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Six Degrees of Separation [Paperback]

John Guare
4.1 out of 5 stars  See all reviews (16 customer reviews)

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Book Description

January 5, 1992
This play is a high comedy in which broken connections, mistaken identities, and tragic social, familial, and cultural schisms create an hilarious and finally searing panorama of urban America in the Nineties.
--This text refers to an alternate Paperback edition.

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Editorial Reviews

From Publishers Weekly

Since its inception in 1974, L.A. Theatre Works, a nonprofit radio production company, has built up a sizable catalogue of ensemble-cast productions in which major name actors (including the likes of Richard Dreyfuss, Kelsey Grammer and Jacqueline Bisset) perform classic and contemporary plays. Typical is this famous Guare work, which stars Alan Alda, Swoosie Kurtz and Chuma Hunter-Gault and is directed by Jay Sandrich. Though on tape, the production still sounds more like theater than anything else: it's all in the timing. Recorded before a live audience, in the open-miked fidelity one can sense the ambient space surrounding the actors, the charge of excitement sparking between them. The opening scene, with its New York City society dinner party, sets the overall tone of clever talkiness (here, Alda and Kurtz especially shine). When a young African-American stranger arrives at the door, claiming to be the son of actor Sidney Poitier, the plot takes some wonderfully unexpected turns. As with other L.A. Theatre Works programs, this is especially well suited for would-be actors, as the tape draws attention to the mechanics of Guare's play itselfAand to the role played by a skilled cast in animating that material. Recommended for libraries and general audiences alike. (July)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

This new effort is an excellent production of Guare's famous play. When a young man enters the Fifth Avenue home of Flanders and Ouisa Kittredge claiming to be a friend of their children and son of actor Sidney Poitier, the couple is charmed by his manners, wit, and intelligence. When the Kittredges discover that "Paul" isn't all he claims to be, they find themselves stuck between embarrassment and fascination. Alan Alda and Swoosie Kurtz portray the Kittredges convincingly, with Kurtz's performance particularly effective, as she captures Ouisa's empathy and simultaneous desire not to get too involved with an obviously disturbed person. Chuma Hunter-Gault sensitively portrays the con man who manages to change the Kittredges' lives irrevocably. A few moments in which it becomes difficult to distinguish among characters' voices are all that mar a fine production. This will be welcome to students, lovers of the theater, and even more traditional fans of audiobooks. Recommended.
-Adrienne Furness, Genesee Community Coll., Batavia, NY
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 72 pages
  • Publisher: Dramatists Play Service, Inc. (January 5, 1992)
  • Language: English
  • ISBN-10: 0822210347
  • ISBN-13: 978-0822210344
  • Product Dimensions: 5.2 x 7.6 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Best Sellers Rank: #37,468 in Books (See Top 100 in Books)

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Customer Reviews

4.1 out of 5 stars
(16)
4.1 out of 5 stars
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Most Helpful Customer Reviews
39 of 41 people found the following review helpful
5.0 out of 5 stars A disturbingly funny play that examines race and class. November 3, 2000
Format:Paperback
Based on the true story of a wealthy, well-meaning liberal couple in the upper echelons of New York society's upper crust, we have Flan or Flanders Kittredge and his wife Ouisa or Louisa; the former is a standoffish but deep down good-hearted art dealer in the private sector who has a penchant for the works of Kandinsky and Cezanne; the latter is his wife, articulate and intelligent who is in need of something of greater meaning and depth other than money, art, fancy restaurants and wealthy friends.

And so the evening commences with a friend from South Africa; they are discussing poverty, the downtrodden and the oppressed, overblown intellectual banter to elevate the ego and make the evening progress smoothly and divinely. But the night is anything but that, for it is dramatically interrupted by Paul - a young black homosexual flimflammer or Peter Funk man with a penchant for male street hustlers (only when he is happy - his words). He comes into the lives of these two unwitting victims after stabbing and passing himself off as a friend to their children who are at Harvard. And what else does her profess? You guessed it - that he is the son of you-know-who: Academy Award winner Sidney Poitier, the most eminent black actor of his generation, the hero that has been the catalyst for the lives of these socially and politically 'aware' forty-somethings.

Paul charms and bedazzles himself into the lives of those he encounters, using his wit, knowledge, ease and most importantly, his race, more specifically, Sidney Poitier's name. As the play intensifies, Paul promises the Kittredge's and future unsuspecting victims minor roles in the movie version of Cats, for which his 'father' is purportedly directing....

This play is complex because of the issues that are addressed; it is not just about race and economics, but it is about the purpose of existance in life. This work evolves and reveals so many layers, layers that are eventually reached, and thus, a truer gift of insight gained. Ironically, in the environment of the wealthy elite and the established intelligentsia, it was a sharpie who made this couple and others similar to them see the gift that life and living really is. Read more ›

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19 of 22 people found the following review helpful
5.0 out of 5 stars An essential bit of theater. October 7, 1999
Format:Paperback
John Guare has created a witty, creative, funny, and tragic play with his SIX DEGREES OF SEPERATION, based upon the true story of a wealthy Manhattan couple who are fooled into allowing a con-man who claims to be a friend of their Harvard children, and the son of actor Sideny Potier into their home. Paul, the con-man in question, is a homosexual who has previously seduced a lover into telling him secrets about people in this upper-class Manahatten community. Paul even goes so far as to stabbing himself and claiming that he was mugged for his briefcase.

