9 of 10 people found the following review helpful:
5.0 out of 5 stars
An Interesting Story; An Engaging Novel, June 25, 2000
This review is from: Six Figures (Hardcover)
Six Figures is an interesting and enjoyable read, quick, but with substance. It is the story of Warner and Megan a not so happily married couple, living on the fringes of Charlotte NC's successes with their two young children. The stresses on their marriage ring true and any married person with young kids will recognize them. The daily grind of diapers, preschool, the depressingness of seeing others so much more successful, driving new Volvos when your Honda is falling apart. Leebron doesn't dwell on any of this envy, this unhappy marriage-ness for too long, he delves in and out of his characters heads so the reader gets a flavor of their misery without without making the reader miserable. Megan is then brutally attacked and near death. Warner is the only suspect. Leebron then explores what happens to the marriage, and the family after it is torn apart by the attack.
We never really, truly know if Warner did it or not, but that's OK. It's not necessary because this novel is not a mystery-thriller, it is a story of marriage and of family. What makes this book so enjoyable is the total believability of all of Leebron's characters and their relationships. We have met people like them and have felt like them many times. Warner is not exactly a likeable guy, but he's not awful either, probably because the envy he feels is something we have all felt at one time or another.
Six Figures is a satisfying read. I am surprised at, and have to disagree with, the negative reviews at this website. Give this book a read, I don't think you will regret it.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars
A family in trouble, October 3, 2001
This review is from: Six Figures (Hardcover)
This is an especially well-done examination of the nature of families in a time of crisis. The "six figures" of the title, despite the artwork on the cover, are not the members of the extended family (since there are nine of them, even ten, if you count the brother). More likely the six figures are the dream of yearly income that signifies success in our society.
The central character is Warner Lutz, a thirty-something yuppie who manages a fund-raising non-profit organization (at about $30,000 a year) in Charlotte, North Carolina. He is married to Megan, who tends a shop that sells art objects. They have two children, Sophia, who is four, and Daniel, who is perhaps two. At the crisis they are joined by Megan's mother, Nan, a high-powered business woman who does indeed command over six figures a year, Warner's mother, Ruth, a workaholic who doesn't entirely believe or trust her son, and her husband, Alan, who is fat and seventy and sleeps a lot. There is also Nan's estranged husband and his wife (who really play no part in the story).
The central event of the novel occurs about halfway through. It comes as a surprise, and therefore shouldn't be revealed here, and I won't. I will say that Warner is accused and most everyone, including the police, believe he is guilty. Leebron's narrative deliberately does not allow us to know. Leebron wants to examine the event and its aftermath and how it effects the family regardless of whether Warner is guilty or not; indeed it is important that the truth not be known. It appears that no one else could have done it, but it that proof? Leebron hints at why Warner might have done it, but Warner says he is innocent. He is not believed. His life falls apart.
There is a long preparation for this central event in which the circumstances of the Lutz's are slowly revealed. We experience the frustration of their careers, the demands of being working parents, the alienation that comes with being northerners in a southern town. He is from Pennsylvania, nominally Jewish. Megan is a New Yorker. Some events of the past are recalled and how they effect their lives at present and perhaps foreshadow events to come. He comes under pressure because of a financial impropriety not of his doing. Sophia has trouble at pre-school. They don't feel they are making enough money. And then the central event comes crashing down on them, perhaps putting their lives into perspective.
Leebron's style is a laudable attempt at a kind of realistic objectivity, an attitude toward his characters that is understanding, even forgiving, but without sentimentality. His prose is for the most part without flourish, without mannerism, the "invisible" style of the writer who does not want to detract from his story. The characterizations are vivid and, after a slow start, a fine tension is achieved that carries us to the conclusion. This is an excellent work, marred slightly by an incidental quality as though a short story were being stretched into a novel.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Gripping and relentless, April 9, 2000
By A Customer
This review is from: Six Figures (Hardcover)
I picked up this book before bedtime, expecting to read a chapter or two and followed the luckless Lutz family all the way to the final page. Leebron's swift moving and understated style leaves you with an uneasy uncertainty right up to the end. Could Warner have attacked his wife? Did she betray him earlier with a family friend? Will they find a true new beginning in a new place or will their doubts follow them north? Do Megan and Warner stay together out of loyalty or inertia? And, to echo the mother-in-law does anyone really know anyone? An intense and unnerving book - just don't give it to anyone for a wedding gift. Six Figures really makes you think twice about this "Till death do we part" thing.
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