knows all that ever has been and all that ever will be.

Editorial Reviews

Review

“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist.”—Time

“Reading Vonnegut is addictive!”—Commonweal

“His best book . . . He dares not only ask the ultimate question about the meaning of life, but to answer it.”—Esquire



From the Trade Paperback edition. --This text refers to the Kindle Edition edition.

From the Publisher

8 1-hour cassettes --This text refers to the Audio Cassette edition.

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Product Details

• Paperback: 223 pages
• Publisher: Hodder & Stoughton Ltd (May 1, 1982)
• Language: English
• ISBN-10: 0340028769
• ISBN-13: 978-0340028766
• Product Dimensions: 6.8 x 4.3 x 0.8 inches
• Shipping Weight: 4 ounces
• Average Customer Review: 4.6 out of 5 stars  See all reviews (187 customer reviews)
• Amazon Best Sellers Rank: #5,110,807 in Books (See Top 100 in Books)

More About the Author

Kurt Vonnegut was born in Indianapolis in 1922. He studied at the universities of Chicago and Tennessee and later began to write short stories for magazines. His first novel, Player Piano, was published in 1951 and since then he has written many novels, among them: The Sirens of Titan (1959), Mother Night (1961), Cat's Cradle (1963), God Bless You Mr Rosewater (1964), Welcome to the Monkey House; a collection of short stories (1968), Breakfast of Champions (1973), Slapstick, or Lonesome No More (1976), Jailbird (1979), Deadeye Dick (1982), Galapagos (1985), Bluebeard (1988) and Hocus Pocus (1990). During the Second World War he was held prisoner in Germany and was present at the bombing of Dresden, an experience which provided the setting for his most famous work to date, Slaughterhouse Five (1969). He has also published a volume of autobiography entitled Palm Sunday (1981) and a collection of essays and speeches, Fates Worse Than Death (1991).

Customer Reviews

Most Helpful Customer Reviews

93 of 100 people found the following review helpful:

5.0 out of 5 stars Perhaps his best book, November 4, 2001

By 

Bill R. Moore (New York, USA) - See all my reviews
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This review is from: The Sirens of Titan: A Novel (Paperback)

I've read many of Kurt Vonnegut's novels, and this is perhaps his best one of all (quite a high complement indeed, when considering the man is, in my opinion at least, one of the foremost writers of the 20th century.) Vonnegut's wit is acerbic and as on-target as ever; this time he expells on us about the meaning of life... or the meaninglessness of it. While this is perhaps not his most profound and meaningful novel (which would probably be Cat's Cradle), and not his most purposeful one (undoubtedly Slaughterhouse-Five), it is perhaps his wittiest and one of his funniest, and works the best as satire. It is astonishingly well-written. Quite a bit leap over his already very good first book, Player Piano. This has more of a plot than later novels would, without using much of the non-linear storytelling format that Vonnegut would later make famous use of.

At this point, I also feel the need to comment on the review titled "whence..." The reviewer is taking the details of this book too seriously. The point of this book is not the plot or the details; it is the principle, the style. The reviewer goes to pains to point out scientific inaccuracies and plot holes in the book (yes, the escape maneuver from Mercury is implausible; yes, things happen in the book without any apparent logic or reason; but neither of these matter in the larger context of the book.) This book is not meant to be hard science fiction; nor should it be compared to scientifically stringent fiction by writers such as Arthur C. Clarke (whom the reviewer referenced.) In fact, I would say that this book is not science fiction at all. It is satire, pure and simple. The scientific ideas and elements in the plot are not meant to be taken seriously (as is often the case with actual hard science fiction; for example, the aformentioned Clarke's "The Fountains of Paradise", in which he propagates his vision for a space elevator.) Vonnegut uses these only as means to an end. This is seriously-intended satire (albeit highly enjoyable to read) put into a science fiction framework. This is actually, I would argue, what makes the book great.

The genius of Vonnegut is that he takes highly serious subjects and puts them into a context in his books that puts them in a universal light where they can be examined: through satire, he places deathly serious subjects in improbable situations where we can all laugh at them, be entertained by them, but also examine their reality in depth. All books by Kurt Vonnegut, Jr. work on two levels. The first is the "skin deep" level, on which the books appear to be merely rough-and-tumble, hilarious, little entertaining adventures. However, there is also the deeper element that is always there, the hard themes that resonate beneath the surface. Many writers treat such things entirely seriously, which is fine, but Vonnegut's style puts it in a format that everyone can relate to. This is why he is such a great and important writer, and why so many of us relate to him and have learned so much from him. Perhaps our most acute AND entertaining social critic, Kurt Vonnegut is an author that we are lucky to have, and this is one of the brightest shining gems in his canon.

