From Publishers Weekly
Petro, a travel writer based in Northhampton, Mass., embarked on four meandering trips through the South to explore the "place-bond" that particular, mysterious nexus of identity, geography and history that she imagines defines Southern culture. Doggedly pursuing a diverse group of both black and white professional storytellers, she wanders from Appalachia, Louisiana bayous and Selma, Ala., back to the Atlantic seaboard. Folktales and their tellers serve as her maps and guides; her travelogue is peppered with transcribed stories she hears on the way. The resulting chronicle is an impressive piece of cultural conservation, reportage and memoir that subtly mourns the passing of a rural way of life. Petro revels in the folksy and whimsical stories of mule eggs, plat-eyes, kudzu, rattlesnakes and singing turtles revealing as much about her sensibility as about the eccentricities of her subjects. Not all of the stories retain their power in written form, however, and Petro sometimes offers obvious lessons and characterizations: that elderly people are wise, for instance. On the other hand, she generally resists an academic penchant for overanalyzing, trusting readers to interpret the racial, ethnic, environmental and socioeconomic conditions that shape the stories. The strength of the book lies in the fine balance between the individual voices of her storytellers and her own observations and commentary. In searching out these speakers, Petro discovers her own narrative voice.
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Petro has composed a two-fold book --part oral history, part"blue highways"--that refreshingly demonstrates that, despite the"McDonaldization" of America, there is still great regionaldifferentiation in our country. Petro's perspective is far frompedestrian. While extolling the virtues of the oral storytellers thatshe visits, she is able to opine that "while stories ideally link usto the past . . . opening the world wider, storytelling itself cansometimes be a way of narrowing experience, of not hearing. To tell(and tell and tell and tell) is not to listen." In her "blue highways"guise, Petro shines when she describes kudzu growth in northeasternGeorgia (
Time magazine voted kudzu one of the worst ideas of thetwentieth century). The more remote Petro's journeys, the moreprimitive the terrain, the more eccentric and captivating were thestorytellers, who, as Petro writes, were "obeying a human impulse asold as fear," making "the dark hours better by filling them withvoices." Greatly entertaining and informative.
Allen WeaklandCopyright © American Library Association. All rights reserved
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