Mr. guare has adapted this story to the playbook with astoinding creativity and brilliance. His characters grow and learn with each passing scene. Mr. Guare is an incredible author who has built a beautiful world on the stage. I can't imagine how wonderful a sight this must be when seen live. SIX DEGREES OF SEPERATION is essential when studying or performing modern theater. Nothing this decade has stood out as much as this play.

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7 of 7 people found the following review helpful
5.0 out of 5 stars Six Degrees is incredible! August 3, 1997
By A Customer
Format:Paperback
this is a brilliant play and the movie adaption goes by the screenplay almost word-for-word, scene-by-scene.

it is about many things, primarily dealing with the nature of social role. but you'll find more than that, you'll find issues in meaning, art, color, dreams, all wrapped up into what can be seen as a social commentary.
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11 of 14 people found the following review helpful
5.0 out of 5 stars Six Degrees December 5, 2001
By Lex
Format:Paperback
I was introduced to this play about a month ago when I was cast in the role of Kitty, a friend of the Kitteredges. Intending to only skim the script and hilight my lines, I read the entire play in one sitting. From the opening scene to the closing, I felt like I was being included in the characters' experiences.
The characters' personalities are also quite deep. After the first couple of times that I read through the script, I realized that there was so much more to the characters than what was written on the page. Guare does a wonderful job of letting the reader use his imagination and create his own backgrounds and deeper personalities for the characters.
This play is an intellectual-artsy type for those who are willing to examine their trust for strangers.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Guare's best June 18, 1998
By A Customer
Format:Paperback
A wonderful play based on an actual event. Right up there with Equus and Arcadia in quality and depth. Strongly written, but also deftly written. I had the opportunity to see it performed (twice) with Stockard Channing (also in the movie version - which was good, but not exceptional) and Courtney B. Vance (@ Lincoln Center). Definitely read it. Even more definitely - go see it performed if you can.
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5.0 out of 5 stars great June 7, 2013
Format:Paperback|Amazon Verified Purchase
i have not read the book yet - heard many good things about it - i will update when i am done reading.
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5.0 out of 5 stars Brand New! September 8, 2011
By Jay
Format:Paperback|Amazon Verified Purchase
I forgot to write this review, but this is an amazing play. I read it and re-read it after I received it. This copy seemed as if if came straight from the printer, thats how new it was
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3.0 out of 5 stars A play about everything June 20, 2010
Format:Paperback
After reading a book about the Oscars, I decided to seek out books that were made into films, and I came across Guare's now-famous play that was produced on Broadway in the 1990s and eventually made into a film starring Will Smith and Stockard Channing. A young black man, feigning injury, insinuates himself into the lives of art dealer Flan Kitteredge and his wife, Ouisa. He claims to have known their kids at college and also claims to be Sidney Poitier's son. They have a wildly fascinating conversation during their first meeting, but after inviting him to stay the night, they discover him in bed with a male hustler. Then Ouisa and Flan discover the con: other friends of theirs have also had run-ins with this man, Paul, and his lies eventually lead to tragedy.

Ouisa gives the play's best and most famous monologue in which she talks about their being six degrees of separation from every individual on the planet. Performed as a play, it's only about 90 minutes long, but those minutes are filled with seamlessly joined dialogue between well-rounded characters who seem to leap off the page.
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Most Recent Customer Reviews
2.0 out of 5 stars Six Degrees of Separation
I am requesting the book (not the play) for this Title. I do know that it was a true story. Cab you help me find this book?

Thanks,
Wendy
Published on October 22, 2010 by Wendy Hart
3.0 out of 5 stars Liked it, but...
Maybe its me, but where did the concept of six degrees of separation come in? That being said, I enjoyed the pacing and language of this play, and the characters were strong and... Read more
Published on June 25, 2010 by Vance
5.0 out of 5 stars "I read somewhere that everybody on this planet is separated by only...
Loosely based upon real events, SIX DEGREES OF SEPARATION is a dramatic comedy that explores the deep interconnectivity of people while at the same time illustrating how shallow... Read more
Published on March 18, 2010 by tvtv3
3.0 out of 5 stars "We're not enough to be envied"
John Guare's "Six Degrees of Separation" is about the foibles of a New York City couple named Flanders and Louisa Kittredge, who go by the nicknames Flan and Ouisa. Read more
Published on October 14, 2006 by Gregory Baird
3.0 out of 5 stars cruel fun
Even if this play were worthless, which it is not quite, the concept that gives it its title has passed into the American lexicon, so it will long be remembered, if in name only. Read more
Published on February 28, 2001 by Orrin C. Judd
2.0 out of 5 stars "Once I was blind..."
My thanks to Mr. Guare. Had he not portrayed the rich as fatuous dupes, I might still envy them.
Published on December 11, 2000 by Bastiat
4.0 out of 5 stars This play idealises imagination.
This play idealises imagination through an exciting exploration of hard-line and confronting social issues deplored magnificently in a satired New Yorkian environment. Read more
Published on May 23, 1999
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