109 of 128 people found the following review helpful:

5.0 out of 5 stars Underrated is an understatement for Sirens..., January 5, 2000

By 

A. Bayes "a grad student" (Tempe, Arizona) - See all my reviews
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This review is from: The Sirens of Titan: A Novel (Paperback)

When people hear the name Kurt Vonnegut, they think of Slaughterhouse 5, or Cat's Cradle, or perhaps even that his books are often burned in high schools around the country for their dim look at human existence. Not to, in any way, down play the importance or greatness of his more famous works, as I love them all, but I must say that Sirens of Titan is superior to his other works. For some reason, perhaps the science fiction aspects of the novel, this book has not received its deserved recognition. I read approximately the first fifty pages thinking that this book would be about the same as his other novels. I almost put it away to start a different one. Thankfully, I pressed on. Literally, a few pages later, I was entranced by the language, the structure, the revealed surprises, and the humanity of The Sirens of Titan. Every time you think he has revealed the best secret of the book, another one reveals itself. This story is wonderfully intertwined between a set of characters, and the meaning of life. I have since read this book three more times, enjoying it more each time through. If you only read another book in your entire life, please let it be this one. Open your heart and your mind, and let Vonnegut pour into them his wisdom and hope for a better tomorrow.

35 of 40 people found the following review helpful:

5.0 out of 5 stars One of Vonnegut's most entertaining and funniest novels, February 3, 2007

By 

Robert Moore (Chicago, IL USA) - See all my reviews
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This review is from: The Sirens of Titan: A Novel (Paperback)

Today when Kurt Vonnegut is regarded as one of the great American novelists of the second half of the 20th century, it is hard to remember that once upon a time he was regarded as a Sci-fi writer. This was the novel that most solidified that reputation, though it had begun earlier with PLAYER PIANO and cemented by both CAT'S CRADLE and SLAUGHTER-HOUSE FIVE. Only gradually in the early 1970s did it become obvious to all that he was not really a practitioner of Sci-fi as it had become to be defined in the United States.

Even in THE SIRENS OF TITAN it should have been obvious that he was more an experimental writer exploiting the Sci-fi genre than doing the same sort of thing that Robert Heinlein, Isaac Asimov, Arthur C. Clarke, and their ilk were attempting. For one thing, Vonnegut didn't care much for predicting the future, the scientific plausibility of anything he was saying, or any of the other traditional aspects of Sci-fi. Rather, exploiting the genre on a superficial level gave him a freedom that was lacking in most other mainstream fiction at the time. It gave him license to think and imagine and write about almost anything.

This novel ostensibly tells the story of Malachi Constant, hardly the captain of his own fate, but an unwilling tool of fate. More precisely, as we learn, the novel is the story of an alien stranded on Titan, a moon of Saturn, who needs a spare part for his broken space ship. All of human history turns out to have been generated by a distant civilization for the sole purpose of getting Salo, as our alien is known, his missing part. Vonnegut uses farce in telling Malachi's story in order to undercut traditional understandings of God, religion, and the notion that humanity is at the center of the divine narrative. I must confess that I am baffled why so many religious people find this disturbing. I'm a devout Christian myself and secure in my faith, and find Vonnegut's account of the meaninglessness of life and his depiction of the Church of God the Utterly Indifferent to be comical rather than threatening. Some Christians seem to feel that unless you can hermetically seal all believers off from all views that differ from their own. But for those whose faith is a little less fragile, this will stand as a highly entertaining book with whose basic themes one will disagree. As a farce, it has much in common with other farces, such as Voltaire's CANDIDE, the book which in many ways it most resembles.

Those this is a book with many virtues, perhaps the aspect I most enjoy is Vonnegut's absolutely delightful style. Many others would later attempt to mimic his way with a sentence, but few would do so as successfully. He helped introduce a new level of anarchy into the modern novel and in many ways paved the way for such writers as Thomas Pynchon, who perhaps exceeded him in ambition but certainly didn't match him in eloquence and grace. What is most amazing about this book is how much he grew as a writer during the period between the publication of PLAYER PIANO and THE SIRENS OF TITAN. Though entertaining and often compelling, PLAYER PIANO is obviously the work of an apprentice writer; THE SIRENS OF TITAN is a fully mature work. It definitely belongs on the list of his very finest novels, immediately behind such novels as SLAUGHTER HOUSE-FIVE and BREAKFAST OF CHAMPIONS.

I strongly recommend this to anyone who either wants to read Vonnegut for the first time or who wishes to explore his art further after having read other novels first. It shows as well as any Vonnegut's gift for language, his outrageous sense of humor, and his bleak view of existence. It definitely belongs on any list of first-rate American novels with which one should be familiar.