Chitra Banerjee Divakaruni made an indelible impression on the literary world with her first novel, The Mistress of Spices
, a magical tale of love and herbs. Sister of My Heart
is less reliant on enchantment but no less enchanting as it tells the tale of two cousins born on the same day, their premature births brought on by a mysterious occurrence that claims the lives of both their fathers. Sudha is beautiful, Anju is not; yet the girls love each other as sisters, the bond between them so strong it seems nothing can break it. When both are pushed into arranged marriages, however, each discovers a devastating secret that changes their relationship forever.
Sister of My Heart spans many years and zigzags between India and America as the cousins first grow apart and then eventually reunite. Divakaruni invests this domestic drama with poetry as she traces her heroines' lives from infancy to motherhood, but it is Sudha and Anju who give the story its backbone. Anju might speak for both when she says, "In spite of all my insecurities, in spite of the oceans that'll be between us soon and the men that are between us already, I can never stop loving Sudha. It's my habit, and it's my fate." Book lovers may well discover that reading Chitra Banerjee Divakaruni is habit-forming as well. --Margaret Prior
From Publishers Weekly
Like the old tales of India that are filled with emotional filigree and flowery prose, Divakaruni's (The Mistress of Spices) latest work is a masterful allegory of unfulfilled desire and sacrificial love. It is also an intricate modern drama in which generations and castes struggle over old and new mores. Anju and Sudha are cousins, born in the same household in Calcutta on the same day?which is also the day on which their mothers learn that both their husbands have been killed in a reckless quest for a cave full of rubies. Sudha grows up believing her father was a no-good schemer who brought ruin on his cousin, Anju's upper-class father. As they mature, Anju dreams of college, Sudha of children, but arranged marriages divide and thwart them. Anju adjusts to life in California with a man who lusts after Sudha; Sudha grapples with a mother-in-law who turns to the goddess Shasti to fill Sudha's barren womb rather than to a doctor for her sterile son. Ultimately, the tie between Anju and Sudha supersedes all other love, as each sustains painful loss to save the other. When Sudha learns the truth about her father and no longer needs to right his wrongs, she sees that all along her affection for Anju has not been dictated by necessity. An inspired and imaginative raconteur, Divakaruni is sure to engender comparisons with Arundhati Roy (The God of Small Things), but Divakaruni's novel stands in its own right as a compelling read. If her prose sometimes veers toward the purple, her mesmerizing narrative sustains it well. Agent, Sandra Dijkstra; author tour.
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